Canadian Program Certification

Application form for
Live Action and
Continuous Action Animated Productions

GENERAL INSTRUCTIONS

This application form is to be used for Canadian program certification of Live Action and Continuous Action Animated productions, including both domestic and international co-ventures/co-productions.

For other production types, use the following application forms: Animated productions, form #205; Live and live-to-tape sports events and competitions, form #204; Dubbings of foreign productions, form #201; Production packages, form #203; Twinnings, form #202.

1.	FILING
	File electronically via Epass, which is available on our web site under "File, Register and Epass". Epass allows secure transmissions to the Commission and also authenticates your identity. Note that completion of section 14.0 Declaration of Applicant is mandatory even though a signature is not required when using Epass. For more information, see Broadcasting Circular CRTC 2008-2 and 2008-2-1 Electronic filing of applications for Canadian program certification.
	When filing your application, please ensure that the file name of the documents attached to your application form includes a brief description of the document content. For example, "Doc1-Application"; "Doc2-Schedule 3, Mr. Smith's affidavit", and so forth.
2.	INSTRUCTIONS
	The following application is in HTML format and may be downloaded to the word processing software of your choice. This enables you to complete the downloaded application by inserting your response in bold letters immediately following the question. You may add lines to the tables if necessary but do not alter or delete any text from the application.
	Consult the Guide to the Canadian Program Certification Application Process which provides important information on completing and filing this application form.
	Every line of this application must be completed and all applicable supporting documents and schedules identified in the checklist (Supporting Documents – Line 15.0) must be attached. If a line does not apply, insert N/A (Not Applicable) in the space provided. All supporting documents must be signed and dated.
	The Commission reserves the right to refuse the application form if it has not been duly completed, was filled by hand or has been altered. The onus will be on applicants to submit a clear application that provides all of the relevant information and supporting documentation.
	The individual line item numbers in this form correspond to those in the shaded boxes in Section 10, Completing the Application Form, in the Guide. Only those line items requiring additional explanation have entries in the Guide.

   For Commission's use

   Production Title

   File Number                      PC DOC Number

1.0 CRITERIA FOR CERTIFICATION

1.1

Is the principle photography started and/or finished?

YES ( )

NO ( )

b)	Are all key creative personnel under signed contract?
		YES ( )	NO ( )
c)	Are all committed budgets in place?
		YES ( )	NO ( )

IMPORTANT: If you answered NO to any one of these questions, do not submit your application as it will be returned to you. You may proceed with the filing of your application only when your production meets all three of these conditions: the production is underway, all key creative personnel are under contract, and committed budgets are in place. As stated in Public Notice CRTC 2000-42, all three of these requirements must be met for the Commission to issue final certification.

2.0 APPLICANT INFORMATION

2.1	IDENTIFICATION OF THE APPLICANT
	Producer ( ) Broadcaster ( ) Distributor ( )
	GIVEN NAME: SURNAME: OR NAME: ADDRESS: CITY (PROVINCE): POSTAL CODE: TELEPHONE: FAX: E-MAIL:
	Note:	An applicant may be the producer, the broadcast licensee or the distributor. Unless otherwise requested, the certification letter will be sent to the attention of the person identified on Line 14.0, Declaration of the Applicant, at the address specified above.
2.2	PERSON TO CONTACT REGARDING QUESTIONS ON THE APPLICATION
	GIVEN NAME: SURNAME: ADDRESS: CITY (PROVINCE): POSTAL CODE: TELEPHONE: FAX: E-MAIL:

3.0 CORPORATE INFORMATION

3.1	PRODUCTION COMPANY
	NAME: ADDRESS: CITY (PROVINCE): POSTAL CODE: TELEPHONE: FAX: E-MAIL: PLACE OF INCORPORATION: DATE OF INCORPORATION: WEB SITE:

3.2	a)	Is the production company a CRTC licensee? (A corporation, organization or person licensed by the CRTC to carry on a broadcasting distribution undertaking as set out in the Television Broadcasting Regulations, 1987.)
			YES ( )	NO ( )
	b)	Is the principal business of the production company the production of film, videotape or live programs?
			YES ( )	NO ( )
		If "NO", please explain.
3.3	a)	Is the production company owned and controlled by Canadians?
			YES ( )	NO ( )
	b)	Explain how ownership and control are exercised. Example; is it an individual shareholder holding the majority of voting shares? A group of shareholders? A shareholder corporation? The Board of Director? Voting trust?

3.4

List the officers of the Production Company. Attach a separate sheet as Schedule 7 for the parent company.

Given name - Surname	Position Held	Citizenship or Date of Permanent Residency

3.5	PARENT PRODUCTION COMPANY For filing purposes, please indicate the ultimate parent company of the Production Company. Where non-applicable indicate N/A.
	NAME: ADDRESS: CITY (PROVINCE): POSTAL CODE: TELEPHONE: FAX: E-MAIL: PLACE OF INCORPORATION: DATE OF INCORPORATION: WEB SITE:

4.0 PRODUCTION INFORMATION

4.1	Final Title of Program:	Language:
	For series, attach as Schedule 8, a list of episode titles.
4.2	Is there or will there be another language version of this production?
	YES ( )	NO ( )
	If YES, list all final title(s) of other language version(s) and their respective language. Indicate the location where the versioning was done as well as what method was used for the versioning: Note that if narrators, leads, or voice-over are used; ensure to list their given name(s) - surname(s) and citizenship in Section 8.11. Also, indicate which version they participated in.

4.3	Running length of program in minutes, excluding commercial time: (If a series, indicate N/A and proceed to Line 4.4.) (Note that productions of less than five minutes in duration usually do not need to apply for certification. See Guide, Sections 4 and 10, Line item 4.3.)
4.4	Is the production a "series"?
		YES ( )	NO ( )
	If YES, indicate the:
	a)	Cycle:
	b)	No. of episodes:
	c)	Episode Numbers: From: To:
	d)	Running length of each episode in minutes, excluding commercial time:

4.5

Dates of principle photography (yy/mm/dd):

		From:	To:
	(Start & end. If a series, the start of principle photography of the 1st episode to the end of the principle photography of the last episode.)

Dates of overall production (yy/mm/dd):

		From:	To:
	(Start of principle photography to end of post-production. If a series, start of principle photography of 1st episode to end of post-production of last episode.)

4.6	Where was this production filmed? (Identify where in Canada. If abroad, identify country(ies) involved.)
	Studio
	In Canada:	( % of shooting time)
	Outside Canada:	( % of shooting time)
	On Location
	In Canada:	( % of shooting time)
	Outside Canada:	( % of shooting time)

4.7

Name(s) of broadcaster(s):

Canadian:

Non-Canadian:

Broadcast date(s):

Broadcast date(s):

4.8	This application requires a:
	( ) "C" number for a Canadian domestic production.
	( ) "SR" number for an international co-venture/co-production*.
	* If the application is for a co-venture/co-production, complete and attach Schedule 1 which is available on the Commission's web site. Also attach a signed copy of the co-venture/co-production agreement as Schedule 6.
4.9	Provide the International Standard Audiovisual Number (ISAN) for this production, if applicable. (See Guide, Section 10, Line item 4.9) ISAN:

5.0 RIGHTS HOLDERS

5.1	Who owns the resulting production upon completion?
	NAME: ADDRESS: CITY (PROVINCE): POSTAL CODE: TELEPHONE: FAX: E-MAIL:
	Canadian: ( ) Canadian citizen ( ) Permanent resident ( ) Canadian controlled corporation
	or Non-Canadian, specify:
5.2	Who holds the following rights? (Please indicate name of individual, broadcaster or company and citizenship/nationality.)
	a)	Canadian Broadcasting Rights:

	Canadian ( )	Non-Canadian ( )
Non-Canadian Broadcasting Rights:
	Canadian ( )	Non-Canadian ( )

b)	Canadian Distribution Rights:
		Canadian ( )	Non-Canadian ( )
	Non-Canadian Distribution Rights:
		Canadian ( )	Non-Canadian ( )

6.0 SYNOPSIS & PROGRAM CATEGORY

See Guide, Section 10, Line items 6.1 and 6.2 as well as Public Notice 1999-205 on the Commission's web site for category definitions. SELECT ONLY ONE of the following categories according to the definition that best describes your production. Official category designation will be confirmed based on the synopsis provided below. DVD/Tape may be requested.
6.1	SYNOPSIS In order to support the category you will select in 6.2, describe in sufficient detail below; what the viewer will see, how the program is presented, the theme, subject matter and setting of the program/series:

6.2

PROGRAM CATEGORY

Information / Education
1)	News (newscasts, newsbreaks, headlines)	( )
2a)	Analysis & Interpretation (includes consumer affairs, talk or panel shows, short docs, etc.)	( )
2b)	Long-form documentary (in depth critical analysis - 30 min. or more including commercials.)	( )
3)	Reporting & Actualities (political conventions, conferences, non-entertainment fund-raising, etc.)	( )
4)	Religion (includes discussions of human spiritual condition.)	( )
5a)	Formal Education (can be related to established curricula) & Pre-school (Ages 2-5)	( )
5b)	Informal Education/Recreation & Leisure (includes lifestyle, outdoor, recreational sports, how-to-talk shows, etc.)	( )
6a)	Professional Sports (includes analysis and review.)	( )
6b)	Amateur Sports (includes analysis and review.)	( )
Music and Entertainent
7a)	Drama - on-going drama series	( )
7b)	Drama - on-going comedy series (sitcoms)	( )
7c)	Drama - specials, mini-series, TV movies	( )
7d)	Drama - theatrical feature films aired on television	( )
7e)	Drama - animation	( )
7f)	Drama - programs of comedy sketches (stand-up)	( )
7g)	Drama - other (readings, improvisations, continuous action animation, experimental shorts, etc.)	( )
8a)	Music & Dance	( )
8b)	Music Video Clips	( )
8c)	Music Video Programs (+ than 50% music video clips)	( )
9)	Variety (mix of acts - comedy, music, magic, dance, etc.)	( )
10)	Game Shows (skill and chance)	( )
11)	General Entertainment and Human Interest (world of entertainment and its people, reality TV, talk, interview and awards shows.)	( )

Note that it is not possible to select the following categories for certification purposes. Please refer to Public Notice 2000-42 for more details.

	12)&13)	Interstitials & Public Service Announcements (programming of less than 5 minutes). Productions of less than five minutes in duration that meet the criteria for Canadian certification applicable to longer programs will be considered as Canadian programs without individual certification. Applications for certification of such productions are no longer required, unless specifically requested by the Commission.
	14)	Infomercials, Promotional and Corporate Videos. These are not eligible for certification as Canadian programs.
	15)	Filler programming. If your program is less than 30 minutes and is to be used as a filler program (Category 15) by the broadcaster, select one of the categories listed above which best defines your program, i.e. categories 2a) to 11.

6.3

Is the production screenplay based on a publication?

YES ( )

NO ( )

	b)	If YES, please identify name of work (book, publication, etc.) on which the production screenplay is based:
	c)	Name of Author:

		Canadian ( )	Non-Canadian ( )
d)	Has the work been published in Canada?
		YES ( )	NO ( )

6.4	Is the program a mixture of animation and live action?
		YES ( )	NO ( )
	If YES, indicate the percentage of animation and live action. (See Guide, Section 8(i), to ensure completion of the appropriate form.)
		Animation: %	Live Action: %
6.5	Is this production a music video program? (see "Music video program" in Section 9, Definitions and Requirements, of the Guide). Complete and attach a separate Schedule 2 for each video clip.
		YES ( )	NO ( )
6.6	Does the program contain music video clips?
		YES ( )	NO ( )
	a)	If YES, what percentage of the program's running time* is devoted to music video clips? % *If a series, what percentage of the running time of each episode is devoted to music video clips?
	b)	If the percentage in a) is greater than 50%, what percentage of the total number of video clips are Canadian? % If a series, what percentage of the total number of video clips in each episode is Canadian?
	Complete and attach a separate Schedule 2 for each video clip.

7.0 PRODUCER PERSONNEL AND CONTROL

List below all Canadian and non-Canadian persons occupying the following functions and/or that receive such a credit. With regards to series, if more than one person fulfills the specific position throughout the series, then list each of their names and citizenship, per episode, on a separate sheet, and attach as Schedule 9. See also Section 10, Line item 7.1 in the Guide.

For Drama productions (categories 7a) to 7g) inclusively), a Declaration of Citizenship is to be submitted as Schedule 4 for each person filling a producer-related function.

		Given name - Surname	Citizenship	Date of Permanent Residency (yy/mm/dd)	Remuneration (Can$)
7.1	Producer(s):
7.2	Co-producer(s):
7.3	Executive Producer(s):
7.4	Line Producer(s):
7.5	Associate Producer(s):
7.6	Supervising Producer(s):
7.7	Production Manager(s):
7.8	All other Person(s) fulfilling other producer-related functions:

7.9	REQUEST FOR NON-CANADIAN COURTESY CREDITS (See "Foreign credits" in Section 9, of the Guide.)
	Complete and attach a separate Affidavit, as Schedule 3, for each non-Canadian courtesy credit requested.

Given name - Surname of Person(s)	Company	Citizenship	Remuneration (Can$)	Screen Credit Requested

7.10	CONTROL OF THE PRODUCTION (See "Producer control" in Section 9, Definitions and Requirements, of the Guide.)
	Who has the final approval over hiring key creative personnel?
	a)	Name of Individual or Company:
	b)	Canadian / Non-Canadian at production start:
			Canadian ( )	Non-Canadian ( )
7.11	Who has final approval over the budget?
	a)	Name of Individual or Company:
	b)	Canadian / Non-Canadian at production start:
			Canadian ( )	Non-Canadian ( )
7.12	Who controls the distribution of the production?
	a)	Name of Individual or Company:
	b)	Canadian / Non-Canadian at production start:
			Canadian ( )	Non-Canadian ( )

8.0 KEY AND NON-KEY CREATIVE PRODUCTION PERSONNEL

List below all Canadian and non-Canadian persons occupying the following functions and/or that receive such a credit. With regards to series, if more than one person fulfills the specific position throughout the series, list each of their names and citizenship, per episode, on a separate sheet, and attach as Schedule 9. See also Section 10, Line item 8.0 in the Guide. Enter gross remuneration paid to all other Canadian and/or Foreign staff on Line 8.10.

For Drama productions (categories 7a) to 7g) inclusively), a Declaration of Citizenship is to be submitted as Schedule 4 for each person filling a key creative position: Director, Screenwriter, Production Designer, DOP/Chief Camera Operator, Music Composer, Picture Editor, First and Second Lead/Voice Performer. See “Key creative positions” in Section 9, Definitions and Requirements, of the Guide.

			Given name - Surname	Citizenship	Date of Permanent Residency (yy/mm/dd)	Remuneration (Can$)
8.1	Director:
8.2	Screenwriter:
8.3	Production Designer:
8.4	DOP/Chief Camera Operator:
8.5	Music Composer:
8.6	Picture Editor:
8.7	Researcher:
8.8	Chief Technician:
8.9	Chief Sound:
8.10	All other production staff:
	a)	Canadian:
	b)	Foreign:

8.11	LEAD PERFORMERS
	List the top 5 credited on-screen/off-screen performers in order of importance. Indicate role (actor, singer, host, narrator, etc.). See "Lead performers" in Section 9, Definitions and Requirements, of the Guide.
	*Where 2 or more of the leads are non-Canadian, provide the on-screen time of each performer.

		Given name - Surname	Role	Citizenship	Date of Permanent Residency (yy/mm/dd)	Remuneration (Can$)	Screen Time*
8.12	1st Lead/Voice:
8.13	2nd Lead/Voice:
8.14	3rd Lead/Voice:
8.15	4th Lead/Voice:
8.16	5th Lead/Voice:

8.17	ALL OTHER ON-SCREEN PERFORMERS
	Indicate the number of individuals in each of the following categories.

Musicians	Chorus	Dancers	Extras

	Percentage of canadian performers: %
	Percentage of non-canadian performers: %
8.18	GUESTS
		a)	YES ( )	NO ( )
		If Yes, complete (b) and (c) below.
		b)	Type of Guest participation:
			Interview ( ) Panel ( ) Contestant ( ) Other ( ) specify:

c)	Number of guests per episode:
	i)	Canadians:	Cost: (Can$)
	ii)	non-Canadians:	Cost: (Can$)

8.19	AUDIENCE PARTICIPATION IN THE PROGRAM
		YES ( )	NO ( )
	If Yes, provide details in the synopsis.

9.0 FINANCING INFORMATION

Enter each individual source of financing. The total on Line 9.1 must be sufficient to cover the total cost of the production on Line 10.1 below. For co-ventures/co-productions, please enter both Canadian and foreign financing covering the total cost of the production indicated on Line 10.1. The coverage of any short-fall must be fully explained.

Source of financing	Type	Canadian	Non- Canadian	Amount (Can$)	% of Total

9.1

Total financing available

100%

10.0 PRODUCTION POST

NOTE:

Lines 10.1 and Lines 10.2 to 10.5

The amounts on Lines 10.2 to 10.5 are actually only specific parts of the total cost of production reported on Line 10.1. More precisely, Line 10.1 also includes key creative personnel and other cost expenditures which are not detailed in this Section. In fact, Lines 10.2 to 10.5 correspond to their respective columns found in Schedule 5 – Breakdown of Costs (BOC) form for live action and continuous action animated productions.

Breakdown of Costs Form (BOC)

Completion of the live action and continuous action animated productions Breakdown of Costs (BOC) form, available on the Commission's web site, is mandatory when non-Canadian expenditures are incurred for either services or post-production and laboratory work. Attach as Schedule 5.

For co-ventures/co-productions, completion of the BOC is mandatory and must include both the foreign and the Canadian portions of the budget which, when added together, must amount to the total cost of production indicated on Line 10.1.

Services Costs

Includes costs for development, story, stock footage & music rights, non-key creative personnel, all producer positions (other than producer and co-producer), production staff, all production labour, all rentals, transportation, shipping, customs & communications, animals, video studio facilities, video remote technical facilities, second unit crew, completion guarantee, unit publicity & amortization (in the case of a series).

The determination as to whether a Services cost item is Canadian or non-Canadian is based on the citizenship (or date of landing for landed immigrants who are not yet Canadian citizens) of the person on whose account the cost was incurred or of the person providing the service. For example, if costs are incurred on account of a Canadian or landed immigrant traveling on production-related business to a location, whether inside or outside Canada, all of the costs incurred on account of this person's travel, including food and lodging while traveling and on-location, would be included in the Canadian category since they were incurred on account of a Canadian citizen or landed immigrant. If however, these same costs were incurred in respect of a non-Canadian, even if they were incurred in Canada, they would be included in the non-Canadian category since they were incurred in respect of a non-Canadian.

In the case of services provided by an incorporated company, the company must be incorporated and have a Canadian business in Canada address as well as be owned and controlled by Canadian in order for the cost to be considered Canadian.

Post-production and Laboratory Costs

Includes costs for videotape stock & production laboratory (other than purchases), voice edit labour & other editorial labour, editorial equipment rentals, post-production picture labour & post-production sound labour, special effects/foley, computer graphics, music labour & other music expenses, titles/optical, versioning & amortization (in the case of a series).

Note that the following costs are excluded from both services and post‑production/laboratory costs: The producer, co-producer, director, screenwriter, production designer, DOP/chief cameraman, picture editor, 1^st lead performer, 2^nd lead performer, music composer, purchased goods and all non-related production expenses, such as accounting, legal fees, bank charges, insurance, auditing, corporate overhead, interim financing, interest and contingency

		Amount (Can$)
10.1	Total cost of the production, including deferrals. For a co-venture/co-production this would include both the Canadian and foreign elements.
10.2	Total amount spent on Canadian services.
10.3	Total amount spent on non-Canadian services. Complete Schedule 5 if foreign services costs are incurred.
10.4	Total amount spent on Canadian post-production and laboratory work.
10.5	Total amount spent on non-Canadian post-production and laboratory work. Complete Schedule 5 if foreign post-production and laboratory costs are incurred.
10.6	For a series: Average cost per episode.
10.7	For a co-venture/co-production with a foreign country: Canadian portion of production cost/budget.
10.8	For a co-venture/co-production with a foreign country: Foreign portion of production cost/budget.

11.0 POST PRODUCTION AND LABORATORY

11.1	IDENTIFICATION OF INDIVIDUALS(S) OR COMPANY(S) DOING THE POST-PRODUCTION
	GIVEN NAME: SURNAME: OR NAME: ADDRESS: CITY (PROVINCE): POSTAL CODE: TELEPHONE: FAX: E-MAIL:
11.2	Use of post-production facilities outside Canada?
		YES ( )	NO ( )
	If Yes, specify the country(ies) and the percentage of the work that was done in each:

Country(ies)	Percentage (%)

11.3	Does the program use existing or pre-recorded music/sounds? (See Guide, Section 10, Line item 11.3.)
		YES ( )	NO ( )

If Yes:
a)	From Canadian source:
	i)	Duration: (min.) (Total number of minutes for the entire production or series.)
	ii)	Cost: (Can$)
b)	From non-Canadian source
	i)	Duration: (min.) (Total number of minutes for the entire production or series.)
	ii)	Cost: (Can$)
	iii)	Nationality:

11.4	Does the program use existing (non-original) footage such as archival/library/stock/B-roll? (See Guide, Section 10, Line item 11.4.)
		YES ( )	NO ( )

If Yes:
a)	Canadian-produced:
	i)	Duration: (min./sec.) (Total number of minutes for the entire production or series.)
	ii)	Cost: (Can$)
	iiI)	List names and nationality of company sources. If more than one, indicate cost per source:
b)	Non-Canadian produced:
	i)	Duration: (min.) (Total number of minutes for the entire production or series.)
	ii)	Cost: (Can$)
	iii)	Nationality:

iv)

List names and nationality of Company sources. If more than one, indicate cost per source:

11.5	Does the program contain excerpts from an original foreign production? (See Guide, Section 10, Line item 11.5.)
		YES ( )	NO ( )
	If Yes, title of original production:
	Indicate:
	a)	Country(ies):
	b)	Cost: (Can$)
	c)	Total duration: (min.) (Total number of minutes for the entire production or series.)

11.6	Were the program concept/story rights acquired for this production?
		YES ( )	NO ( )
	If Yes, indicate:
	Indicate:
	a)	The title of the original concept/story:
	b)	The originating country(ies) of the concept/story:
	c)	The acquisition cost: (Can$)
	d)	Is this amount part of your production cost?

YES ( )

NO ( ) Please explain:

The concept/story acquisition rights were paid to the following source :

Canadian ( )

Non-Canadian ( )

12.0 SCREEN CREDITS

It is mandatory to attach as Schedule 10 the screen credits of all cast, crew and corporate screen credits (both main and end titles), including all banners, logos, etc. Where non-Canadians are involved in the production, indicate the citizenship of those individuals or country of incorporation for company(ies) on each card. If the production is a series and the screen credits are not the same for all episodes, attach a list of the credits for each episode.

13.0 ADVERTISING DECLARATION

I declare that this production is neither an infomercial, nor a public service announcement, and that, within the program itself, there is no form of endorsement, advertisement, solicitation, or use of addresses or toll-free telephone numbers intended to sell or promote goods or services, other than in the commercial breaks.

The term "advertising material" is defined in the Television Broadcasting Regulations, 1987 (Public Notice CRTC 1987-8). It also includes segments which use addresses or telephone numbers, product reviews or sponsorships (beyond corporate name/logo) or other messages intended to sell or promote goods or services. Any such segments within the program should be logged as advertising by the broadcaster and counted as part of the maximum amount per clock hour of advertising material currently permitted. Infomercials are not to be counted as Canadian programming. Refer to CRTC Circular No. 350 and Public Notice CRTC 1994-139 for the definition and broadcast guidelines for "Infomercials". All these documents are available on the Commission Web site.

14.0 DECLARATION OF APPLICANT

II, ___________________________________ SOLEMNLY DECLARE THAT:

a)	I am the ___________________________ (producer or an authorized officer of the production company) of the applicant named in this application and as such have knowledge of all matters declared therein.
b)	I certify that the information given herein is true and accurate to the best of my knowledge and belief, and I understand that the Commission retains the right to require additional information to be filed in order to verify or substantiate any of the information filed in the application.
c)	I further understand that, subject to the provisions of the "Access to Information Act," the financial information filed in the application is filed on a confidential basis but that it may be aggregated with other data and made available to the public in aggregate form for statistical analysis and research.
d)	I also understand that should the final production be different from what is set out in the application, the certification may be revoked.

AND I HAVE SIGNED

Signature:

Given name - Surname (Printed):

Name (Printed):

Title:

Date:

15.0 SUPPORTING DOCUMENT

Note
	a)	Schedules 1 to 5 are available on the Commission's web site.
	b)	Schedules 6 to 10 are to be prepared by the applicant, as required.
	c)	Indicate YES or NO beside each Schedule attached. Place N/A to denote those schedules that are not applicable.
			APPENDED (Yes or No)
Schedule 1		Co-venture/co-production with a foreign country (Line 4.8)
Schedule 2		Music Video Clips (Lines 6.5 and 6.6)
Schedule 3		Affidavit - Exemption for Non-Canadian Courtesy Credit (Line 7.9)
Schedule 4		Declaration of Citizenship (Lines 7.0 and 8.0)
Schedule 5		BOC form - Live action & continuous action animated productions (Lines 10.0, 10.3 and 10.5)
Schedule 6		Signed copy of the co-venture/co-production agreement (Line 4.8)
Schedule 7		Officers of the Parent Company (Line 3.4)
Schedule 8		Series: Individual episode titles (Line 4.1)
Schedule 9		Series: Producer (Line 7.0) and Key Creative (Line 8.0)
Schedule 10		Screen credits (Line 12.0)

This document is available in alternative format upon request.
CRTC - 2008 (2008-04-01) - Canadian Program Certification - Live Action and Continuous Action Animated Production
version française disponible

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