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Canadian Program CertificationApplication form 206 - Live Action
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This application form is to be
used for Canadian program certification of Live Action and
Continuous Action Animated productions, including domestic productions and
international co-ventures/co-productions. Visit our Web site under “Canadian Program Certification Application Forms” to select the appropriate form for other types of productions. |
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1. |
Filing the application |
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File the application electronically via Access Key which is available on our Web site under "Forms and Access Key". Access Key allows secure transmissions to the Commission and also authenticates your identity. Note that completion of Section 14.0 DECLARATION OF THE APPLICANT OR ITS DESIGNATED REPRESENTATIVE is mandatory, even though a signature is no longer required when filing the application using Access Key. |
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When filing your application, please ensure that the file name of the documents attached to your application form includes a brief description of the document content. For example, "Doc1-Application"; "Doc2-Schedule 3, Mr. Smith's affidavit", and so forth. |
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2. |
Instructions |
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The following application is in HTML format and may be downloaded to the word processing software of your choice. This enables you to complete the downloaded application by inserting your response in bold letters immediately following the question. You may add lines to the tables if necessary but do not alter or delete any text from the application. Consult the Guide to the Canadian Program Certification Application Process which provides important information on completing and filing this application form. Every line of this application must be completed and all applicable supporting documents and appendices identified in the checklist (Supporting Documents – Line 15.0) must be attached. If a line does not apply, insert N/A (Not Applicable) in the space provided. All supporting documents must be signed and dated. The Commission reserves the right to refuse the application form if it has not been duly completed, was filled by hand or has been altered. The onus will be on applicants to submit a clear application that provides all of the relevant information and supporting documentation. The individual line item numbers in this form correspond to those in the shaded boxes in Section 10, Completing the Application Form, in the Guide. Only those line items requiring additional explanation have entries in the Guide. |
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1.1
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a)
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Is the
principle photography started and/or finished? |
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YES (
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NO (
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b)
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Are
all key creative personnel under signed contract? |
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YES (
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NO (
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c)
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Are
all committed budgets in place? |
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YES (
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NO (
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IMPORTANT: If you
answered NO to any one of these questions, do not submit your application as
it could be returned to you. You may proceed with the filing of your
application only when your production meets all three of these conditions:
the production is underway, all key creative personnel are under contract,
and committed budgets are in place. As stated in Public Notice
CRTC 2010-905, all three of these requirements must be met for the Commission
to issue final certification. |
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2.1 |
Identification of the applicant
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Producer ( )
Broadcaster ( ) Distributor (
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Given name: |
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| Note: |
An applicant may be
the producer, the broadcast licensee or the distributor. Unless otherwise
requested, the certification letter will be sent to the attention of the
person identified on Line 14.0, DECLARATION OF THE APPLICANT OR ITS
DESIGNATED REPRESENTATIVE, at the
address specified above. |
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2.2 |
Contact person representing the applicant
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Given
name: |
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3.1 |
Production company
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Company name: |
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3.2 |
a)
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Is the production
company a CRTC licensee? (A corporation, organization or person licensed
by the CRTC to carry on a broadcasting distribution undertaking as set out
in the Television Broadcasting Regulations, 1987.) |
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YES ( )
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NO ( )
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b)
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Is the principal
business of the production company the production of film, videotape or
live programs? |
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YES ( )
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NO ( )
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If NO, please explain. |
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3.3 |
a)
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Is the production company owned and controlled by Canadians? | ||
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YES ( )
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NO ( )
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b)
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Explain how ownership
and control are exercised. Example; is it an individual shareholder
holding the majority of voting shares? A group of shareholders? A
shareholder corporation? The Board of Director? Voting trust? |
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| 3.4 |
List the officers of
the Production Company. Attach a separate sheet as Appendix 7 for
the parent company. |
| Given name - Surname/Family name | Position Held |
Citizenship or Date of Permanent Residency Status (YYYY/MM/DD) |
5 Parent company
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Company name: |
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4.1 |
Final
Title of Program: |
Original
Language: |
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For series, attach as Appendix 8, a list of episode titles. |
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4.2 |
Is there or will there be another language version of
this production?
If YES, indicate: a) The other languages used: b) The titles of each language versions: c) The dubbing/translation process used for each version. Select between lip synchronization, voice-over translation, sub-titles, or narration. If more than one dubbing/translation process were used in one version, list all of them: d) The name of the company and country where each dubbing/translation was done: e) The start and end dates of each dubbing translation: f) List the given names – surname/family names and citizenship of the people employed as narrators, leads or voice-over in Section 8.11, if applicable. Also, indicate which version they participated in. |
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4.3 |
Indicate the running length of program excluding commercial time (HH:MM:SS): |
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4.4 |
Is the
production a "series"? |
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YES ( ) |
NO (
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If
YES, indicate the: |
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a) |
Cycle/Season: |
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b) |
No. of
episodes: |
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c) |
Episode Numbers: From: To: |
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d) |
Running length of each episode excluding commercial time (HH:MM:SS): |
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Note: For series, a certification number ("C" or "SR") is
required for each cycle/season. |
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4.5 |
Start
and end dates of principal photography (yy/mm/dd): |
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From (YYYY/MM/DD): |
To
(YYYY/MM/DD):
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Note: If a series, indicate the start of principle photography of the 1st
episode to the end of the principle photography of the last episode. The
principal photography for all the episodes must be completed within a 12-month
period.
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4.6 |
Where was this production filmed? Identify which provinces in Canada. If
filmed abroad,
identify country(ies) involved. |
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Studio |
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In
Canada: |
( % of shooting time) |
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Outside Canada: |
( % of shooting time) |
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On
Location |
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In
Canada: |
( % of shooting time) |
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Outside Canada: |
( % of shooting time) |
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4.7 |
Name(s) of broadcaster(s): |
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5.1
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Who owns the resulting
production upon completion? |
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Given name: |
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Canadian: ( ) Canadian citizen ( ) Permanent resident ( ) Canadian controlled corporation |
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or Non-Canadian: ( ) Non-Canadian citizen ( ) Non-Canadian controlled corporation |
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5.2
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Who holds the following rights? (Please
indicate name of individual, broadcaster or company and
citizenship/nationality.) |
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a)
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Canadian Broadcasting Rights: |
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Canadian ( )
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Non-Canadian ( )
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Non-Canadian
Broadcasting Rights: |
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Canadian ( )
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Non-Canadian ( )
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b)
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Canadian Distribution
Rights: |
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Canadian ( )
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Non-Canadian ( ) |
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Non-Canadian
Distribution Rights: |
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Canadian ( )
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Non-Canadian ( ) |
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See Guide, Section 10,
Line items 6.1 and 6.2 for more information on synopsis and program
categories. Also see Public Notice
2010-808
for complete category definitions. Official category designation will be
confirmed based on the synopsis provided below. A DVD recording of your
program may be requested. |
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6.1 |
SynopsisIn order to
support the category you will select in 6.2, describe in sufficient detail
below; what the viewer will see, how the program is presented,
the theme, subject matter and setting of the program/series: |
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6.2 |
Program category
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| SELECT ONLY ONE of the following categories according to the definition that best describes your production. |
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Information / Education |
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| 1) |
News (newscasts, newsbreaks, headlines) |
( ) | |
| 2a) |
Analysis &
Interpretation (includes consumer affairs, talk or panel shows, short
docs, etc.) |
( ) | |
| 2b) |
Long-form documentary
(provides an in-depth critical analysis
of a specific subject or point of view with a minimum duration of 22
minutes) |
( ) | |
| 3) |
Reporting &
Actualities (political conventions, conferences, non-entertainment
fund-raising, etc.) |
( ) | |
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Religion
(more than 50% of religion and religious
teachings, as well as discussions of the human spiritual condition.) |
( ) | |
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Formal Education (can
be related to established curricula) & Pre-school (Ages 2-5) |
( ) | |
| 5b) |
Informal
Education/Recreation & Leisure (includes lifestyle, outdoor, recreational
sports, how-to-talk shows, etc.)
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( ) | |
| 6a) |
Professional Sports
(includes analysis and review.) |
( ) | |
| 6b) |
Amateur Sports
(includes analysis and review.) |
( ) | |
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Music and Entertainent |
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| 7a) |
Drama - on-going drama series |
( ) | |
| 7b) |
Drama - on-going
comedy series (sitcoms) |
( ) | |
| 7c) |
Drama - specials,
mini-series, TV movies |
( ) | |
| 7d) |
Drama - theatrical
feature films aired on television |
( ) | |
| 7e) |
Drama - animation |
( ) | |
| 7f) |
Drama - programs of
comedy sketches (stand-up) |
( ) | |
| 7g) |
Drama - other
(readings, improvisations, continuous action animation, experimental
shorts, etc.) |
( ) | |
| 8a) |
Music & Dance (more than 50% of live or
pre-recorded performances) |
( ) | |
| 8b) |
Music Video Clips |
( ) | |
| 8c) |
Music Video Programs
(more than 50% music video clips) |
( ) | |
| 9) |
Variety (mix of acts -
comedy, music, magic, dance, etc.)
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( ) | |
| 10) |
Game Shows (skill and
chance) |
( ) | |
| 11a) |
General Entertainment and Human Interest
(celebrity profiles that may use promotional footage, talk or interview
shows, awards, galas, tributes, entertainment-oriented magazines,
fund-raising which include entertainers (i.e. telethons); community events
and fashion shows.) |
( ) | |
| 11b) |
Reality Television (unscripted dramatic or humorous
situations of ordinary people, docudramas, docusoaps, contains minimal
amounts of in-depth critical analysis.) |
( ) | |
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Other categories: It is NOT POSSIBLE to
select the following categories for certification purposes. Please refer to
Public Notice CRTC 2010-808 for more details.
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12)&13) |
Interstitials & Public Service Announcements (programming of
less than 5 minutes). |
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14) |
Infomercials,
Promotional and Corporate Videos. These are not eligible for certification
as Canadian programs. |
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15) |
Filler programming. If your program is less than 30 minutes and is to be
used as a filler program (Category 15) by the broadcaster, select one of the
categories listed above which best defines your program, i.e. categories 2a)
to 11b). |
| 6.3 | a) |
Is the production
screenplay based on a publication? |
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YES ( )
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NO ( )
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If YES, please
identify name of work (book, publication, etc.) on which the production
screenplay is based: |
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| c) |
Name of Author: |
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Canadian ( )
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Non-Canadian ( )
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Has the work been published in Canada? |
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YES ( )
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NO ( )
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| 6.4 |
Is the program a mixture of animation and live
action? |
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| YES ( ) |
NO ( ) |
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If
YES, indicate the percentage of animation and live action. (See Guide,
Section 8(i), to ensure completion of the appropriate form.) |
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Animation:
% |
Live Action:
% |
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| 6.5 |
Is this production a
music video program? (see "Music video program" in Section 9, Definitions
and Requirements, of the Guide). Complete and attach a separate
Appendix 2 for each video clip.
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| YES ( ) |
NO ( ) |
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| 6.6 |
Does the program contain music video clips? |
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| YES ( ) |
NO ( ) |
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| a) |
If YES, what
percentage of the program's running time* is devoted to music video
clips? % *If a series, what percentage of the running time of each episode is devoted to music video clips? |
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| b) |
If the percentage in
a) is greater than 50%, what percentage of the total number of video
clips** are Canadian? % **If a series, what percentage of the total number of video clips in each episode is Canadian? |
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Complete and attach a separate Appendix 2 for
each video clip. |
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List below all Canadian and non-Canadian persons occupying the following functions and/or that receive such a credit. With regards to series, if more than one person fulfills the specific position throughout the series, then list each of their names and citizenship, per episode, on a separate sheet, and attach as Appendix 9. See also Section 10, Line item 7.1 in the Guide. |
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For Drama
productions (categories 7a) to 7g) inclusively), a Declaration
of Citizenship is to be submitted as Appendix 4 for each
person filling a producer-related function. The same will
apply to each person indicated in Section 8.0. |
| Given name - Surname/Family name |
Citizenship |
Date of Permanent Residency Status (YYYY/MM/DD) |
Remuneration (Can$) |
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| 7.1 | Producer(s): |
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| 7.2 | Co-producer(s): |
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| 7.3 | Executive Producer(s): |
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| 7.4 | Line Producer(s):
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| 7.5 | Associate Producer(s): |
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| 7.6 |
Supervising Producer(s): |
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| 7.7 |
Production Manager(s): |
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| 7.8 | All other Person(s) fulfilling other producer-related functions: |
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Complete and attach a separate Affidavit, as Appendix 3, for each non-Canadian courtesy credit requested. |
| Given name - Surname/Family name | Company | Citizenship |
Remuneration
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Screen Credit Requested |
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Who has the final
approval over hiring key creative personnel? |
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| a) |
Name of Individual or Company: |
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| b) |
Canadian/Non-Canadian at production start: |
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Canadian ( )
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Non-Canadian ( )
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| 7.11 |
Who has final approval over the budget? |
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| a) |
Name of Individual or Company: |
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| b) |
Canadian/Non-Canadian at production start: |
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Canadian ( )
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Non-Canadian ( )
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| 7.12 |
Who controls the distribution of the
production? |
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| a) |
Name of Individual or Company: |
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| b) |
Canadian/Non-Canadian at production start: |
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Canadian ( )
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Non-Canadian ( )
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List below all Canadian and non-Canadian persons occupying the following functions and/or that receive such a credit. With regards to series, if more than one person fulfills the specific position throughout the series, list each of their names and citizenship, per episode, on a separate sheet, and attach as Appendix 9. See also Section 10, Line item 8.0 in the Guide. Enter gross remuneration paid to all other Canadian and/or Foreign staff on Line 8.10. |
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For Drama
productions (categories 7a) to 7g) inclusively), a Declaration
of Citizenship is to be submitted as Appendix 4 for each
person filling a key creative position: Director, Screenwriter,
Production Designer, DOP/Chief Camera Operator, Music Composer,
Picture Editor, First and Second Lead/Voice Performer. See “Key
creative positions” in Section 9, Definitions and Requirements, of the
Guide. |
| Given name - Surname/Family name |
Citizenship |
Date of Permanent Residency Status (YYYY/MM/DD) |
Remuneration (Can$) |
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| 8.1 |
Director: |
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| 8.2 |
Screenwriter/ Scriptwriter: |
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| 8.3 | Production Designer: | |||||
| 8.4 |
DOP/Chief Camera Operator: |
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| 8.5 |
Music Composer of original music composed
especially for this production: |
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| 8.6 | Picture Editor: | |||||
| 8.7 |
Researcher: |
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| 8.8 |
Chief Technician: |
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| 8.9 |
Chief Sound: |
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| 8.10 |
All other production staff: |
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| a) |
Canadian: |
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| b) | Foreign: |
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List the top 5
credited on-screen/off-screen performers in order of importance. Indicate
role (actor, singer, host, narrator, etc.). See "Lead performers" in
Section 9, Definitions and Requirements, of the Guide. Also list, on the appropriate line, the given names – surname/family names and citizenship of the people employed as narrators, leads or voice-over in dubbed versions. Specify which version they participated in. |
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*Where
2 or more of the leads are non-Canadian, provide the on-screen time of
each performer. |
| Given name - Surname/Family name |
Role |
Citizenship |
Date of Permanent Residency Status (YYYY/MM/DD) |
Remuneration (Can$) |
Screen Time* (MIN.) |
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| 8.12 | 1st Lead/Voice: |
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| 8.13 | 2nd Lead/Voice: |
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| 8.14 | 3rd Lead/Voice: |
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| 8.15 | 4th Lead/Voice: |
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| 8.16 | 5th Lead/Voice: |
8.17 All other on-screen performers |
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Indicate the number of individuals in each of the following categories. |
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Percentage of canadian performers: % |
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Percentage of non-canadian performers:
% |
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8.18
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Guest |
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| a) | YES ( ) |
NO ( ) |
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If YES, complete (b) and (c) below. |
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| b) |
Type of Guest participation: |
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Interview ( )
Panel ( )
Contestant ( )
Other ( ) specify: |
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| c) |
Number of guests per episode: |
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| i) | Canadians: |
Cost (Can$): |
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| ii) | Non-Canadians: |
Cost (Can$): |
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8.19 |
Audience participation in the program |
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| YES ( ) |
NO ( ) |
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If Yes, provide details in the synopsis. |
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Enter each individual source of financing. The total on Line 9.1 must be sufficient to cover the total cost of the production on Line 10.1 below. For co-ventures/co-productions, please enter both Canadian and foreign financing covering the total cost of the production indicated on Line 10.1. The coverage of any short-fall must be fully explained. |
| Source of financing | Type | Canadian |
Non- Canadian |
Amount (Can$) |
% of Total |
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| 9.1 |
Total financing
available |
$ |
100% |
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NOTE: |
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Lines 10.1 and
Lines 10.2 to 10.5 The total of lines 10.2 to 10.5 should not add up to the amount indicated on Line 10.1 as they only reflect specific parts of the total cost of production. More precisely, Line 10.1 also includes key creative personnel and other cost expenditures which are not detailed in this Section. In fact, Lines 10.2 to 10.5 correspond to their respective columns found in Appendix 5b – Breakdown of Costs (BOC) form for live action productions. |
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Breakdown of
Costs Form (BOC) Completion of the live action productions Breakdown of Costs (BOC) form, available on the Commission's web site, is mandatory when non-Canadian expenditures are incurred for either services or post-production and laboratory work. Attach as Appendix 5b. |
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For
co-ventures/co-productions,
completion of the BOC is mandatory and must include both the foreign
and the Canadian portions of the budget which, when added together,
must amount to the total cost of production indicated on Line 10.1. |
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Services Costs Includes costs for development, story, stock footage & music rights, non-key creative personnel, all producer positions (other than producer and co-producer), production staff, all production labour, all rentals, transportation, shipping, customs & communications, animals, video studio facilities, video remote technical facilities, second unit crew, completion guarantee, unit publicity & amortization (in the case of a series). |
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The
determination as to whether a Services cost item is Canadian
or non-Canadian is based on the citizenship (or date of landing
for landed immigrants who are not yet Canadian citizens) of the person
on whose account the cost was incurred or of the person
providing the service. For example, if costs are incurred on account
of a Canadian or landed immigrant traveling on production-related
business to a location, whether inside or outside Canada, all of the
costs incurred on account of this person's travel, including food and
lodging while traveling and on-location, would be considered
Canadian expenditures since they were incurred on account of a
Canadian citizen or landed immigrant. If however, these same costs
were incurred in respect of a non-Canadian, even if they were incurred
in Canada, they would be considered non-Canadian
expenditures. |
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In
the case of services provided by an incorporated company, the company
must be incorporated and have a Canadian business
in Canada address as well as be owned and controlled by Canadian in
order for the cost to be considered Canadian. |
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Post-production and Laboratory Costs |
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Includes
costs for videotape stock & production laboratory (other than
purchases), voice edit labour & other editorial labour, editorial
equipment rentals, post-production picture labour & post-production
sound labour, special effects/foley, computer graphics, music labour &
other music expenses, titles/optical, versioning & amortization (in
the case of a series). |
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Note
that the following costs are excluded from both services and
post‑production/laboratory costs: The producer, co-producer,
director, screenwriter, production designer, DOP/chief cameraman,
picture editor, 1st lead performer, 2nd lead
performer, music composer, purchased goods and all non-related
production expenses, such as accounting, legal fees, bank charges,
insurance, auditing, corporate overhead, interim financing, interest
and contingency. |
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Amount (Can$)
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10.1 |
Total cost of the production, including deferrals. For a
co-venture/co-production this would include both the Canadian and
foreign elements. |
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10.2 |
Total amount spent on Canadian services. |
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10.3 |
Total amount spent on non-Canadian services. Complete Appendix 5b
if foreign services costs are incurred. |
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10.4 |
Total amount spent on Canadian post-production and laboratory work. |
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10.5 |
Total amount spent on non-Canadian post-production and laboratory work.
Complete Appendix 5b if foreign post-production and laboratory
costs are incurred. |
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10.6 |
For a series: Average cost per episode. |
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10.7 |
For a co-venture/co-production with a foreign country: Canadian
portion of production cost/budget. |
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10.8 |
For a co-venture/co-production with a foreign country: Foreign
portion of production cost/budget. |
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11.1 |
Identification of individuals(s) or company(s)
doing the post-production
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Given name: |
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| 11.2 |
Use of post-production facilities outside
Canada? |
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| YES ( ) |
NO ( ) |
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If YES, specify the country(ies) and the
percentage of the work that was done in each: |
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11.3 |
Does the program use existing or pre-recorded music/sounds? (See Guide, Section 10, Line item 11.3.) |
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| YES ( ) |
NO ( ) |
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If YES:
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| a) |
From Canadian source: |
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| i) |
Duration (HH:MM:SS): (Total duration of minutes for the entire production or series.) |
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| ii) |
Cost (Can$): |
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| b) |
From non-Canadian source |
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| i) |
Duration (HH:MM:SS): (Total duration of minutes for the entire production or series.) |
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| ii) |
Cost (Can$): |
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| iii) |
Nationality: |
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| 11.4 |
Does the program use
existing (non-original) footage such as archival, library, stock, B-roll?
(See Guide, Section 10, Line item 11.4.) |
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| YES ( ) |
NO ( ) |
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If YES:
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| a) | Canadian-produced: | ||
| i) |
Duration (HH:MM:SS): (Total duration of minutes for the entire production or series.) |
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| ii) |
Cost (Can$): |
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| iiI) |
List names and
nationality of company sources. If more than one, indicate cost per
source: |
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| b) |
Non-Canadian produced: |
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| i) |
Duration (HH:MM:SS): (Total duration of minutes for the entire production or series.) |
||
| ii) |
Cost Can$): |
||
| iii) |
Nationality: |
||
| iv) |
List names and
nationality of Company sources. If more than one, indicate cost per
source: |
| 11.5 |
Does the program
contain excerpts from an original foreign production? (See Guide, Section
10, Line item 11.5.) |
||
| YES ( ) |
NO ( ) |
||
|
If YES, was the original production Canadian
or non-Canadian? Canadian ( ) Non-Canadian ( ) |
|||
|
Provide the title of the original production: |
|||
|
Indicate: |
|||
| a) |
Country(ies): |
||
| b) |
Cost (Can$): |
||
| c) |
Total duration (HH:MM:SS): (Total duration of minutes for the entire production or series.) |
||
| 11.6 |
Were
the program concept/story rights acquired for this production? |
||
| YES ( ) |
NO ( ) |
||
|
If YES, indicate: |
|||
| a) |
The title of the
original concept/story: |
||
| b) |
The originating
country(ies) of the concept/story: |
||
| c) |
The acquisition
cost (Can$): |
||
| d) |
Is this amount part of
your production cost? |
||
| YES ( ) |
NO ( )
Please explain: |
| e) |
The concept/story
acquisition rights were paid to the following source : |
| Canadian ( ) |
Non-Canadian ( ) |
|
|
|
|
Does your production have opening and/or closing credits? YES ( ) NO ( ) If YES, it is mandatory to attach as Appendix 10 the screen credits of all cast, crew and corporate screen credits (both main and end titles), including all banners, logos, etc. Where non-Canadians are involved in the production, indicate the citizenship of those individuals or country of incorporation for company(ies) on each card. If the production is a series and the screen credits are not the same for all episodes, attach a list of the credits for each episode. If NO, explain why your program has no screen credits and describe what will be on-screen at the end of the program: |
|
|
|
|
Do you declare that this production is neither an infomercial, nor a public service announcement, and that, within the program itself, there is no form of endorsement, advertisement, solicitation, or use of addresses or toll-free telephone numbers intended to sell or promote goods or services, other than in the commercial breaks? YES ( ) NO ( ) If NO, please explain why in details: |
|
Note that
the term
"advertising material" is defined in the
Television Broadcasting Regulations, 1987. It also includes
segments which use addresses or telephone numbers, product reviews or
sponsorships (beyond corporate name/logo) or other messages intended to
sell or promote goods or services. Infomercials are not to be counted as Canadian
programming. Refer
to CRTC Circular No. 350 and Public Notice CRTC 1994-139 for the
definition and broadcast guidelines for "Infomercials". All
these documents are available on the Commission Web site. |
|
|
|
Completion of this Section is mandatory. I, ___________________________________ SOLEMNLY DECLARE THAT: |
|
a) |
I am the
producer or the designated representative of the production company named
in this application and as such
have knowledge of all matters declared therein. |
|
b) |
I certify that the
information given herein is true and accurate to the best of my knowledge
and belief, and I understand that the Commission retains the right to
require additional information to be filed in order to verify or
substantiate any of the information filed in the application. |
|
c) |
I further understand
that, subject to the provisions of the "Access to Information Act," the
financial information filed in the application is filed on a confidential
basis but that it may be aggregated with other data and made available to
the public in aggregate form for statistical analysis and research. |
|
d) |
I also understand that
should the final production be different from what is set out in the
application, the certification may be revoked. |
|
AND I HAVE SIGNED Signature: Given name - Surname/Family name (Printed): Please select: Mr ( ) Mrs. ( ) Ms. ( ) Other ( ), specify: Title:
Date: |
|
|
|
|
Note |
|||
|
a) |
Appendices 1 to 5 are available on the Commission's web site. | ||
| b) | Appendices 6 to 10 are to be prepared by the applicant, as required. | ||
| c) |
Indicate YES or NO beside
each Apendix attached. Place N/A to denote those
appendices that are not
applicable. |
||
|
APPENDED (YES or NO) |
|||
| Appendix 1 | Co-venture/co-production with a foreign country (Line 4.8) | ||
| Appendix 2 | Music Video Clips (Lines 6.5 and 6.6) | ||
| Appendix 3 | Affidavit - Exemption for Non-Canadian Courtesy Credit (Line 7.9) | ||
| Appendix 4 | Declaration of Citizenship (Lines 7.0 and 8.0) | ||
| Appendix 5b | BOC form - Live Action (Lines 10.0, 10.3 and 10.5) | ||
| Appendix 6 | Signed copy of the co-venture/co-production agreement (Line 4.8) | ||
| Appendix 7 | Officers of the Parent Company (Line 3.4) | ||
| Appendix 8 | Series: Individual episode titles (Line 4.1) | ||
| Appendix 9 | Series: Producer (Line 7.0) and Key Creative (Line 8.0) | ||
| Appendix 10 | Screen credits (Line 12.0) | ||
|
***End of Document*** |