TRANSCRIPT OF PROCEEDINGS BEFORE
THE CANADIAN RADIO‑TELEVISION AND
TELECOMMUNICATIONS COMMISSION
TRANSCRIPTION DES AUDIENCES DEVANT
LE CONSEIL DE LA RADIODIFFUSION
ET DES TÉLÉCOMMUNICATIONS CANADIENNES
SUBJECT / SUJET:
Various broadcasting applications /
Diverses demandes de radiodiffusion
HELD AT: TENUE À:
Quartz Ballroom Quartz Ballroom
Matrix Hotel Matrix Hôtel
10001-107th Street 10001-107th Street
Edmonton, Alberta Edmonton (Alberta)
May 29, 2008 Le 29 mai 2008
Transcripts
In order to meet the requirements of the Official Languages
Act, transcripts of proceedings before the Commission will be
bilingual as to their covers, the listing of the CRTC members
and staff attending the public hearings, and the Table of
Contents.
However, the aforementioned publication is the recorded
verbatim transcript and, as such, is taped and transcribed in
either of the official languages, depending on the language
spoken by the participant at the public hearing.
Transcription
Afin de rencontrer les exigences de la Loi sur les langues
officielles, les procès‑verbaux pour le Conseil seront
bilingues en ce qui a trait à la page couverture, la liste des
membres et du personnel du CRTC participant à l'audience
publique ainsi que la table des matières.
Toutefois, la publication susmentionnée est un compte rendu
textuel des délibérations et, en tant que tel, est enregistrée
et transcrite dans l'une ou l'autre des deux langues
officielles, compte tenu de la langue utilisée par le
participant à l'audience publique.
Canadian Radio‑television and
Telecommunications Commission
Conseil de la radiodiffusion et des
télécommunications canadiennes
Transcript / Transcription
Various broadcasting applications /
Diverses demandes de radiodiffusion
BEFORE / DEVANT:
Elizabeth Duncan Chairperson / Présidente
Rita Cugini Commissioner / Conseillère
Candice Molnar Commissioner / Conseillère
Peter Menzies Commissioner / Conseiller
Marc Patrone Commissioner / Conseiller
ALSO PRESENT / AUSSI PRÉSENTS:
Cindy Ventura Secretary / Sécretaire
Lyne Cape Hearing Manager /
Gérante de l'audience
Regan Morris Legal Counsel
Conseiller Juridique
HELD AT: TENUE À:
Quartz Ballroom Quartz Ballroom
Matrix Hotel Matrix Hôtel
10001-107th Street 10001-107th Street
Edmonton, Alberta Edmonton (Alberta)
May 29, 2008 Le 29 mai 2008
- iv -
TABLE DES MATIÈRES / TABLE OF CONTENTS
PAGE / PARA
PHASE I (Cont'd)
PRESENTATION BY / PRÉSENTATION PAR:
Harvard Broadcasting Inc. 576 / 3776
Radio CJVR Ltd. 661 / 4363
Touch Canada Broadcasting Limited Partnership 737 / 4812
CHIP Media Inc. 793 / 5212
PHASE II
No interventions / Aucune intervention
PHASE III
INTERVENTION BY / INTERVENTION PAR:
The Alberta Music Education Foundation 880 / 5755
Soul Side In 885 / 5767
PHASE IV
REPLY BY / RÉPLIQUE PAR:
Touch Canada Broadcasting Limited Partnership 900 / 5912
Radio CJVR Ltd. 902 / 5925
Harvard Broadcasting Inc. 915 / 6009
L.A. Radio Group Inc. 916 / 6020
Clear Sky Radio Inc. 918 / 6034
Vista Radio Ltd. 920 / 6047
Edmonton, Alberta / Edmonton (Alberta)
‑‑‑ Upon resuming on Thursday, May 29, 2008 at 0908 /
L'audience reprend le jeudi 29 mai 2008 à 0908
3763 THE CHAIRPERSON: Good morning. I am sorry for the delay.
3764 I have an announcement, so I will go ahead with that.
3765 This is in regard to the L.A. Radio Group and the Lacombe application yesterday afternoon. I had raised the question about the 3 millivolt and the 5 millivolt contour, and we did have it correctly described, as we discussed.
3766 However, we went back and looked at the initial application, and in that application the L.A. Radio Group said:
"Our immediate trading areas include, but are not limited to, Rimbey, Alix, Clive, Bentley, Mirror, Sylvan Lake and Blackfalds."
3767 We just wanted to clarify the record, so that people understood that those communities were included in their initial application.
3768 Thank you.
3769 Madam Secretary.
3770 THE SECRETARY: Thank you, Madam Chair.
3771 For the record, Golden West Broadcasting has filed today, in response to undertakings, revised spoken word commitments. These documents have been added to the public record, and copies are available in the Public Examination Room.
3772 We will now proceed with Item 9, which is an application by Harvard Broadcasting Inc. for a licence to operate an English‑language FM commercial radio programming undertaking in Red Deer.
3773 The new station would operate on a frequency of 100.7 MHz, Channel 264C1, with an average effective radiated power of 54,000 watts, maximum effective radiated power of 100,000 watts, antenna height of 161.1 metres.
3774 Appearing for the Applicant is Bruce Cowie.
3775 Please introduce your colleagues. You will then have 20 minutes to make your presentation.
PRESENTATION / PRÉSENTATION
3776 MR. COWIE: Thank you. Good morning, Madam Chair and Members of the Commission. My name is Bruce Cowie, and I am the Vice‑President of Harvard Broadcasting.
3777 We are all very pleased to be here today to present our application for 100.7 The River, a new mainstream adult contemporary FM station targeting the 25 to 54 audience of Red Deer, Alberta.
3778 Before beginning our presentation I would like to introduce the members of our panel.
3779 Seated on my right is Michael Olstrom, Harvard Station Group Manager.
3780 Seated next to Michael is Karen Broderick, our National Sales Manager.
3781 On my left is Daryl Holien, Harvard's Director of FM Programming and Creative Services.
3782 As part of his current responsibilities, Daryl programs Harvard's mainstream adult radio station Lite 92 FM in Regina.
3783 In the back row, beginning on my far right, is Debra McLaughlin of Strategic Inc., the company that did comprehensive feasibility and consumer demand studies.
3784 Next to Debra is Rob Malcolmson, a partner in Goodmans, LLP, our legal counsel.
3785 Both Debra and Rob play key roles in the development and implementation of our Western Regional Growth Strategy.
3786 Next to Rob is Tina Svedahl, Vice‑President of Investments for Harvard Developments Inc., our parent company.
3787 Finally, on my left, in the back row, representing a modest change to our normal panel, is Rosanne Hill‑Blaisdell, a fourth generation member of the Hill family, and a Managing Director and Vice‑President with Harvard.
3788 Rosanne is here representing the Hill family in place of her father, Paul Hill, who was unable to be with us today.
3789 Rosanne will first speak to you about Harvard. Then, I will describe why we have chosen to apply for a new radio station in Red Deer, and how this new FM station fits our regional growth strategy.
3790 Tina will give an overview of the rapidly growing Red Deer market, and Karen will speak to advertiser demand for the format we propose.
3791 Debra will then address the consumer demand research and our choice of the mainstream AC format.
3792 Next, Daryl will tell you about the kind of programming we are proposing.
3793 Michael will describe The River's feature, news and information programming.
3794 Finally, I will present our locally focused CCD package.
3795 Rosanne...
3796 MS HILL‑BLAISDELL: Thanks, Bruce.
3797 Harvard Developments is a family‑owned diversified company that has been doing business in western Canada for 105 years. The success of the Hill companies has been built on two principles, caring and commitment, principles which guide not only our business operations, but our attitude and our social activities in the communities we serve.
3798 As the Commission knows, Harvard is a regional broadcaster based in Saskatchewan. We have been in the broadcasting business since 1976, and we have been proud and honoured to serve the residents of each of the markets where we are licensed.
3799 We believe that independent broadcasters play a critical role in providing balance and reflecting regional differences, and that smaller and mid‑size owners, like ourselves, offer an important diversity of voices to the Canadian broadcasting system.
3800 Bruce...
3801 MR. COWIE: Harvard has been seeking growth opportunities in western Canada for several years. Over the last two years the Commission has granted Harvard licences to operate in Calgary, Fort McMurray and Saskatoon, in addition to the three services we have successfully operated for many years in Regina.
3802 Red Deer represents another key step in our growth strategy. Together with our stations in Calgary and Fort McMurray, a new station in Red Deer will increase diversity of ownership and editorial perspective, and, at the same time, improve our ability to achieve some of the same efficiencies and economies of scale as our competitors.
3803 Harvard is a proven and trusted company, and we know that we can establish and run successful new FM stations quickly and effectively.
3804 We hope the Commission will consider our unique qualifications and experience, and recognize the role we can play in adding to the diversity of ownership and editorial voices.
3805 We ask you to allow us to extend our tradition of community service to Red Deer by approving this application.
3806 Tina...
3807 MS SVEDAHL: Thanks, Bruce.
3808 Red Deer is a prime candidate for a new radio station. The city is situated in the middle of the booming Calgary‑Edmonton economic corridor, and is experiencing rapid growth.
3809 Per capita household income is 23 percent above the national average, and retail sales per capita are almost three times the Canadian average.
3810 There is no business tax, and unemployment is low.
3811 And the strength of the Red Deer economy is projected to continue at this powerhouse pace.
3812 Despite this growth, the market remains underserved, with only four mainstream commercial stations, controlled by just two ownership groups.
3813 All of this suggests that there will be a significant additional demand for advertising inventory, which, in turn, will support a new station in Red Deer without unduly impacting the strong incumbent services.
3814 Karen...
3815 MS BRODERICK: Red Deer is growing at a rapid rate. Its population has increased by 22 percent since 2001. Over the last two years, it has enjoyed record sales of industrial and residential lands.
3816 Its economy is diverse, led by the booming oil and petrochemical industries, a growing manufacturing industry, strong retail and wholesale service sectors, agriculture, distribution, and tourism.
3817 Red Deer's central location means that it is the only market in the prairies with access to over two million people within a 160‑kilometre radius.
3818 Because of its ideal location, it is often called central Alberta's trading and distribution centre.
3819 Given the health of the local economy, its central location, and projections for further growth, we expect that advertising and retail spending will grow accordingly.
3820 Combined with the consumer demand identified in our research, we believe this means that more radio advertising dollars will be available to all stations in the market.
3821 Debra...
3822 MS McLAUGHLIN: Thanks, Karen.
3823 Our research discovered that there is a significant gap in the Red Deer radio market. Although mainstream adult contemporary is the most popular format in Canada, it is missing from the market. Almost 80 percent of the 25 to 54‑year‑old age group expressed some level of dissatisfaction with existing stations.
3824 While the highest level of interest in a mainstream AC station was found among those aged 35 to 44, it is significant that more than three‑quarters of the respondents to our survey said that they would listen to such a station. That is a very high level of consumer demand.
3825 In fact, our consumer research found that demand for this mainstream AC format was consistently high across all demos, indicating that this format presents the greatest opportunity to repatriate the largest group of disenfranchised listeners.
3826 Right now two commercial operators, Pattison and Newcap, account for almost two‑thirds of all hours tuned. Our research found that spill is a significant factor, with just over one‑third of all hours tuned to radio being attributed to out‑of‑market stations.
3827 Notably, some of that out‑of‑market tuning is to mainstream AC stations. As a result, a new station that meets consumer demand is likely to repatriate those listeners.
3828 Daryl...
3829 MR. HOLIEN: Thanks, Debra.
3830 Our mainstream adult contemporary format will be distinctly different from what is available to listeners in Red Deer today. This is a format that combines several different genres of music, ranging from classic and modern rock to pop, dance, urban, and even some crossover country standards and folk.
3831 This is the most popular music format in Canada, yet it is missing from the Red Deer radio spectrum. In fact, over 75 percent of the songs on the AC chart are not heard on Red Deer radio.
3832 Newcap and Pattison currently offer four formats: one country, two rock, and a hot AC.
3833 If we look at these incumbent stations from a demographic‑served perspective and use BBM audience data for comparative purposes, it is clear that 100.7 The River will attract an older audience.
3834 Our median age will be 40, while, according to spring 2008 BBMs, CIZZ, CKGY and CHUB all have a median age of 35 or younger.
3835 The only station in the market with a median age that is even close to The River is CFDV, The Drive, a classic rock station, which has minimal overlap with our proposed mainstream AC format.
3836 The River will be distinct from what is on air in Red Deer today in three important ways: the range of music played, the eras covered, and the rotation of artists.
3837 By providing a broader range of artists, more titles, and less spins, 100.7 The River will offer a distinct new radio service that will hold some appeal for all demos, and therefore offer the greatest repatriation opportunity.
3838 Canadian mainstream AC artists like Sarah McLachlan, Bryan Adams, Kalan Porter, Michael Bublé, and Ron Sexsmith will be showcased throughout our regular playlist, and will receive meaningful airplay on the station as part of our commitment to 40 percent Canadian content.
3839 And 40 percent of our Canadian content will be dedicated to new and emerging artists. That is 16 percent of the new station's total schedule.
3840 Michael...
3841 MR. OLSTROM: We are also planning to do special feature programming initiatives that are designed to contribute directly to the exposure of Canadian artists.
3842 Each weekday, a Canadian mainstream AC artist will be profiled in a 60‑second feature called "Spotlight". This will be aired six times throughout the day.
3843 "Spotlight" will provide background information on an artist or group, allowing our listeners to get to know the artists, or by giving context to a song, or a performance. Each segment will immediately be followed by a song from that artist.
3844 Because of its placement within the regular rotation, we believe this is an ideal way to introduce new artists and releases. Therefore, at least three of these features per day will be dedicated to new and emerging artists.
3845 Our second special programming initiative will be a music magazine called "Made in Canada". It will air for two hours on Sunday afternoons, with a rebroadcast Wednesday evenings at 9 p.m.
3846 "Made in Canada" will focus on Canadian music ‑‑ who is making it, how they are doing it, what motivates the artists, and where the music is going.
3847 An examination of the latest trends, upcoming award shows like The Junos or the East Coast Music Awards, concert announcements and local performances are all subjects that the program will cover.
3848 Mainstream AC artists visiting or performing in Red Deer will be interviewed, and recording companies will be given the opportunity to showcase new talent.
3849 "Made in Canada" will be an important platform to introduce new and emerging artists to the Red Deer listeners.
3850 To give you an appreciation of what The River will bring to Red Deer, we would like to show you a brief video, produced by a new and emerging Canadian filmmaker, Josh Douglas.
‑‑‑ Video presentation / Présentation vidéo
3851 MR. OLSTROM: I would like to turn now to The River's information programming.
3852 Our research shows that local news is very important to our target audience. Eighty percent of news programming will therefore be devoted to local stories about Red Deer and its surrounding communities. We will offer 75 newscasts each week, along with sports reports. Our news, weather and sportscasts, together with our features, will total just under 8 hours of spoken word programming each week, and that is in addition to the almost 8.5 hours of announcer talk every week.
3853 Our plan is to be highly focused on community level news, from local politics and sports to community activities.
3854 Our Red Deer operation will employ three full‑time and one part‑time newsroom staff. Three reader/reporters will be responsible for news gathering in the field, as well as on‑air reporting, while the news director will assign stories, supervise the two reporters, and also engage in some news gathering and on‑air reporting.
3855 I should also note that, beyond the airwaves, we will make all of our programming available on streaming audio through our website. Our feature programming will be available in MP3 and broadcast wave format for downloading where the rights have been cleared.
3856 Bruce...
3857 MR. COWIE: Finally, I am going to outline our plans for Canadian Content Development.
3858 Harvard's commitment of $1 million over seven years ranks at the top of the list among the applicants before you. This substantial funding commitment will go to three local initiatives: support for education, support for performance, and support for industry initiatives.
3859 Let me start with education.
3860 Harvard will donate $160,000 over seven years for scholarships to students studying music at Red Deer College, a comprehensive community college serving central Alberta and the prairies.
3861 Half of these scholarships will be earmarked for Aboriginal students.
3862 We also propose to contribute $135,000 to the Aboriginal Media Education Fund, which trains Aboriginal journalists and on‑air talent.
3863 Harvard will make a further commitment of $150,000 to create an opportunity for new and emerging artists at CentreFest, a three‑day festival held each summer in downtown Red Deer.
3864 CentreFest, the only festival of its kind in central Alberta, draws attendance from well beyond the city limits and presents both local and international performers.
3865 Through the funding that Harvard will provide, CentreFest will be able to realize its goal of adding music and new and emerging music artists to the lineup of entertainment.
3866 Our investment will be directed specifically to support artists' fees.
3867 In addition, Harvard will provide funding to the Red Deer Symphony Orchestra, a musical institution that has been delighting audiences in this region for more than 20 years.
3868 Finally, Harvard will provide support to industry associations.
3869 Through its Calgary application, Harvard established the Music Industry Travel Assistance Program with AMIA, the Alberta Music Industry Association. This program, which provides funding for travel and tour support, has proved to be extremely popular and has been fully subscribed since its inception.
3870 To date, AMIA has funded 15 artists, for 15‑plus tours.
3871 We propose to enhance this program through $110,000 in additional funding.
3872 Harvard will also direct additional funds to FACTOR, over and above that required under the 2006 Commercial Radio Policy, with funds to be designated for Alberta artists where possible.
3873 In total, Harvard will contribute $147,000 over and above that which it is required to contribute.
3874 Madam Chair and Members of the Commission, in closing, I would like to summarize why we believe Harvard's proposal for a new mainstream adult contemporary radio station in Red Deer fulfils the Commission's licensing criteria.
3875 Harvard is a well‑established and well‑resourced company, with a solid business plan for this new service. Calgary, Fort McMurray, Edmonton and Red Deer form a critical economic corridor in Canada's fastest growing province.
3876 With three stations in Alberta, and hopefully a fourth in Edmonton, Harvard will begin to achieve the efficiencies and economies of scale that are currently available to our competitors.
3877 Madam Chair and Commissioners, critical mass in Alberta is absolutely essential to our Western Regional Growth Strategy.
3878 The River will supply a mainstream adult contemporary format that is missing in the market and that responds to the high demand on the part of the 25 to 54‑year‑old demographic.
3879 We will also give these underserved listeners the musical variety, local news and information they identified as being important to their selection of radio station.
3880 We have committed to 40 percent Canadian content throughout the broadcast day and week. Sixteen percent of our schedule will be devoted to new and emerging artists.
3881 We will promote the development of Canadian talent, both on‑air and off, through our feature programming and with a locally focused CCD package of $1 million.
3882 Granting our application will bring diversity of ownership, a new musical voice, and a fresh editorial perspective to a market that is currently served by just two owners.
3883 Finally, the Red Deer market is healthy, growing, and able to support a new radio station. Red Deer listeners are clearly dissatisfied with existing choices, as evidenced by the fact that one‑third of them are tuning to stations outside of the market.
3884 Given this significant level of out‑of‑market tuning, the booming retail sector, and the fact that our proposed format will be distinctive from all other radio alternatives in Red Deer, we believe that 100.7 The River will repatriate radio listeners and create more hours of tuning overall, with minimal impact on the existing services.
3885 Thank you very much for your attention, and we will be pleased to answer your questions.
3886 THE CHAIRPERSON: Thank you, Mr. Cowie and panel. I am going to start the questioning.
3887 First of all, with respect to spoken word ‑‑ and you touched on it in your opening remarks ‑‑
3888 I want to be absolutely clear that you are proposing 40 percent Canadian content in Category 2 music between 6 a.m. and 6 p.m., Monday to Friday, as well as over the broadcast week.
3889 MR. OLSTROM: That is correct.
3890 THE CHAIRPERSON: Is Harvard willing to accept a COL to that effect?
3891 MR. OLSTROM: Yes, we are.
3892 THE CHAIRPERSON: Thank you.
3893 You have proposed a mainstream adult contemporary music format, and you have described it here and in your brief. I am wondering if you have had a chance to look at the other applications, and I would first like to deal with the Clear Sky application.
3894 Clear Sky has proposed a gold‑based adult contemporary format, which they indicate would cover the biggest adult contemporary hits, spanning 40 years, from 1965 to date; and that their gold music selections would cover the sixties, seventies and eighties, with the seventies as the core decade; and that approximately one‑third of their musical selections would come from the nineties to date.
3895 Could you describe for us what the similarities and differences would be between your proposal and theirs?
3896 MR. OLSTROM: Madam Chair, thank you very much. I will start, and then I would like to turn it over to Daryl Holien, who will give you a breakdown of the differentiation in music between ourselves and Clear Sky, in particular.
3897 Our format, which is a mainstream adult contemporary format, is the most popular format in the country, and it spans a broader range in the demographic skew of 25‑54 adults, so we skew a little bit younger.
3898 The Clear Sky application, in addition to the Classic Hits application that is before you, skews older, primarily 35‑plus.
3899 I would like to turn to Daryl. Maybe Daryl could give you a breakdown of the actual musical component of the radio station and give you the differentiations.
3900 THE CHAIRPERSON: Thank you.
3901 MR. HOLIEN: If we look at the Clear Sky application, we would be playing approximately 20 percent current. Our new and emerging would be 16 percent, as opposed to Clear Sky's application, where their new and emerging is about 5 percent.
3902 If we look at the Clear Sky application, they would be playing songs from Neil Diamond, Barry Manilow, The Hollies, The Stampeders, King Harvest, The Guess Who. Those songs you certainly wouldn't hear on The River.
3903 If you look at our breakdown, we are 20 percent current. We are 10 percent from the seventies, 30 percent from the eighties, 25 percent from the nineties, and 12 percent recurrent.
3904 THE CHAIRPERSON: I just want to make sure that I have those percentages correct. Would you mind giving me those again?
3905 MR. HOLIEN: Sure. We are 20 percent current, 10 percent from the seventies, 30 percent from the eighties, 25 percent from the nineties, and 12 percent recurrent.
3906 THE CHAIRPERSON: That probably doesn't add to 100, but it's close.
3907 That doesn't add to 100, I don't think, does it?
3908 It's good enough.
3909 MR. HOLIEN: Maybe it's 28 percent, I'm sorry.
3910 It is 28 percent from the nineties.
3911 THE CHAIRPERSON: Okay. Good. That's fine, I just thought that maybe I had heard the number incorrectly.
3912 That's good. Thank you.
3913 I didn't mean to cut you off. That is how you would describe the ‑‑
3914 MR. HOLIEN: Yes. Described.
3915 THE CHAIRPERSON: Thank you.
3916 With respect to Golden West ‑‑ and you may have heard their presentation yesterday. They are also proposing an adult contemporary music format, which they describe as a lighter variety of music.
3917 I am just wondering, again, if you could sort of discuss the similarities and differences with your proposal.
3918 MR. OLSTROM: It is difficult for us to do a comparison, because we don't know ‑‑ a playlist was never submitted.
3919 So, for us to compare, it would be difficult.
3920 They did say that their target audience, or target demographic, was 25 to 50 years of age, with a focus on 35‑49 as the core.
3921 As I said, it is difficult, unless you take a look at the music, to do a comparative between ourselves.
3922 THE CHAIRPERSON: Okay. I appreciate that. Thank you.
3923 I just want to review ‑‑ I made a note when I looked at your brief. At paragraph 30 ‑‑
3924 Let me turn to it.
3925 At paragraph 30 you indicate 3 hours and 45 minutes of pure news.
3926 When I did that calculation, I didn't come up to that number, I came to 3 hours and 2.5 minutes.
3927 Would you mind ‑‑ you don't have to do it right now, unless you can point me to what my mistake is ‑‑
3928 MR. OLSTROM: The mistake was the fact that at noon, from Monday to Friday, there is a 10‑minute news package.
3929 THE CHAIRPERSON: Okay.
3930 MR. OLSTROM: There is a more comprehensive news package at noon.
3931 That should add up to the 3 hours and 45 minutes.
3932 THE CHAIRPERSON: It would actually be more than that, then, I think, wouldn't it?
3933 MR. OLSTROM: Pardon?
3934 THE CHAIRPERSON: I had 3 hours and 2.5 minutes. So you want me to add ‑‑
3935 MR. OLSTROM: The noon package is actually 10 minutes in length, Monday to Friday, so adding those up, according to my math ‑‑ which we hope is okay ‑‑ it should be 3 hours and 45 minutes.
3936 THE CHAIRPERSON: All right. We will go with that.
3937 MS McLAUGHLIN: If I could correct that, it is only adding 8 minutes for the five days, because there is a 2‑minute count at noon already.
3938 THE CHAIRPERSON: Okay. Thanks.
3939 MR. OLSTROM: I'm sorry.
3940 THE CHAIRPERSON: No, that's all right. That would make more sense to me.
3941 Thank you very much.
3942 In your presentation today, too, you mentioned that in the last two years ‑‑
3943 You have had a lot of expansion in the last two years ‑‑ Calgary, Fort McMurray and Saskatoon. Those would be large markets, especially Calgary and Saskatoon. Fort McMurray would be smaller than the other two, I think.
3944 What would the population be of Fort McMurray and Saskatoon?
3945 MR. COWIE: The order would be Calgary, Saskatoon, Fort McMurray ‑‑ diminishing numbers.
3946 THE CHAIRPERSON: I am wondering two things: when each of those systems would have launched ‑‑
3947 MR. OLSTROM: Pardon?
3948 THE CHAIRPERSON: When they would have launched. When you would have started operations.
3949 MR. OLSTROM: Saskatoon we just launched in the last couple of months.
3950 Fort McMurray was earlier this year.
3951 And Calgary launched on New Year's a year and a half ago.
3952 THE CHAIRPERSON: So now you are proposing to take on another licence, and, if you were approved, would you be looking a year or a year and a half out?
3953 Is that what you would be thinking?
3954 MR. OLSTROM: Within a year we anticipate that we would be able to launch.
3955 THE CHAIRPERSON: Do you anticipate ‑‑ I understand that you are a good‑sized company, but do you see any problem with absorbing four good‑sized systems at ‑‑
3956 MR. OLSTROM: Maybe I could have Bruce weigh in on that.
3957 MR. COWIE: No, this is part of a well‑planned approach to a western regional broadcasting presence, and we can manage this fine.
3958 THE CHAIRPERSON: Your three stations in Regina you must have owned for a long while, have you?
3959 MR. COWIE: We have owned the three stations in Regina since 1981.
3960 THE CHAIRPERSON: So this is quite a stepping out, as far as radio goes.
3961 MR. COWIE: It is, but "Modest Michael" will not have told you to this point that the alternative rock station in Calgary is doing extremely well.
3962 THE CHAIRPERSON: Oh, I am anxious to hear that.
3963 MR. COWIE: Its ratings are up there.
3964 To describe the e‑mail I got, it said: "Awesome. We rule."
3965 I think that might have been a touch of an overstatement but by and large this station is doing extremely well.
3966 Both Fort McMurray and Saskatoon had technical problems going in that had to be rectified before we could actually go on the air. Fort McMurray is the station of all three that has surprised us. It is doing very well. Now, there are extraordinary costs for operating in that market, as you can understand, but we clearly made the right decision to apply for and launch that radio station. It's being met with huge audience acceptance and the business book looks pretty good too.
3967 THE CHAIRPERSON: And the formats then of the Fort McMurray and Saskatoon, what formats are those stations?
3968 MR. OLSTROM: The format for Saskatoon is a youth contemporary format, and the format in Fort McMurray is an adult contemporary format with a skew to a younger audience in the evenings.
3969 THE CHAIRPERSON: Younger than you are proposing here?
3970 MR. OLSTROM: Oh, yes. No, this is a mainstream AC.
3971 THE CHAIRPERSON: So it would be different ‑‑
3972 MR. OLSTROM: In Fort McMurray we have skewed a little bit younger to cover a wider ‑‑ or breadth, I guess, of audience. With Fort ‑‑ or, sorry, with Red Deer, Red Deer is already being served at the younger end of the spectrum with a hot AC and a rock station. So the mainstream AC is going at the upper end of the 25‑54 demographic.
3973 MR. COWIE: Madam Chair, what might make our application look a little different than some others is that we believe we need to build the infrastructure of this western regional service in the new west, establish it, invest in the early years to make sure that they become relevant stations as quickly as possible and then fold the synergies in that we know are there as step two. That's not always the wisest way to do it but in our case until you know what the pieces are it's difficult not to do it that way.
3974 THE CHAIRPERSON: It actually segues well because I was interested in how your synergies were incorporated in your projections, and maybe we could just look at the projections at the same time then, because it does look like a different approach than some of the others.
3975 It's not apparent that there is a lot of synergies in there because you are forecasting large losses for the first ‑‑ large at least for the first two to three years. Some of the competing applications, as you know, even forecasted a profit in the first year.
3976 So perhaps you could maybe expand a bit on ‑‑
3977 MR. OLSTROM: There are synergies, but they tend to be in the backend.
3978 So I will turn to Tina in just a moment to speak a little bit further with respect to that, but we do believe in invested programming and that's where a lot of our expenses are.
3979 And Tina, if you could elaborate on that?
3980 MS SVEDAHL: Thanks, Michael.
3981 As Michael just said, our programming costs are on the higher end of $4.2 million but we are committed locally and we do spend the money upfront to get the stations underway.
3982 The synergies that we see are solely projected in our G and A costs. We expect there that ‑‑ I projected the G and A savings to be about 5 percent of the total revenue, or about 30 percent of G and A costs but we do focus on centralizing those reporting and accounting functions from a centralized perspective.
3983 THE CHAIRPERSON: Those would be from day one, centralized I expect, will they?
3984 MS SVEDAHL: Yes, yes.
3985 THE CHAIRPERSON: And so all of your programming, all your news, obviously ‑‑ you talked about your news staff. So everything, music programming, is all done ‑‑ will all be done in Red Deer?
3986 MR. OLSTROM: It's all local programming, yes.
3987 THE CHAIRPERSON: And your revenues ‑‑ I don't ‑‑ how do you go about calculating your forecast revenues? Maybe you could tell us that. It's a little bit different than the ‑‑
3988 MR. OLSTROM: Madam Chair, if I could turn to Karen Broderick to speak a little bit about that, about forecasting the revenues.
3989 MS BRODERICK: Actually, I think we will start with Tina first and then I can add to that if I need to.
3990 MS SVEDAHL: Thanks, Karen.
3991 From Harvard's perspective our budgeting process for Red Deer is no different than what we have presented to you in the past applications. We take the top‑down and the bottom‑up approach. In Red Deer the advertising sales are not public information so we had to take it one step further and look at the retail sales.
3992 The retail sales in Red Deer for 2009 are projected to be $2.6 billion and we extrapolated a share point value to be around $182,000 and we grew that further to account for our first year of operation. So our share point for year one, we are projecting to be about $185,000.
3993 And in our consumer demand study the share point is projected ‑‑ was demonstrated to be at maturity around 9.2. Given the broader demographic, as Michael has said, they are older and they take longer to adopt. Therefore, our first year share point is 5.5 to arrive at our million dollar projection.
3994 But I think it's important for Karen to speak specifically to the bottom‑up approach because we take that from in‑market studies.
3995 MS BRODERICK: Thanks, Tina. Yes, we do both approaches. We do the top‑down and the bottom‑up and that's just to substantiate what we determine the share point value as based on the research.
3996 So we take our individual day parts, their estimated sell outs and unit rates and then we multiply that by 52 weeks. So when we did this in this particular case the difference was actually less than $40,000. So we feel both top‑down/bottom‑up that the revenue projections are realistic for the Red Deer market.
3997 THE CHAIRPERSON: So you are comfortable with your revenue figures.
3998 Your sales, advertising and promotion, I wonder, that looks high. I don't know if you compared it to any other applicants or it's based on your experience to date in your other systems?
3999 MR. OLSTROM: As you know, in a start‑up situation it takes significant dollars to get a radio station off the ground and market it within the area.
4000 Tina, would you like to speak to that?
4001 MS SVEDAHL: Sure.
4002 Relatively speaking, it is high based on the numbers before you. If you look at the Alberta statistics, sales and advertising is around 25 percent. So we are definitely a little bit high but, as Michael said, a significant ‑‑ well, 25 percent of our costs in sales and advertising is in promo upfront.
4003 So again we are, you know, focusing on getting our radio station underfoot in the local market and spending that money in that area.
4004 THE CHAIRPERSON: And I see that you have got a steady increase in advertising dollars even out over the whole period ‑‑
4005 MS SVEDAHL: And it's a fragment of the way we budget because it's a percentage of our revenues so you do see growth in that area.
4006 THE CHAIRPERSON: And ‑‑
4007 MS SVEDAHL: And also in the sales commissions. I guess I have to comment on that too, sorry, because we have sales people on commission. Of course, their commissions are going to go up as our revenue gets higher, so we would expect that to occur.
4008 THE CHAIRPERSON: And obviously, I notice that the funding is all in‑house. So there is no interest showing here. So you don't ‑‑
4009 MS SVEDAHL: That's correct.
4010 THE CHAIRPERSON: ‑‑ record any interest in here?
4011 MS SVEDAHL: That's correct.
4012 THE CHAIRPERSON: And I understand from the application that carrying these losses is not an issue, financially?
4013 MS SVEDAHL: Not all, no.
4014 MR. COWIE: I just might add without going on too long about this, but the ‑‑ our vision of this infrastructure in the new west is that there is a growing connective between the Prairie provinces and, as a minimum, eastern British Columbia. If you draw lines north, south, east and west, agriculture flows right across through to southern Manitoba. In Alberta the economic corridor that will drive this country if not the North American continent over the next 30 or 40 years, starts in Medicine Hat, moves its way north through Calgary, Red Deer, Grande Prairie, Fort McMurray, and all of that provides the energy that will drive the economy over time.
4015 So if you look at that same kind of structure in Saskatchewan, Regina sits in the middle of the Prairie bread basket, so to speak. South of that are oilfields and a significant contributor to energy as long as we are using those kinds of fuels.
4016 And if we are not, north of Regina has the other answer, which is all kinds of field crops and so on, and off to Yorkton to the east of us which picks up the parkland and very expensive farmlands that are growing canola seeds and that sort of thing over there.
4017 But follow it straight north through Saskatoon, Saskatoon has become the industrial centre in Saskatchewan, and then north to the higher grade uranium deposits in the world.
4018 So there are two north‑south corridors. We are interested in both of those because these will be the growth areas in the west.
4019 And agriculture, you know, everybody sitting at this table has been waiting for Saskatchewan to be a strong, healthy economic province for a long time. If you read the Post the other day and read the story on Saskatchewan, the numbers are incredible. Farm income has never been at these levels in my lifetime that I can recall.
4020 We always had an axiom in Saskatchewan that said that when wheat was worth $12.00 the bins were empty; when the bins were full wheat was worth $3.00. That isn't happening anymore. I mean the land prices in Saskatchewan are sky high, and so on and so on.
4021 So we think we need to occupy the east‑west corridors that provide food. The east‑west corridors also provide water that supplies all of the basics to get the economy going and also feed stocks into the United States.
4022 So the new west is real and we think that we need to be there, participants in that, supporting smaller markets who have to find their way into this new regionalized kind of thinking. We are not proposing that but that's in fact what is going to happen.
4023 Red Deer is going to be a different place. Red Deer is a key element in the north‑south corridor in this province. And the Red Deer region because of its distribution abilities and so on is going to be a very important cog in Alberta over time.
4024 So we see kind of a bigger picture and it's not going to be for the timid to go and fill in all those spots, but the rewards we know are there, and that we can be of a service to western Canada and the country by being relevant radio stations in those corridors in the markets that are there.
4025 THE CHAIRPERSON: What type of ‑‑ or what period of time are you looking at, are you talking about here as far as growing out your radio station in parallel with the way you see the economy going?
4026 MR. COWIE: Well, I would like to hear Mr. Menzies on that point at some point but the ‑‑
4027 THE CHAIRPERSON: You probably will.
‑‑‑ Laughter / Rires
4028 MR. COWIE: Because he knows.
4029 But it is happening much faster than even we thought it would. Nobody could have predicted what is going on in Saskatchewan a year ago. Well, maybe a year ago, but two years ago couldn't have.
4030 And the ideas, you know, about economic union across the west which makes so much sense are beginning to percolate. There have been reports.
4031 In fact, the first one that was done by the Conference Board of Canada, Paul Hill, our owner, was one of the authors of that. It got lost in some political milieu somewhere but the economic idea made all kinds of sense.
4032 Those arguments are going to be brought forward and so on. Our job as we said to you before, as we are doing in Fort McMurray, was to have people who come, work and live there, understand what they are a part of, what they are contributing to and what good they can do not only Alberta, Saskatchewan, Manitoba; North America, for the world.
4033 This is an exciting place to be and, you know, as Jessica Simpson says, I don't really understand any of this but I want it.
‑‑‑ Laughter / Rires
4034 THE CHAIRPERSON: Well, maybe you will send a little back out to the far east for the rest of us.
4035 But I actually was trying to focus in as well, just following on in parallel with your comment about the growth in the economy here, your longer term future plans then for your radio operations as a whole. I mean we are here today talking about Red Deer.
4036 MR. COWIE: Right.
4037 THE CHAIRPERSON: But you have a longer term strategy that you see planned out five, ten years?
4038 MR. COWIE: Yes.
4039 THE CHAIRPERSON: Or how far ahead have you gone?
4040 MR. COWIE: Well, I guess it's about how long I last. I don't know.
4041 Really, the main ‑‑
4042 THE CHAIRPERSON: You want to be sure to enjoy the fruits of all your labours, so hang around for a long time.
4043 MR. COWIE: The main pieces of this strategic plan we will have before the Commission within a three‑year period. Three to five years is when most of this change in the west is going to take place and some of the markets might surprise you.
4044 But our focus currently is on ‑‑ where we think the main driver will be is the north‑south corridor in Alberta. That will be the economic driver of this country for a whole bunch of reasons. I mean, there is everything there.
4045 Now, currently it's based on mostly fuels. The truth be told, I think the tarsands probably has a larger deposit in Saskatchewan than it does in Alberta; hasn't been touched yet.
4046 And so the migration will move with ‑‑ I think there will be a highly skilled workforce, productive workforce that will move freely throughout this western region and it will be a powerhouse, you know, for our federal place in the world.
4047 THE CHAIRPERSON: It's interesting too ‑‑ and I can see my colleagues and I can see Peter is moving up in his chair. They are going to have questions for you ‑‑ it's interesting too because when we are looking at what information staff has given to us on the prospects for this market, you know, you have to ‑‑ you tend to be a little conservative. Is it going to continue on ad infinitum?
4048 And it does seem, at least from your remarks that it's going to continue on for some long time. So that's encouraging.
4049 MR. COWIE: And it's going to have to take on a leadership role.
4050 THE CHAIRPERSON: Just to lead into another aspect more specific to Red Deer then, how many say systems or licensees do you think that the market could sustain at this point in time?
4051 MR. COWIE: Every city in this country would like to have the growth possibilities of Red Deer. We think you could safely licence two radio stations in this market.
4052 THE CHAIRPERSON: Two.
4053 I notice, just to get back to the market itself, you indicate that you expect to take 35 percent of your year two revenues, or about $456,000 from existing radio stations. And I was just wondering if you had attempted to break that down or could give us a breakdown by station?
4054 MR. OLSTROM: Commissioner Duncan, yes, we believe the revenues will be split amongst the radio stations.
4055 I would like to turn to Karen to give you a breakdown of where we believe those revenues would come from.
4056 MS BRODERICK: We have predicted approximately 35 percent would come from existing stations in the market. In a market this size it's unrealistic to think that we are not going to take a little bit from everyone. Given, though, that advertising revenues are driven by demographics we will probably take the most revenue from those stations that skew a little bit older.
4057 So if you want a breakdown in that order we would think that it would be CFDV, the Drive, would be ‑‑ you know because they skew, the oldest that would probably be at the top, followed by CKGY, KG Country, and then CHUB Big 105 ‑‑
4058 THE CHAIRPERSON: I just want to make sure I don't miss anything. CFDV is classic rock?
4059 MS BRODERICK: Yes.
4060 THE CHAIRPERSON: And did you offer a percentage or are you just saying ‑‑
4061 MS BRODERICK: I haven't broken it down specifically into percentages. This is just based on ‑‑
4062 THE CHAIRPERSON: By sort of the order?
4063 MS BRODERICK: ‑‑ their demographics and ‑‑
4064 THE CHAIRPERSON: Okay.
4065 MS BRODERICK: ‑‑ who they serve. It would be the Drive, KG Country, Big 105 and Z99 in that order.
4066 But having said that, the projected growth for retail sales in Red Deer is 37 percent over the next five years, so with that comes increased advertising revenue in the marketplace. So we don't feel, because of the growth and the robustness of the marketplace that a new station whether it's one or two new licences would have undue impact on any one of the existing stations.
4067 THE CHAIRPERSON: I thought perhaps you would have your biggest impact on CHUB, the hot AC. You don't ‑‑
4068 MS BRODERICK: Well, we look at it this way because ‑‑
4069 THE CHAIRPERSON: You are using their local names like Big 105 and Z99 and I just don't convert that quickly, sorry.
4070 MS BRODERICK: Sorry.
‑‑‑ Laughter / Rires
4071 MS BRODERICK: CFDV probably has the closest target audience to our station, our proposed station.
4072 THE CHAIRPERSON: Yes.
4073 MS BRODERICK: So that's why we feel that they would be the most impacted.
4074 THE CHAIRPERSON: Okay.
4075 MR. OLSTROM: And if I could just turn to Daryl for a moment to speak in turn musically, which differentiates us from the hot AC and the duplication, we found between what we are proposing with the River and what CHUB currently programs, that may help you gauge the impact.
4076 MR. HOLIEN: If you look at our playlist and what CHUB is playing we actually only have an 11 percent duplication across the market and that duplication was most prevalent in the currents and the 2000 to 2006 years.
4077 When it comes to a hot AC station they typically repeat their most popular tracks around 35 to 40 spins a week. A mainstream AC station, on the other hand, we are only looking at about 20 to 25 times a week and this allows for the service to have a larger library which in turn means less repetition, broader range of artists, fewer spins.
4078 Also, with the hot AC station they tend to play tracks from the Bon Jovis and the Aerosmiths and they also play some modern rock tracks from Linkin Park and Fall Out Boy. They also play some urban like the Black Eyed Peas or Akon which you certainly wouldn't hear on the River. So I think that shows how we are totally different from what they are.
4079 THE CHAIRPERSON: Okay. Thank you.
4080 In your deficiency response on March the 5th you identified 90.5 MHz as an alternative frequency but you indicated that it's not capable of meeting your overall objectives because it doesn't provide the same coverage. You also indicated that use of this frequency would have some impact on your business plans.
4081 So I am just wondering if you could elaborate on those statements.
4082 MR. OLSTROM: Commissioner Duncan, if I could ask Tina Svedahl to speak to what it will do with our business plan?
4083 THE CHAIRPERSON: Thank you.
4084 MS SVEDAHL: Thanks, Michael.
4085 When we looked at the difference between the two frequencies there definitely is a difference there but it's pretty modest. So our projections wouldn't change.
4086 THE CHAIRPERSON: Oh, they wouldn't?
4087 MS SVEDAHL: No, like a very modest change, if any.
4088 THE CHAIRPERSON: Oh, okay. So maybe when you answered the question you just hadn't really had the chance?
4089 MS SVEDAHL: Yes, when we really looked at the coverage in a little bit more detail it was clear that it was pretty modest.
4090 THE CHAIRPERSON: Okay. All right.
4091 That's great then. Thank you.
4092 Turning to CCD, I am just wondering if Harvard Broadcasting is willing to accept the imposition of a transitionary Canadian Content Development condition of licence which will expire when the amendments to the radio regs come into force?
4093 MR. OLSTROM: Yes.
4094 THE CHAIRPERSON: Thank you.
4095 And just wondering on an ongoing basis, what steps you will take to ensure that the beneficiaries of your CCD contributions continue to comply with the regulations and the disbursement of the funds? Would you be actively involved with them on an annual basis just to make sure the funds are going as you ‑‑
4096 MR. OLSTROM: Well, for example, with AMIA and the travel systems plan that we are involved in actually in our Calgary radio station which has ‑‑
4097 THE CHAIRPERSON: Yes.
4098 MR. OLSTROM: ‑‑ exceeded our expectations, we through our CCD coordinator in Calgary have an ongoing communication with AMIA to ensure that the funds are being distributed and there is an ongoing dialogue there.
4099 THE CHAIRPERSON: And the other part ‑‑ let me just turn to ‑‑
4100 MR. OLSTROM: If I could also add, Commissioner Duncan, that the recipients will also be required to file a report with us on an annual basis.
4101 THE CHAIRPERSON: Okay.
4102 But I guess I am concerned that you don't want to hear after the fact they have done it, disbursed the funds differently than what you anticipated. So will you be in contact with them sort of as a reminder?
4103 MR. OLSTROM: No, there will be ongoing discussion as there is ‑‑ as we currently do with our CCD contributions in other markets.
4104 THE CHAIRPERSON: Thank you. Thanks.
4105 MR. COWIE: I might just add, Madam Chair, that on that point we have letters of agreement from the recipients of these funds to in fact make those reports available to us on an annual basis.
4106 THE CHAIRPERSON: And have those been filed or would you file them with the Commission?
4107 MR. COWIE: They have not been filed, but we will.
4108 THE CHAIRPERSON: Okay, that's great. Thank you. I suppose we would need that by the end of the day today, if that's possible. Thank you.
4109 Now, I think that's all the questions that I have right now but I reserve the right to come back if I think of something else.
4110 MR. OLSTROM: Commissioner Duncan, if I could just follow up on one of your initial questions with respect to the comparatives between Vista and Clear Sky, and I don't think we got on the record the differentiation with Vista and I would like to ‑‑
4111 THE CHAIRPERSON: Oh, I didn't ask about Vista but I'm happy to hear it. Okay, go ahead.
‑‑‑ Laughter / Rires
4112 THE CHAIRPERSON: Just a minute there. Okay, go ahead.
4113 MR. OLSTROM: I would like to have Daryl speak.
4114 THE CHAIRPERSON: Certainly.
4115 MR. HOLIEN: If we look at the Visa application it's a breakdown of the eras and the currents and the new and emerging that will be the difference between us and them.
4116 Just to give you some numbers, the Vista application they are projecting 75 percent from the eighties whereas we would be 40 percent from the eighties.
4117 The River will be 20 percent current and the Vista application appears to be 15 percent current.
4118 The Vista will be 35 percent Cancon, the River will be 40 percent, and 40 percent of that or 16 percent of our total broadcast schedule will be new and emerging artists.
4119 THE CHAIRPERSON: So now I think you had told me earlier that the eighties would be 30 percent; is that correct? Did I get that right?
4120 MR. HOLIEN: No, if you look at ‑‑ what they should be. I'm sorry. It should be the seventies and the eighties the Vista will be a total of ‑‑
4121 THE CHAIRPERSON: Oh.
4122 MR. HOLIEN: ‑‑ a total of 75 percent, and if you take the seventies and eighties our total will be 40 percent.
4123 THE CHAIRPERSON: Okay, thank you.
4124 MR. HOLIEN: Okay, thank you.
4125 THE CHAIRPERSON: Appreciate that. Thank you, thank you.
4126 So now Commissioner Cugini will start.
4127 COMMISSIONER CUGINI: Thank you, Madam Chair, just a couple of follow‑up questions.
4128 I heard you when you said this is the single most popular format, over 75 percent of the songs on the AC chart are not being heard on Red Deer radio; out‑of‑market tuning a lot of that is going to AC stations. You used the word "more" a lot even in your video. But then when I look at your share projection you are at the bottom of the pack. You are actually second to last of all the applicants.
4129 So I have a little bit of a disconnect there that I would like you to fill in for me. If this is the most popular format in radio why are your share projections so low for this market?
4130 MR. OLSTROM: Commissioner Cugini, I would like to have Debra McLaughlin weigh in on that based on the research.
4131 COMMISSIONER CUGINI: Thank you.
4132 MS McLAUGHLIN: Our share projections are of course based on the consumer demand we did. And when we looked at the responses by demographic in the survey and factored in the discounts that we typically do, the mature share, not the potential for the mature format but the mature share is 9.2.
4133 Because there is some service to the older demographics, because CBC for example takes up quite a bit of hours of tuning in the market, it's unreasonable and it's typical actually for older portions of the market to tune or to switch as quickly. So if we were doing a younger format here that share or the discount we would apply would be less, but we have only assumed that 60 percent in year one of that mature share would come to us.
4134 So if we look at what is happening in the market, the shares that are there, those are established listeners. We are counting on getting people, a large proportion of our audience in fact, from out of market. When we look at it, 36 percent of our core audience, our overall audience actually, will come from end market tuning. We are going to have a tough time converting from people who are established in like what they want.
4135 24 percent of our total hours tuned are going to come from bringing people back to radio. That's a big chunk of numbers to convert people back to a medium. 40 percent is going to come from out of market.
4136 Because we are not thinking we are going to take from people who are using radio in the market, we are going to take it from people who are tuning out, getting people to tune back in, we have to be more conservative in that approach. We are actually trying to bring people back to radio and to the market, which is a little tougher angle than simply taking it from another station that's already in the market or converting people who are listening to radio now.
4137 COMMISSIONER CUGINI: And the assumption on the 24 percent who are currently not using radio, I guess on a sociology basis, are you assuming that these are people who are listening to their CDs, listening to their iPods, listening to internet radio? Where is that 24 percent of the population getting their music?
4138 MS McLAUGHLIN: Well, all of those in fact.
4139 In terms of estimating that 24 percent we didn't just pull that number out of the air.
4140 COMMISSIONER CUGINI: I didn't think you did.
4141 MS McLAUGHLIN: We actually asked people if they had the format that they ‑‑ a format that they liked, if the music they wanted with local news was provided to them what was their likelihood of tuning more to radio. So that encaptured people who currently aren't tuning at all, people who are tuning less. And over two‑thirds of the people who were interested in our format said that they would tune more to radio, so we know we can convert them.
4142 The conversion in that kind of ‑‑ if they are on satellite radio, for example, they have a subscription. They are not going to dump out of that because there is one single commercial station. If they have a robust iPod collection and an MP3 and their car can handle it they are not going to come to us.
4143 So realistically and watching how the performance in other markets has laid out when people introduce new formats, we know that this format has the greatest potential, which is why we think you need a format like that, frankly, in this market. But it's also going to take some time to build to that potential.
4144 COMMISSIONER CUGINI: Because of course the context of the question is you could be underestimating your potential and therefore underestimating your impact on the incumbents.
4145 MS McLAUGHLIN: Well, again, we are only expecting just slightly more than one‑third of our core audience to be coming from them. So what would the range there possibly be, 10 percent?
4146 And we are talking ‑‑ if you just look at the numbers in a real sense CHUB, for example, would lose 1.7 rating, like they are close to 19 rating or share points. That's not a big loss. I have got to think that with an aggressive sales team with two stations in the market already entrenched and relationships in place that that isn't going to really impact their revenues all that much.
4147 COMMISSIONER CUGINI: Okay, fair enough.
4148 I just want to hone in a little bit on your core audience. I know in response to deficiencies when you were asked this question you did say that the target and core audience is the 25 to 54 demo and you did also in your oral presentation today say that the two age groups noted 25 to 54 and 35 to 44 as having expressed a level of dissatisfaction with the existing services. But that's pretty broad.
4149 What is your core audience, and you have been asked this question before. Therefore, what is the median age of your average listener?
4150 MR. OLSTROM: Median age is ‑‑ median age, Commissioner Cugini, is 40.
4151 COMMISSIONER CUGINI: Are you skewing male or female?
4152 MR. OLSTROM: Female, obviously, with an AC format which tends to skew female.
4153 COMMISSIONER CUGINI: Okay, and just one parting remark, Mr. Cowie.
4154 I guess I'm going to have to suck it up. Toronto is going to be the former centre of the universe or already is.
‑‑‑ Laughter / Rires
4155 COMMISSIONER CUGINI: Thank you, Madam Chair.
4156 THE CHAIRPERSON: Commissioner Molnar?
4157 COMMISSIONER MOLNAR: Thank you, good morning.
4158 And I wasn't really clear from your comments if you were thinking Saskatchewan was going to be the centre of the universe or if it was here in Alberta.
4159 But I did want to speak to you about your regional expansion plans. I understand your desire to grow within this region and there is many people in this room today who have a desire to grow within the region. You mention in your statements, and I am just looking at page 14 of your comments right now where you mention that you will begin to achieve the efficiencies and economies of scale that are currently available to our competitors.
4160 You spoke briefly of some, I would suggest, relatively minor synergies that you would achieve with this station at this point and back office, but as you talk about your strategy for expansion, regional expansion, do you have a strategy as it relates to those efficiencies and economies of scale?
4161 MR. COWIE: We do, and it's being built in parallel with our plan to build the system. It goes beyond just economics.
4162 There will be a speak in this part of the world which requires strong local broadcasters who have a different voice than some of the large national players and so on. That's also part of the expansion that we are working on here, is that there be a diversity of voices in the west from strong, regional broadcasters like ourselves. And this is not to deter anyone else.
4163 But I just thought, and I really probably shouldn't have gone off as quickly on that as I did, but the perspective at the root of what we are trying to do is important because we have been around broadcasting a long time and the fact is ‑‑ and you will hear this from Elmer Hildebrand, you will hear it from others ‑‑ we cannot compete with large publicly‑funded companies in the acquisition of licences. We just can't. They have ‑‑ to put it more clearly, they have a lot more money than we do.
4164 We can build local stations. And you will note from a descriptive of what the Harvard stations are they are different in every market because they are built around the research that tells us what the people in those markets want.
4165 So some synergies are lost, I guess, in not having a cookie cutter format but we have no intention of doing that. We have ‑‑ our single focus has always been to serve the local markets, which is what we are doing.
4166 But we will put into effect all of the synergies that are available to us, that are available to others in the broadcasting industry today, short of in any way giving up our local service. And that will follow. You know this is not, as I said to Madam Chair, this is not for the timid.
4167 I suppose our vision could be completely wrong but I don't see ‑‑ there is nothing on the horizon that tells me that. You drive into Calgary today and there are signs right on the highway now, "Welcome to the New West". I mean it's ‑‑ what is going on here is real.
4168 We need to acquire synergies both in programming, because this will become ‑‑ will have a regional aspect to it, the western ‑‑ at least the Prairie provinces. British Columbia will be part of that but to a lesser degree.
4169 So we will want to get all the synergies we can in programming. We will make sure that we have ways of finding training and retaining the best people we can get and so on, but all of the stations will be local but they will, as an over kind of umbrella to all of that, be tuned into what part they play in the larger area which is the west. We will not go east of the Manitoba/Ontario border. They have their own reasons to deal with there.
4170 This is more of an opportunity and in our case it's something that we feel we have to do. We can be very comfortable with three radio stations in Regina that do very well but there is ‑‑ we are all born and raised in the west. You know, we have a great passion for our future. We see it before us now beginning to unfold as we always wanted it to but never thought it might.
4171 So the synergies will be there. We are already very well advanced in our connectivity in terms of computer systems and that sort of thing. But the real hard synergies of making sure that our costs are in line with where they need to be ‑‑ and I am reminded about this from others, just so you know, and the daughter of one of them is sitting at the table.
4172 But we made a hard conscious decision that you can't do it one or two stations at a time and try to put synergies there. Now, we are doing accounting right now out of Calgary for Saskatoon and Fort McMurray. So we have started. But really, there is more to it than that in the long run. There is a philosophy that has to be part of the synergistic thinking and so on, and getting the right people and the right programming and so on that's over and above the intensely local service.
4173 MR. OLSTROM: And if I could add too, some of the synergies obviously come when you add more licenses. So it allows you as you grow ‑‑ as you acquire each licence there is more synergies that can develop from that as well.
4174 COMMISSIONER MOLNAR: Right.
4175 And I think synergies can occur on two sides and you have touched on both. One are the costs, the operational efficiencies, being more productive and cost‑effective and you have touched on that and that will grow over time. The other one that I am not perhaps understanding well, and you mentioned it, is on the programming side.
4176 If you are to grow to become a regional ‑‑ you know, to really cover that north‑south corridor or the east‑west corridor within this economic region, do you see being able to contribute something particular, something new as it relates to programming or news or something by having that base, you know that coverage base?
4177 Do you see being able to cover things differently to add additional programming or what do you see being the advantage to our broadcasting system by having ‑‑ you know, you have that regional coverage?
4178 MR. COWIE: Well, the benefit to our listeners is that the connectivity to any one of our markets in the west from a news point of view is instant because, you know, presuming that we are able to acquire the licences that we propose to acquire; and that stories generally on the political level, public level will affect most of the stations in this region.
4179 So those will be dealt with by local stations, but if the big news story of the day is in Saskatoon, that will be instantly available in the other the stations throughout the west and so on.
4180 But, you know, these are automatic ways to proceed with those kinds of synergies.
4181 But the one that appeals to me too is that we will have some very small markets. We have acquired, subject to CRTC approval, the Yorkton market north and east of Regina which is a very small market and they're right in the middle of this huge agricultural boom in Saskatchewan right now.
4182 So, there's a story to be told there that's of interest across the west.
4183 So, you know, we're not going to do regional newscasts or anything like that. All newscasts will remain local in all of our markets, but they will have input from anywhere in the west that's all part of the region we live and work in.
4184 MR. OLSTROM: Ms Molnar, if I could just add a little bit.
4185 One of the choices we make when we go into these markets is to focus locally and local programming on those markets. So, when you do that there tends to be lesser on the synergy side of things from a programming perspective.
4186 We'd share ideas on a programming perspective, our programmers within our company do conference calls and we have an FTP site where they share ideas. There may be an opportunity to share ‑‑ if a feature's on our Red Deer station is created, we may want to share that of relevance to some of the other stations that fit formatically.
4187 But we do focus on the local market. So, from a programming perspective, you will find lesser synergies because we are so heavily focused and, as you can see by our business plan, we invest in programming.
4188 COMMISSIONER MOLNAR: Okay. Thank you very much, and I think I do understand. So, where you say here:
"Critical mass in Alberta is absolutely essential to our western regional growth strategy..." (As read)
4189 COMMISSIONER MOLNAR: That is simply for operational efficiency purposes?
4190 MR. COWIE: Well, in providing critical mass and making sure that our decision to stay in the west, to be a part of the ‑‑ and most of us were born and raised in the west ‑‑ be a part of this next time is important for us to be able to operate at a very high level, provide those local services and be a distinctive regional voice where we need to.
4191 And there will still be large national companies who own licences in western Canada, many of the markets we're talking about, and they're good local citizens by and large, but there is a different perspective, we think, of people who live and work out here, were born here.
4192 It's not any different than the Atlantic provinces, it's not any different than Ontario, Quebec. There is a need within those regions to talk to each other on the basis that you always have.
4193 So, it's a little bit of ‑‑ I guess we're dreaming a bit ‑‑ but at the same time, we're trying to face the realities of what's really going on here and things are changing very fast.
4194 COMMISSIONER MOLNAR: Thank you.
4195 That's all I have, Chairman.
4196 THE CHAIRPERSON: Commissioner Menzies.
4197 COMMISSIONER MENZIES: How big do you expect this market to get in terms of economic growth, and how much it can handle?
4198 Because it strikes me that, quick math in my head, there will be 125,000 people in Red Deer in 10 years if growth continues and that we might be back doing this again at some point.
4199 But what sort of economic growth do you foresee in the next five to six years?
4200 MR. OLSTROM: Well, I guess if there's frequencies you may be back here again at some point in time.
4201 I'd like to turn to Debra McLaughlin, and maybe Debra can give you some background on that, Commissioner Menzies.
4202 MS McLAUGHLIN: Well, we certainly looked at all of the publicly available data, all of the bank information and Stats Canada and, of course, Financial Post.
4203 Just in their 2007 document they predicted an increase of 37 per cent in the next five years on retail sales.
4204 The population trends for this market, we're sitting at about five per cent. That was the difference year‑over‑year in census and they have sort of flat lined it, I believe, between three and four.
4205 But, having said that, average incomes were expected to increase by 23 per cent in that same five‑year period I was talking about.
4206 And my most recent conversation with the Conference Board of Canada said that when it comes to this area, particularly with the changes that we've seen globally and the importance of the production of food, that they're having a tough time making those predictions because when you have one sector exponentially change, it doesn't allow you to use those projections out based on historical trends.
4207 So, right now we're all sitting here saying, is it the three, the four population growth, is it the 37 per cent, does it continue longer or are we going to have a big bubble?
4208 What they can say for sure that in terms of being an economic driver within the country, this area, not just Red Deer, is certainly forecast for the next 10 to 15 years to be it.
4209 Given the opportunities in this area and the fact that there are so many industries and expanding at that, you know, I'd like to put a number on the record, but I ‑‑ you know, I would probably end up saying, you know, I'd under estimate it.
4210 COMMISSIONER MENZIES: That's fine. I didn't need number, I just wanted an assessment of whether it was a bubble or not.
4211 MS McLAUGHLIN: There's a bubble happening right now. How long that continues, we don't know.
4212 I mean, you know, does it become a trend or is it a bubble? But it's definitely a bubble at the moment, only time changes it into a trend.
4213 COMMISSIONER MENZIES: Yes, yes, I know. Economists have accurately predicted the price of oil three times in the last 30 years.
‑‑‑ Laughter / Rires
4214 COMMISSIONER MENZIES: Thank you.
4215 THE CHAIRPERSON: Commissioner Patrone.
4216 COMMISSIONER PATRONE: Thank you, Madam Chair.
4217 Good morning.
4218 I'm going to start by expanding on some of the questioning that was made concerning news and information programming.
4219 You spoke about the need to provide balance and reflect regional differences and an editorial perspective.
4220 Why did you feel the need to stress that in your presentation, and how will that be reflected in your news programming?
4221 MR. OLSTROM: Well, we believe that ‑‑ we conducted extensive consumer demand research on Red Deer. The research came back to us telling us the single most important element, and this comes up a lot of times, is local news and I believe in this survey it was over 94 per cent.
4222 There's a demand for local news. It's evident across all demos, young and old. The research we had conducted by Strategic Inc. showed us that 75 per cent of those surveyed believed that there was a need for diversity in sources of radio news and that that was important.
4223 We found there to be a clear void within the marketplace to serve that.
4224 Red Deer is not necessarily in need of more hours of news, it is in need of a different perspective, different sources of news.
4225 One of the key distinguishing features that we believe we'll have is our 10‑minute noon package, Monday to Friday, which will give us an opportunity to focus more in depth, it gives our reporters an opportunity to delve into stories a little bit more and, at the same time, gives us an opportunity to speak to the things that impact this market and this region which, petro chemical and oil industries, the service sector that Red Deer is, there will be a business report, an ag report, because agriculture obviously another important driver in this area.
4226 So, that will give us an opportunity to expand on that type of news and information as well within the market.
4227 You know, if I can speak to Harvard in particular. We operate in communities like Red Deer, Saskatoon, Fort McMurray, Regina which are all agricultural resource‑based communities.
4228 For example, 620 CKRM in Regina, our heritage AM radio station, is known as a community leader in news and information and we believe we're going to bring that passion, that focus to the Red Deer market and I guess give our perspective, Harvard Broadcasting's perspective on the west and on Red Deer.
4229 COMMISSIONER PATRONE: You're talking about longer formed stories, like investigative journalism?
4230 MR. OLSTROM: I don't know if ‑‑
4231 COMMISSIONER PATRONE: Do you have the staff for that?
4232 MR. OLSTROM: I believe we do have the staff. In these day and ages, you know, we multi‑task and we work harder and we believe that there's an opportunity to do more in‑depth stories.
4233 We're not talking 10‑minute stories, we're talking a story, instead of the headlines you're going to get maybe a minute and a half of a story that has a little bit more focus with an interview and that sort of thing that, you know, there is some more depth to it.
4234 COMMISSIONER PATRONE: Three reporters that you'll be able to put on the street?
4235 MR. OLSTROM: Well, yes, absolutely. Three and a half, there's a part‑time reporter ‑‑ news reporter/reader.
4236 COMMISSIONER PATRONE: I love those 0.5 reporters.
4237 You refer to your editorial staff as reader/reporters. Does that mean that they report as well as anchor. Are these people sort of interchangeable?
4238 MR. OLSTROM: Absolutely. There will be a news director, but he as well, or she as well will be involved in managing that department, but also doing the reading/reporting as well.
4239 COMMISSIONER PATRONE: Can you speak about your plans for monetizing the streaming audio part of your operation relative to news and information programming?
4240 MR. OLSTROM: We're looking at the website for the River as an extension of our brand and our on‑air product. It's an opportunity for us to do polls ‑‑ listener polls.
4241 For example, in Regina we're doing that currently on a couple of our radio stations where we have listener polls, both musically and say topic of the day and we are able to take that information and feedback and use that in our on‑air programming.
4242 So we're a link to the community, it's a 24/7 link. We're looking at this as more of a ‑‑ at least in Red Deer in the initial stages in terms of monetization, it is an added value for advertisers, so that we are able to offer something a little bit more because of the ‑‑ you know, maybe there's some incremental spending that we can acquire by giving that added value for our website.
4243 So, in terms of monetization, that's more where that's going to come out, at least in the initial stages with the website.
4244 We'll be streaming and providing community information, a lot of typical things that a website does.
4245 We've been involved with websites, starting in Regina, for a number of years, 10 years ‑‑ pretty close to 10 years and they've strictly been used as a listener benefit more than anything else, an extension of the radio station.
4246 So, the monetization, as I said, here in Red Deer is focused on adding that value for incremental spending potentially.
4247 COMMISSIONER PATRONE: Do your reporters file directly to the web ahead of ‑‑ I understand that you're going to have streaming audio but, for instance, if your reporter were to break a story ahead of the next scheduled newscast, would that individual be encouraged to file directly to the web or wait until the newscast goes ‑‑
4248 MR. OLSTROM: Potentially, yes, but I believe if the story is of significance, that is as you say a breaking story, that we would go to air with that immediately, or within ‑‑ you know, we're not going to cut the song off but we're going to, you know, as soon as we can we're going to jump in.
4249 Because if there is relevance to a story and importance to a story of that nature, absolutely, that's what we're there ‑‑ we're there to serve the community, not only from a music perspective, but from an information perspective as well.
4250 COMMISSIONER PATRONE: Will there be many opportunities for your reporters to be filing live from the scene?
4251 MR. OLSTROM: Absolutely, yes. I ‑‑ you know, I use that as example ‑‑ again, example, our heritage AM station in Regina. We do that all the time.
4252 If there's something happening, the reporter's out and at the scene and filing a report and getting it on the air as quickly as possible.
4253 COMMISSIONER PATRONE: I'd like to ask you a couple of questions concerning your initiatives as far as emerging artists are concerned.
4254 Your Made in Canada show, that's two hours on Sunday and then aired again...?
4255 MR. OLSTROM: On Wednesdays, yes, Wednesday evening.
4256 COMMISSIONER PATRONE: How will the Canadian artists be chosen? Who makes that decision; is it done by a committee, or is there one individual who will be designated with the job of screening CDs and that kind of thing?
4257 MR. OLSTROM: Maybe I'll turn to Daryl who's actively involved I guess in this aspect as it is right now and have Daryl explain to you how that process works.
4258 MR. HOLIEN: In Regina we receive a lot of great music from the recording companies and we're also on the street actively trying to encourage new and emerging artists to drop off their CDs, drop off their tapes, whatever they've got, and we select them as with their compatibility obviously to the format.
4259 If you look at the radio station in Regina right now, a new and ‑‑ you know, you hear there like Hayley Sales, you hear Justin Hines, Brian Melo, Susan McNeil. So, we would look at the same process at the station in Red Deer as well.
4260 COMMISSIONER PATRONE: And what percentage will be Alberta artists versus other artists, and will that show be aired at your other stations? Will the same show be aired in Fort McMurray and Saskatoon?
4261 MR. OLSTROM: The show is locally focused and developed and created for Red Deer. I guess if there was a desire to carry it in Fort McMurray, for example, where there would be some correlation with the Alberta artists, that would be worked out between the program directors.
4262 And I guess it's a potential, but also in Fort McMurray, you got to remember that, you know, we have our own programming, we're creating all our programming locally there as well.
4263 So, sometimes it doesn't work from a programming perspective.
4264 MR. HOLIEN: The percentage I'm not sure you can ‑‑ you have a control of the amount of music that is released. We don't ‑‑ we don't have the ability to say "x" number of per cent is going to be from here because we don't control the supply.
4265 COMMISSIONER PATRONE: I understand.
4266 Now, I see your scholarships will be awarded to ‑‑ well, half of your scholarships will be awarded to Aboriginal students.
4267 MR. COWIE: That's correct, yes.
4268 COMMISSIONER PATRONE: Can you talk a little bit about any other corporate or programming initiatives aimed at promoting diversity?
4269 MR. COWIE: Well, if we're talking across the face of what we do, we're active in three of our markets in mentoring programs for editorial youth in the news end of the business, so that would be young reporters and that's done in association with APTN.
4270 In addition to that we are supporters and founding supporters of ANF, which is the larger fund which is operated or also funded by APTN which is broader than just news mentoring for news reporters and writers. So, we're active in that.
4271 In Calgary, I'm not sure this would fall in the same category here, but in Calgary, one of the main cogs there of introducing new and emerging talent is a very widely cast program to bring new artists into a contest on an annual basis.
4272 And I'm going to have Michael explain that, because we were pretty sure going into it it would be a success, but it's been even more so than we thought at the beginning.
4273 COMMISSIONER PATRONE: Sorry, you jumped back from the diversity question to the emerging artists. Are you referring to ‑‑
4274 MR. COWIE: No, I'm sorry, but I lost the question.
4275 COMMISSIONER PATRONE: Well, my question was about diversity and corporate initiatives aimed at fostering.
4276 MR. COWIE: Well, diversity in a market can be presence alone. If, for example, a broadcaster like us goes into a market where there are two or three large national companies own literally all of the licences, we provide diversity by just being there.
4277 But, again, and the diversity comes from our locally focused programming which is both in news and musical programming.
4278 So, we believe that ‑‑ and that is at the root, by the way, of this whole strategy in the west, is making sure that companies like ours that are a different voice, we don't ‑‑ you know, and while we don't do editorials as programming, we do have an editorial voice that speaks to the west and that's heard as part of the diversity in the things we do.
4279 But within the basic of diversity is making sure we're in a place where we can be heard with a distinctively western view of what we're talking about on our radio stations.
4280 MR. OLSTROM: Commissioner Patrone, if I could just add to that. In our application points form on cultural diversity, 9‑11, following with the CAB best practices that we have a fairly detailed diversity policy.
4281 And we believe with this format in Red Deer, spanning as wide a demographic as it does, encompasses many cultural groups as well just with the format itself.
4282 COMMISSIONER PATRONE: Thank you very much. I have no more questions.
4283 Madam Chair.
4284 THE CHAIRPERSON: Thank you.
4285 Actually I do have a few questions.
4286 I'm just wondering, first of all, if your projections ‑‑ your financial projections were prepared on the basis of one or two licences on that assumption?
4287 MS SEVDAHL: Yes, they were prepared on the basis of two licences.
4288 THE CHAIRPERSON: Two. Okay, thank you.
4289 And I'm curious, I want to take advantage of the fact that Ms McLaughlin is here. I'm looking at a T chart, I guess I'll call it that, that shows the applicants and the existing players in the market and the formats that they have.
4290 And nobody serves the older demographic for men, they call older 35 plus, there's nobody in that block.
4291 And I'm curious to know, it seems all of the applicants are applying for ‑‑ well, not all of, I shouldn't say all of ‑‑ but many are applying for older women, 35 plus, nobody is in the men. Some people say it's heavily skewed female or lightly skewed.
4292 I'd like to understand that, because in evaluating the applications, you know, it perhaps is a significant point. I just ‑‑
4293 MS McLAUGHLIN: I, of course, don't have the chart you have, so I'll just speak generally to how we identified the skew to female.
4294 When we looked at the per capita tuning and the declines, we actually found that it was balanced between men and women, probably just slightly marginally more against men.
4295 And when we looked at the potential of introducing a service, we looked to the out‑of‑market tuning to find out what per cent of that out‑of‑market tuning was done by each of these groups.
4296 And what we found was that within ‑‑ and actually I'll just read some numbers for you so if anybody else would like to compare they can.
4297 In fall, yes, 2007 there were 412 hours of spill tuning or 412,000, rather, hours of spill tuning. Of that 206,000 or 50.1 per cent were in adults 25‑54. Within that, the majority came from women.
4298 So, we then recalculated this based on the spring numbers and the hours of tuning to out‑of‑market had increased, they went up to 430,000. Within that the hours tuned out‑of‑market by adults 25‑54 went up to 217,000 or 52.7 per cent.
4299 When we broke that down by female/male, again, the females represented the highest amount of that tuning.
4300 So, from an opportunity to bring people back to the market, it seemed that the greatest amount of tuning that was available to us was amongst women.
4301 When we looked at the profiles of the stations in the market, they were equally balanced against male and female. We have two male services, the rock, the classic rock and the modern classic rock and then we have a country and a hot AC. They tend to skew female and the others male.
4302 So, there was a balance that existed in the market and then the opportunity was the greatest amongst females.
4303 So, putting those two pieces together, plus the fact that AC is the highest in demand, made us choose this format.
4304 THE CHAIRPERSON: In your opinion, then, because I see some of what you are saying and what I'm looking at here, although both the classic rock stations, the rock classic and the classic rock stations in the market now ‑‑
4305 MS McLAUGHLIN: Mm‑hmm.
4306 THE CHAIRPERSON: ‑‑ they both show men younger, 35 and younger, but would you disagree with that; do you think there may be ‑‑ one or both of them is more middle appeal to older men?
4307 MS McLAUGHLIN: Again, as a researcher I'm hesitant to disagree with the numbers that you have there because I haven't seen them, but I would say that a classic ‑‑
4308 THE CHAIRPERSON: I don't actually have numbers, it's just in a big block.
4309 MS McLAUGHLIN: Okay.
4310 THE CHAIRPERSON: You're either under 35 or over 35 and these guys are all under 35, these two stations.
4311 MS McLAUGHLIN: If you look at the profile to a classic rock station, either by virtue at looking at how it does over the entire country using BBM data, or looking at an individual market basis, the skew is always male.
4312 If the skew is somehow not as strongly male in this market, I would suggest that the classic rock here is trying to fill part of that void of the AC by playing softer selections.
4313 In the introduction of an AC format into this market, we'll realign what people are playing. The classic rock already has a brand as a classic rock and, therefore, they are likely to fill that void serving males by skewing more towards a traditional classic rock format.
4314 THE CHAIRPERSON: So I'm trying to put more emphasis on the younger or older than 35, and from what I'm hearing you say, that maybe is just not a major consideration for advertisers or listeners.
4315 MS McLAUGHLIN: It's a younger market, Red Deer is a younger market. You can't come into this market and not recognize that. I believe it's six years difference between the median age in this market and the Canadian average.
4316 But the question becomes, if you skew too young you've got two issues. One, can you really recover sufficient hours of tuning amongst that group. Two, with the population base being as small as it is, to develop a solid business plan.
4317 Secondly, if you do that you're going to lose service to the upper end entirely because, unlike an AC format that can pick up some of the younger by simply including some more current hits as we have proposed, the older demographics are not going to tune to a younger program station.
4318 And, in fact, we asked ‑‑ recognizing the dynamics of this market, we asked not only, will you listen to the station, but if we added more current, would you listen to this station more, would your likelihood increase?
4319 And, in fact, the highest interest in the station when you add more current actually moves down in age.
4320 So, what we were trying to do is balance the loss of tuning across all demographics recognizing that that 12‑24 needs very specialized programming that we couldn't provide and have a business plan.
4321 By serving the 18‑49 and the 25‑54, principally 25‑54, with a skew somewhat older, we altered ‑‑ if you look at the typical classic or our AC format, the distribution as between hours of music would be around 10 per cent for current. We're offering 20 per cent, which means we're going to pull a little bit from that other end.
4322 Are we going to get the 35 plus, absolutely, because AC is their format of choice. But you can mix in ‑‑ and I shouldn't speak for Daryl or Michael ‑‑ but you can mix in the currents in such a way as to not turn it into a completely youth station and yet offer them something of interest.
4323 THE CHAIRPERSON: And your 35 plus is slightly female, then?
4324 MS McLAUGHLIN: Yes.
4325 THE CHAIRPERSON: Okay. Thank you very much.
4326 Thank you.
4327 I just ‑‑ if we were to decide on two licences, who would you ‑‑ which of the applicants would you consider to be the most competitive and which the least competitive, if you'd like to comment on that?
4328 MR. COWIE: Well, Madam Chair, we've debated that question in our group and our thinking is that the format we're proposing is broad enough that it can come into the market and sit in the middle and we would be able to compete against the incumbents in the market.
4329 THE CHAIRPERSON: That's fine. Thank you.
4330 Counsel, any questions?
4331 So, this is your two minutes to sum up. Thank you.
4332 MR. COWIE: Well, thank you, Madam Chair, and for listening to that long ‑‑
4333 THE CHAIRPERSON: It was very helpful and interesting. Thank you.
4334 MR. COWIE: ‑‑ discussion of the new west. I presume you'll be hearing more about it.
4335 THE CHAIRPERSON: I wonder if we'll both live long enough for me to give the return speech about Nova Scotia. I'm just not quite sure.
4336 Do you have any vision along those lines?
4337 MR. COWIE: Yes, I think Nova Scotia is doing just fine.
4338 Madam Chair, Members of the Commission, we firmly believe that 100.7, the River, is the right choice for Red Deer.
4339 Why? Our format main stream AC is by far the most popular musical format in Canada today, yet it is not available to the residents of Red Deer.
4340 Licensing Harvard will fill this void and provide the Red Deer radio audiences with access to a format that enjoys unrivalled popularity in the rest of the country.
4341 Our choice of formats creates a real opportunity to repatriate tuning. The River will bring back those who are tuning less to radio in Red Deer and repatriate tuning that is going to out‑of‑market stations. In fact, the proposed main stream AC format offers the greatest opportunity to repatriate the largest group of disenfranchised listeners.
4342 The River alone among the proposals before you can draw our audiences back to local radio from both the 25‑54 and the 18‑49 demographics.
4343 Our consumer demand research showed that interest in this format was consistently high across all demos, not just our core of 35‑54 target audience.
4344 Our commitment to CCD is uniquely local, providing both Red Deer only organizations and regional associations with the funding they need to develop artists from this area.
4345 Our investment ranks at the top of the list among competing applications, $1‑million over seven years.
4346 The River is also committed to Canadian content and new and emerging Canadian artists. Our commitment of 40 per cent CanCon, with 40 per cent of that being dedicated to new and emerging Canadian talent will provide meaningful exposure to Canadian artists within a highly popular format that will attract large audiences.
4347 And, finally, licensing Harvard in Red Deer will provide us with an opportunity to bring our western independent perspective to consumers who say they want choice in news and music.
4348 With the addition of Red Deer to our other markets, we will be able to enhance our service to all of our western stations, recognizing the growing synergies between Alberta and Saskatchewan and roots that go well beyond shared economic bases.
4349 Red Deer is a key contributor to the economy of Alberta, all of the applicants agree, and evidence supports that this is one of the fastest growing markets in the province.
4350 To that end, a company serious about being a western regional broadcaster, such as Harvard, needs this market to provide the service that is both locally and regionally reflective for all of the markets we serve.
4351 The synergies we have begun to develop through our recent expansions will be increased and our entire operation will be enhanced well beyond that which will show up on a balance sheet.
4352 Madam Chair, Commissioners, Red Deer is another important step in our western regional growth strategy, a step that we hope you will allow us to take.
4353 So, we thank you for your consideration and we look forward very much to participating in the remainder of this very important hearing.
4354 Thank you.
4355 THE CHAIRPERSON: Thank you, Mr. Cowie, Mr. Olstrom and your team. I appreciate it.
4356 And we're going to take a 15‑minute break, so we'll be back around 11:10.
4357 Thank you.
‑‑‑ Upon recessing at 1051 / Suspension à 1051
‑‑‑ Upon resuming at 1112 / Reprise à 1112
4358 THE SECRETARY: We will now proceed with Item 10, which is an application by Radio CJVR Ltd. for a licence to operate an English‑language FM commercial radio programming undertaking in Red Deer.
4359 The new station would operate on Frequency 100.7 MHz, Channel 264C1, with an average effective radiated power of 56,000 watts, maximum effective radiated power of 100,000 watts, antenna height of 161.1 metres.
4360 Appearing for the Applicant is Gene Fabro.
4361 Please introduce your colleagues. You will then have 20 minutes for presentation.
4362 Thank you.
PRESENTATION / PRÉSENTATION
4363 MR. FABRO: Good morning, Madam Chair, Commissioners and Staff. Thank you for allowing us this opportunity to appear before you again.
4364 Before we begin our presentation for a new FM licence in Red Deer, I would like to introduce the members of the team.
4365 I am Gene Fabro, President and owner of Fabmar Investments Ltd. of Calgary, Alberta. My family and I have been in business for over half a century, and through our holding company, Fabmar Investments Ltd., we have, for the past 25 years, invested heavily in a broad cross‑section of industrial activities, including land development and home building, manufacturing, woodlot management, oil and gas exploration, coal resource holdings, office and retail buildings, and, for the past 18 years, radio broadcasting.
4366 To my left is Dean Sinclair, a broadcast veteran, whose 30‑plus year career includes programming, on‑air, sales and senior management experience.
4367 Dean has provided input and direction for our proposed pop/CHR musical format.
4368 Next to Dean is Robert Hutton, Executive Vice‑President and General Manager of one of Canada's leading research firms, Pollara Research.
4369 Robert's team conducted a consumer demand and advertising study to assist us with this application.
4370 On my far right is Linda Rheaume, Administrative Manager for Radio CJVR's two Melfort stations, CJVR‑FM and CKJH‑AM, and our FM station in Whitecourt, Alberta, CIXM‑FM.
4371 Linda has been a part of our team for the past 17 years.
4372 Next to Linda is Kevin Gemmell, Station Manager and General Sales Manager of our two Melfort stations.
4373 Kevin has been with our company for over 12 years.
4374 And to my immediate right is Ken Singer, who is Radio CJVR's Vice‑President of Broadcast Operations.
4375 Ken has been in the broadcast business for over 40 years, and is currently a member of the Canadian Association of Broadcasters' Radio Sector Board.
4376 Ken...
4377 MR. SINGER: Thank you, Gene.
4378 Good morning, Madam Chair and Commissioners. CJVR's proposed new station, Hot 100 FM, will have a highly beneficial impact on listeners within Red Deer and the surrounding corridor communities. It will strengthen Alberta's private radio sector, and further advance the objectives of Canada's Broadcasting Act.
4379 Hot 100, with its unduplicated pop/CHR music format, will yield many important benefits to Red Deer's underserved 18 to 44 demographic, to new and emerging Canadian artists, to the region's arts and cultural organizations, to the local business community, and to Red Deer's radio market as a whole.
4380 Through its unique programming format, Hot 100 will bring fresh diversity and greater listener choice to the local radio market, while fulfilling many of the stated listening needs and preferences of Red Deer's 18 to 44 listenership spectrum.
4381 Our music format will attract back to local radio the high percentage of listeners 18 to 44 who currently turn to non‑radio sources for their music.
4382 As well, Hot 100 will repatriate a significant number of the 52 percent of Red Deer residents aged 18 to 44 who tune to out‑of‑market stations in search of their music preferences.
4383 The net effect of repatriating former radio listeners from alternative audio sources, and from out‑of‑market stations, will increase local tuning hours and strengthen Red Deer's private radio sector at no expense to existing stations.
4384 Hot 100 will, in effect, complement rather than compete with Red Deer's other radio stations.
4385 Further, the appeal of Hot 100's unique format will attract new advertising dollars to Red Deer's radio market, with minimal impact on local stations.
4386 Beyond the music, our spoken word programming will provide daily reports on the relevant news, events and activities happening within Red Deer and the surrounding communities.
4387 As a further means of keeping our listeners well informed, CJVR will produce a series of daily, special, spoken word features, focusing on a range of topics of interest and relevance to Red Deer's steadily growing population.
4388 MR. GEMMELL: Madam Chair, approval of Hot 100 will result in the direct expenditure of a minimum of $1 million on locally focused Canadian Content Development initiatives over the licence term.
4389 CJVR has also committed to a $1 million, indirect, on‑air expenditures budget to assist local arts and cultural groups in their endeavours to promote and support local talent within Red Deer and central Alberta.
4390 CJVR brings to Red Deer a rich legacy of accomplishment and commitment to talent development. Hot 100 is equally dedicated to maintaining that legacy through the implementation of a creative and inclusive game plan that reaches out to local talent across an eclectic mix of artistic endeavours.
4391 The promotion and exposure of new and emerging artists has been a priority of CJVR for decades. Hot 100's commitment and sense of priority in this regard is no less, as evidenced by the initiatives set out in our supplementary brief.
4392 By way of example, Hot 100 has committed to play a minimum of 40 percent Cancon. Of this figure, no less than 40 percent will be by new and emerging artists.
4393 Hot 100 will further enhance the careers of these new and emerging artists through the creation of a series of special, music‑based programs, totalling over 17 hours of in‑studio productions, all of which will air in prime time across the broadcast week.
4394 In keeping with CJVR's deep‑rooted sense of community, Hot 100, through its daily program schedule, special musical and spoken word programs, newscasts, specially produced vignettes, and numerous other initiatives, will ensure that Red Deer's growing cultural diversity is well reflected.
4395 Also, in recognition of Red Deer's pride in its vibrant cultural industries, and its designation as cultural capital of Canada, CJVR will establish a full‑time Arts and Culture Coordinator to cover the area's many cultural activities and events.
4396 MR. FABRO: Madam Chair, the establishment of Hot 100 will provide Red Deer's business community with an alternative advertising vehicle that will enable them to target and serve the various age groups within the region's underserved 18 to 44 demographic on a more cost‑efficient basis.
4397 As well, the addition of CJVR's proposed new pop/CHR formatted station will increase ownership diversity, establish a competitive balance within Red Deer's highly concentrated radio market, and provide a distinct, alternative, editorial voice.
4398 From CJVR's perspective, approval of Hot 100 for Red Deer will ensure the presence of a strong, independent, radio voice, at a time when smaller broadcasting entities are rapidly disappearing through increasing ownership concentration.
4399 Approval of Hot 100 will result in the creation of 16 full‑time and 2 part‑time jobs within Red Deer's radio market, having a positive impact on the local market economy, which has a growing concentration of small businesses.
4400 For all of the foregoing, Hot 100, more than any other applicant, will best optimize the utilization of the 100.7 frequency through the implementation of its unduplicated music format, which will fulfil the programming needs and preferences of Red Deer's underserved 18 to 44 listenership spectrum.
4401 Madam Chair, a comprehensive consumer demand study, conducted by Pollara Strategic Insights, one of Canada's leading market research companies, clearly illustrates the need for a new FM station that will fulfil the programming voids and listener preferences of Red Deer's underserved and ever‑growing 18 to 44 demographic grouping, and, in particular, those 18 to 34.
4402 MR. HUTTON: Pollara's survey of 506 Red Deer residents between 18 and 64 brought to light the extent of local audience fragmentation, in terms of the number of listeners turning to non‑radio sources for their music, and the extent to which local listeners are tuning to out‑of‑market stations in search of their musical preferences.
4403 Pollara's survey did not start out with any preconception of market needs or format. We looked at the market comprehensively to understand satisfaction, loyalty, and the gaps and alternatives driving demand in the marketplace, and then connected the dots to determine where the market could best be served.
4404 We started by measuring the listener satisfaction level of Red Deer residents relative to their current radio choices. Pollara found that radio dissatisfaction levels are notably higher among adults 18 to 34, at 31 percent, as compared to those listeners 35 and older.
4405 Evidence of the overall level of dissatisfaction with existing local radio choices is reflected in the fact that 69 percent of residents stated that they would listen to radio more often if the programming they liked was available.
4406 Fifty‑nine percent agreed that most radio stations do not provide enough musical variety, and 63 percent said that they choose sources other than radio to find the music selections they like.
4407 In identifying by age group those listeners who are turning to alternative sources to find their musical preferences, Pollara's study shows that 52 percent of adults 18 to 34 go elsewhere to find their music, followed by 32 percent of those 35 to 44.
4408 With such a high proportion of residents 18 to 44 turning to other sources for their music preferences, there is both a significant need and an exciting opportunity to attract these disenfranchised listeners back to radio.
4409 This reality is borne out by Pollara's study, which indicates that 74 percent of listeners who currently turn to non‑radio sources for their music said that they would frequently or occasionally listen to Hot 100's music format.
4410 With respect to out‑of‑market tuning, Pollara asked respondents the question: During the last week, what radio stations did you listen to?
4411 While Red Deer's four originating stations were at the top of the 17 most mentioned stations, 44 percent said that they listen to out‑of‑market stations.
4412 Next, respondents were asked the question: Of these radio stations, which station did you spend the most time listening to?
4413 The end result showed that 52 percent of out‑of‑market tuning is done by adults aged 18 to 44, which represents both a format and a repatriation opportunity within this age grouping.
4414 Combined with the finding that, across all demographics, no significant loyalty to current stations exists, clearly there is unmet demand, causing pockets of dissatisfaction, driving this key and growing segment out of the market and to non‑radio sources.
4415 Indeed, given the trends and growth in this key demographic, we believe that this disenfranchisement can only continue, unless a strong alternative is provided.
4416 MR. GEMMELL: Madam Chair, Red Deer's strategic location midway between Calgary and Edmonton affords local businesses easy access to a trading area of more than 200,000 people, and a distribution capacity of over 2 million people within a 90‑minute drive.
4417 Among the many key indicators which reflect the area's vibrant and growing local market economy are the following:
4418 The population of the Red Deer central market area grew by 11 percent between 1996 and 2001, compared to Canada's national average of 4 percent, and is projected to grow to 125,000 by 2010.
4419 Red Deer's employment growth rate of 4 percent in 2006 exceeded the national growth rate of 2 percent, while the region's unemployment rate, as of February 2007, was 3 percent, compared to 4 percent for the same period in 2006.
4420 Investment in rural and urban real estate development has sustained record levels, with permit values ranging from $250 million to $300 million over the past four years, and a similar pace of development is expected to continue.
4421 Local retail sales are estimated by FP Markets to be $2.3 billion for 2007, some 142 percent above the national average, and are projected to increase to $2.6 billion in 2009, and grow to $3.2 billion in 2012.
4422 And FP Markets estimates the average family income in Red Deer in 2007 at over $96,000, while the average household income is estimated at more than $86,000, and a per capita income of $35,000, which is 23 percent above the national average.
4423 Madam Chair, FP Markets estimates that total market advertising expenditures are approximately 4 percent of retail sales.
4424 CJVR, in using a conservative retail sales figure of $2.25 billion, anticipates that total advertising dollars available to all media in the Red Deer market in Year 1 of operation will be $90 million.
4425 Based on the FP Markets report, CJVR estimates that 16 percent, or $14.4 million of that $90 million, should be obtainable by local radio. We believe that the four existing stations garner approximately $12 million of that amount, which leaves $2.4 million in untapped radio advertising dollars available to new market entrants.
4426 Given the strength of the local market economy, CJVR is confident that the Red Deer market can readily accommodate our proposed new FM station, with very minimal impact on the four existing stations, which are owned by Newcap Broadcasting and the Pattison Broadcast Group.
4427 MR. SINCLAIR: Madam Chair, Hot 100's pop/CHR music format was born out of the diverse musical tastes of Red Deer's underserved 18 to 44 listenership spectrum, which, in large part, is forced to tune out‑of‑market or seek other audio sources to satisfy their musical needs and interests.
4428 In assessing the music voids in Red Deer's radio market, Pollara employed a multi‑level approach to identify the most preferred music format for a new local station.
4429 Ultimately, three musical montages were tested ‑‑ pop/CHR, pop music, and Top 40 ‑‑ of which pop/CHR was the clear choice by a wide margin.
4430 CJVR's Hot 100 will be a current‑hit music station, aimed at the 18 to 44 female pop music fan. With a core 25 to 34 audience, the median listener will be a 29‑year‑old female, who loves the latest pop music, news and trends.
4431 Hot 100 will focus more on the pop side of the CHR spectrum, in contrast to a full‑service CHR, which includes many of the rock sub‑formats.
4432 The station will concentrate on newer releases, with a basic catalogue that spans the past 15 years.
4433 Its pop/CHR format will include a skilful blending of pop, hot AC, light urban and Top 40 product.
4434 Further, Hot 100's hit‑driven format will concentrate on breaking new music, with most of the airtime devoted to the past three years.
4435 The station will feature weekly and daily music countdown shows, and special programming to highlight the latest new and emerging Canadian talent.
4436 Given Red Deer's current menu of FM music formats, which include two rock stations, a country station, an AC station, and a nearby classic hit/soft AC station, Hot 100, with its pop/CHR format, will be a very different radio station that will nicely complement Red Deer's local radio spectrum.
4437 Here is Hot 100 AM.
‑‑‑ Audio clip / Clip audio
4438 MR. SINGER: Madam Chair, a further key component to Hot 100's unique musical agenda centres around the creation of a series of special music‑based programs that will be produced in‑studio and aired in prime time across the broadcast week.
4439 These windows of opportunity within Hot 100's program schedule will be devoted to the on‑air promotion and exposure of Canadian music, and will feature many new and emerging artists.
4440 As detailed in our supplementary brief, these special programs include Hot 100 FM's "Release Party", "Hot Canadian Coast‑to‑Coast", the weekly "Canadian Hot 20", and "Hot Canadians on Track".
4441 Over the course of a week, Hot 100 will have a total of 17 hours and 15 minutes of special programming dedicated to exposing 100 percent Canadian music.
4442 Hot 100 commits through its Canadian 40/40 initiative to play a minimum of 40 percent Cancon, applied to both the entire broadcast week and the period between 6 a.m. and 6 p.m.
4443 Of the 40 percent Cancon, no less than 40 percent of the selections played will be by new and emerging artists.
4444 In an average week, this represents 16 percent of Hot 100's total weekly playlist.
4445 MS RHEAUME: Madam Chair, Hot 100 will provide its listeners with inclusive, locally relevant, community‑focused informational programming that will accurately reflect Red Deer, its people and its culture through the daily coverage of local events and activities happening within the city and the surrounding corridor communities.
4446 In the same fashion that Hot 100's pop/CHR format will meet the musical needs of Red Deer's underserved 18 to 44 age groups, we will fulfil the spoken word priorities that local residents have told us about through our extensive research.
4447 To ensure that its objectives are met, Hot 100 has devised an inclusive plan to keep a finger on the pulse of activities within Red Deer and the surrounding area. This will be achieved in a number of ways, including the production of a series of special spoken word features that will be aired daily on Hot 100.
4448 In addition to reflecting the Red Deer region's cultural diversity on a daily basis through its musical and spoken word programming, Hot 100 will also employ a full‑time Arts and Culture Coordinator to keep residents well informed of the many cultural events and activities happening throughout the area.
4449 In total, Hot 100 will provide 2 hours and 22.5 minutes of pure news, and a total of 12 hours and 19.5 minutes of spoken word programming each week.
4450 MR. SINGER: Madam Chair, approval of CJVR's application will significantly impact local Canadian talent, as Hot 100 implements its creative and meaningful array of direct and indirect spending initiatives and special program undertakings designed to develop, promote, and expose local talent.
4451 CJVR brings to Red Deer in Hot 100 a proud legacy of excellence, achievement and commitment to talent development that has significantly impacted the careers of many successful Canadian artists. It will be Hot 100's goal to further that legacy, which first took root on the Saskatchewan prairies 41 years ago.
4452 CJVR's CCD plans over seven years call for a minimum direct expenditure of $1 million, indirect on‑air expenditures of $1 million, plus the daily, hard, on‑air currency afforded to new and emerging artists.
4453 The nine direct expenditure initiatives include the FACTOR Talent Fund, "Music Business 100.7", "Opening Act", "Horizons Unlimited", the Red Deer College Steinway Project, Red Deer College music scholarships, Red Deer Symphony, Red Deer Canada Day, and Red Deer Discovery Diversity Day.
4454 MR. FABRO: Madam Chair, our Red Deer proposal is the tenth application that CJVR has presented to the Commission over the past two years in our ongoing efforts to expand our radio business beyond Melfort, Saskatchewan and Whitecourt, Alberta.
4455 When my family established CJVR as the broadcast arm of Alberta‑based Fabmar Investments Ltd., our intent was always to grow the business by expanding CJVR's brand of radio to other markets.
4456 We are successful business people, who think strategically, and have used our financial resources and management expertise to develop solid business plans and many enterprises for more than 50 years.
4457 We have a tremendous passion for radio, a tenacious will to succeed, and have no doubt whatsoever that we will be successful should we be granted a licence in Red Deer.
4458 My family has ensured that each of the 10 applications placed before the Commission has been very complete and highly competitive, with many significant public events and serious financial commitments to Canadian Content Development.
4459 This is evidenced by the fact that, despite having only three radio stations, CJVR consistently puts $1 million in direct Canadian talent expenditures on the table.
4460 CJVR's 41 years of broadcast experience, when coupled with Fabmar's business acumen, financial resources and creative entrepreneurship, places our company in a better position than most to assume new broadcasting responsibilities.
4461 Approval of Hot 100 is very important to CJVR in its need to grow, enhance its competitiveness, achieve operating efficiencies, and position itself as a viable licence alternative with a strong, independent, radio voice.
4462 Madam Chair, after decades of serving a coverage area in northeastern Saskatchewan that is geographically over 1.5 times the size of Vancouver Island, CJVR is up to the task of successfully operating in any radio market.
4463 We, therefore, urge the Commission to afford us that opportunity in Red Deer by approving Hot 100 FM.
4464 My colleagues and I will be happy to answer any questions the panel may have. Merci, thank you.
4465 THE CHAIRPERSON: Thank you, Mr. Fabro. Commissioner Patrone will be leading the questions.
4466 COMMISSIONER PATRONE: Thank you, Madam Chair. Good morning, all.
4467 I am going to start by asking some questions based entirely on the oral presentation, and then move on to some more formal questions.
4468 First off, how do you appeal to both an 18‑year‑old and a 44‑year‑old radio listener?
4469 MR. SINGER: Thank you for that question, Commissioner Patrone.
4470 When you look at the initiatives that we have incorporated into our programming, we have tried to be as inclusive as possible. I would have to say that there are more things in common amongst those demographics than there are dissimilarities.
4471 Most definitely, because we have distributed our features throughout our broadcast week, we are not giving a steady diet focused at one particular aspect of the demographic, and then, at another time of the day, switching to another demographic.
4472 We think it is an important reflection of the community that we have incorporated into our application, and we have carefully looked at the distribution of those elements.
4473 If you would like to address, other than the spoken word initiatives, how the music encompasses the broad demographic, I could certainly ask Dean to comment on that, as well.
4474 COMMISSIONER PATRONE: Having an 18‑year‑old at home, and me being in my forties, I can say that there is a fairly wide gap there in terms of musical tastes. That's why I asked you the question.
4475 MR. SINGER: Do you want us to elaborate on the musical component of that appeal?
4476 COMMISSIONER PATRONE: Please.
4477 MR. SINGER: Dean, could I ask you to comment on that?
4478 MR. SINCLAIR: Sure. Thanks, Ken.
4479 Commissioner Patrone, one of the things to think about with this format is what we are going to do with the market. It is a reflection of bringing more balance back to the market.
4480 The way the market sits right now, in terms of the four incumbent stations, is that each of those radio stations has a very wide base. If you look at the generality of the formats they serve, and look at the rating success they enjoy, one could argue that they enjoy a lot more success than normally you would afford that format in markets where there is more competition.
4481 One of the things that we look at with the 18 to 44 audience ‑‑ and we talk about that ‑‑ and we really talk about a core of 18 to 34, and we talk about our median and our bullet of a 29‑year‑old female ‑‑ is that, when we develop a format, we start from the inside and work out.
4482 It is daunting if you look at both ends. As you talked about personally, from one end of an 18‑year‑old to somebody in their forties, it is a bit of a stretch.
4483 However, if you start from the middle and work outward, it is a little easier to take into play. You will find that there are more similarities and commonalities than there are differences that way.
4484 That is how we work with it. We really focus on 18 to 34, 25 to 34, and spread it out a little bit beyond that.
4485 COMMISSIONER PATRONE: You also spoke about growing the advertising pie. We have seen relatively recent signs of retail sales growth levelling off in Red Deer. Does that give you cause for concern, in terms of your own advertising projections?
4486 MR. SINGER: I think the number one belief that we have in growing the advertising pie is that traditionally we have seen, when new players have entered the marketplace, that radio revenues have actually increased.
4487 Also, you must remember that our focus is largely on attracting an audience that has gone away from local market radio. So by attracting those listeners and those hours tuned back into the market, we are certainly offering some value to the local advertising market that isn't there currently.
4488 I could ask Kevin, if you wish, to elaborate further on that.
4489 MR. GEMMELL: I would like to elaborate on perhaps the retail sales standpoint.
4490 &nb