
TRANSCRIPT OF PROCEEDINGS BEFORE
THE CANADIAN RADIO‑TELEVISION AND
TELECOMMUNICATIONS
COMMISSION
TRANSCRIPTION
DES AUDIENCES DEVANT
LE
CONSEIL DE LA RADIODIFFUSION
ET
DES TÉLÉCOMMUNICATIONS CANADIENNES
SUBJECT / SUJET:
Various broadcasting applications further to calls for
applications for licences to carry on radio programming
undertakings to serve Chilliwack and Vancouver, British Columbia /
Plusieurs demandes en radiodiffusion suite aux appels de demandes
de licence de radiodiffusion visant l'exploitation d'une
entreprise de programmation de radio pour desservir Chilliwack et
Vancouver (Colombie-Britannique)
HELD AT: TENUE À:
The Empire Landmark The Empire Landmark
1400 Robson Street 1400, rue Robson
Vancouver, B.C. Vancouver (C.-B.)
March 3, 2008 Le 3 mars 2008
Transcripts
In order to meet the requirements of the Official Languages
Act, transcripts of proceedings before the Commission will be
bilingual as to their covers, the listing of the CRTC members
and staff attending the public hearings, and the Table of
Contents.
However, the aforementioned publication is the recorded
verbatim transcript and, as such, is taped and transcribed in
either of the official languages, depending on the language
spoken by the participant at the public hearing.
Transcription
Afin de rencontrer les exigences de la Loi sur
les langues
officielles, les procès‑verbaux pour le
Conseil seront
bilingues en ce qui a trait à la page
couverture, la liste des
membres et du personnel du CRTC participant à
l'audience
publique ainsi que la table des matières.
Toutefois, la publication susmentionnée est un
compte rendu
textuel des délibérations et, en tant que tel,
est enregistrée
et transcrite dans l'une ou l'autre des deux
langues
officielles, compte tenu de la langue utilisée
par le
participant à l'audience publique.
Canadian
Radio‑television and
Telecommunications
Commission
Conseil
de la radiodiffusion et des
télécommunications canadiennes
Transcript / Transcription
Various broadcasting applications further to calls for
applications for licences to carry on radio programming
undertakings to serve Chilliwack and Vancouver, British Columbia /
Plusieurs demandes en radiodiffusion suite aux appels de demandes
de licence de radiodiffusion visant l'exploitation d'une
entreprise de programmation de radio pour desservir Chilliwack et
Vancouver (Colombie-Britannique)
BEFORE / DEVANT:
Helen del Val Chairperson
/ Présidente
Rita Cugini Commissioner
/ Conseillère
Elizabeth Duncan Commissioner / Conseillère
Peter Menzies Commissioner
/ Conseiller
Ronald Williams Commissioner
/ Conseiller
ALSO PRESENT / AUSSI PRÉSENTS:
Jade Roy Secretary / Secretaire
Joe Aguiar Hearing Manager /
Gérant de l'audience
Carolyn Pinsky Legal
Counsel /
Conseillère
juridique
HELD AT: TENUE À:
The Empire Landmark The Empire Landmark
1400 Robson Street 1400, rue Robson
Vancouver, B.C. Vancouver
(C.-B.)
March 3, 2008 Le
3 mars 2008
- iv -
TABLE
DES MATIÈRES / TABLE OF CONTENTS
PAGE / PARA
PHASE I
PRESENTATION BY / PRÉSENTATION PAR:
Golden West Broadcasting Ltd. 1580 / 9315
Newcap Inc. 1659 / 9782
Radio CJVR Ltd. 1710 /10037
Vista Radio Ltd. 1780 /10370
Frank Torres (OBCI) 1827 /10610
PHASE II
INTERVENTION BY / INTERVENTION PAR:
Golden West Broadcasting Ltd. 1873 /10838
Radio CJVR Ltd. 1874 /10847
Vancouver, B.C. / Vancouver (C.‑B.)
‑‑‑ Upon resuming
on Monday, March 3, 2008 at 0930 /
L'audience
reprend le lundi 3 mars 2008 à 0930
9307 THE
SECRETARY: We will now start the hearing
with an application by Golden West Broadcasting for a licence to operate an
English‑language FM commercial radio programming undertaking in
Chilliwack.
9308 Please introduce
yourself and your colleagues, and you will then have 20 minutes to make your
presentation.
9309 Thank you.
9310 THE
CHAIRPERSON: Mr. Hildebrand, before you
start, the Commission would like to congratulate you for the CWC award for
employer of the year.
9311 MR.
HILDEBRAND: Thank you very much.
9312 THE
CHAIRPERSON: Another announcement, it is
Mr. Williams' birthday today. He is
looking dapper as ever.
9313 MR.
HILDEBRAND: We were actually going to
have a chorus sing happy birthday, but they didn't make it, so happy birthday.
9314 COMMISSIONER
WILLIAMS: Thank God for that.
PRESENTATION / PRÉSENTATION
9315 MR.
HILDEBRAND: Members of the Commission,
Commission staff, fellow applicants and listeners, we are pleased today to be
here and underline the need for our kind of radio service for Chilliwack.
9316 My name is Elmer
Hildebrand, President of Golden West.
With me today are Lyndon Friesen, Chief Operating Officer and Executive
Vice‑President, Robin Hildebrand, Director of Human Resources, Darryl
Porter, President, Chilliwack Bruins Hockey Club, Trevor McDonald, local musician,
Ken Goldstein, economic guru.
9317 The reason we are
here today is very simple. On January 4,
2007, that is 13 months ago, we filed an application for a new FM station to
serve Chilliwack. Our application was the
result of many discussions with area individuals and business leaders asking us
to bring Golden West local community service radio to the valley.
9318 The need for our
kind of local service is illustrated by Mayor Hames letter accompanying our
application, which said:
"Our community has been without
substantial local radio service since Fraser Valley Broadcasting sold their
stations some years ago. The current
Chilliwack stations now have much of their programming originating from
Vancouver‑based studios and the local relevance has been greatly
diminished."
9319 Chilliwack is a
market of over 80,000‑plus, and the people here deserve to be served by a
station that is committed to local service 100 per cent.
9320 In addition to
local all the time, another very significant Golden West policy is to hire
local people to work at the radio station.
We will endeavour to develop a strong, local, valley‑based staff
who will know the area they are talking about, on the air and on line. Included in your package, we have listed our
employees and their involvement in the community. You will see that they are involved with
every facet of life in the community, and this is what our radio stations are
about.
9321 As the Commission
knows, this kind of local service is the hallmark of what Golden West provides
and we will do this for Chilliwack, in spades.
9322 The economic
activity of the valley is most vibrant, and you can be assured that our entry
into the market will have no negative impact on the stations currently licensed
to the region.
9323 Our kind of
service is focused on the community in various ways. Not only do we cover fully what happens in
city council, the Chamber of Commerce and the other civic organizations, we
also report on activities that would normally not be headline grabbers.
9324 This includes
covering what happens in schools, in churches, the agricultural community and
every day business community.
9325 We also plan to be
full media partner with the Chilliwack Bruins, which will be more fully
elaborated on by Darryl Porter.
9326 MR. PORTER: Thanks, Elmer.
9327 Just to give you a
bit of a favour of who the Chilliwack Bruins are, we are a team that is just
under two years old in the Western Hockey League. We were launched into Chilliwack some two
years ago. Really, we have been an unqualified
success on and off the ice except for the issue I am going to talk about in a
second.
9328 A couple of
highlights. We were the best expansion
team in the history of the CHL on the ice last year. We are operating at 90 per cent capacity as
far as our attendance goes. We have two
drafted players in the National Hockey League.
One that has played on the World Juniors this past season. We have hosted an ADT, a Canada/Russia
game. Our corporate support has been
unqualified. We have made the playoffs
both of our first two years.
9329 The highlight
there is that we have been very successful.
9330 Why I am standing
here, and I have been endorsing Elmer and asking him to apply for a licence for
some two and a half years now is in spite of everything I have just said, there
is very little buzz and excitement about us day to day in the fabric of the
community because we really have been reduced to a print only marketing
strategy based on the media situation in Chilliwack. The successful Western Hockey League team, a
junior hockey team is all about integrating with your community and giving back
to your community every step of the way.
It is tough to do that and get your message out when you have absolutely
no radio support from a day‑to‑day chatter standpoint.
9331 We had our biggest
curve ball when we were announced and we assumed that the current local station
would broadcast and partner with us. But
for business reasons, they stated that they don't broadcast games, and we were
surprised. I take ownership that I
should have done that homework before I arrived, but it has been a real tough
thing for us to try to operate under.
9332 We actually self‑broadcast
our games at this point by linking into a CBC feed and doing it ourselves. That doesn't provide you with any
marketing. It just gets your game on the
air in a very small footprint.
9333 The key thing that
I wanted to communicate today was that we really researched Golden West from
our standpoint when it was first brought to our attention that they might be
interested.
9334 I just got off a
ten‑day road trip. I can explain
more later, but what I saw on this trip with the three teams that they work
with is exactly what the Chilliwack Bruins want and desire, and I know Golden
West can deliver. So I hope that their
application is approved, and I really hope that we can be on the air for August
of this summer because our team desperately requires it.
9335 Thank you.
9336 MR.
HILDEBRAND: Thanks, Darryl.
9337 One of the other
hallmarks of Golden West is the promotion and support of local musical
talent. We will program 40 per cent
Canadian music and we will be active in promoting and providing exposure for
local musicians. We will air and produce
weekly 30‑minute programs featuring local artists. We know there will be more than adequate
material readily available.
9338 Trevor McDonald
has a little more of the impact that we would have on Chilliwack. Trevor.
9339 MR. McDONALD: Good morning.
I have lived in Chilliwack for 30 years and have spent 20 years in the
music industry; I never left. I am the
owner of McDonald Entertainment and I am a general contractor of entertainment
services. I provide local artists with
the tools to move to a professional level from the beginning marketing of their
songwriting to recording at my studio.
Once I get them in the studio, I give them the CD or the DVD product to
promote.
9340 This is no
difference from myself and 15 other local studios in the Fraser Valley. We all share a common complaint: Why is there no local radio support for
emerging talent? My avenues of promotion
for these emerging artists are the internet for mass market and live venues for
the artist to promote their product grassroots‑style through live venues.
9341 Where our
community is greatly lacking is in a grassroots radio station that will support
our vibrant music community with locals only type programming. It has been my own experience as a recording
artist that there is no local promotion for emerging artists no matter how
driven an artist is to present their material.
Artists have gone all the way to Bellingham, Washington to promote a
local Canadian product. That is wrong.
9342 In my research of
Golden West, Mr. Hildebrand, and their commitment to local programming, I have
seen time and time again that they stand by what made them a success for all
those years. A grassroots radio station
with a very local focus. Chilliwack
deserves a broadcasting company like this that will match with reputation the
talent our artists have to offer.
9343 I firmly believe
in Golden West as the right choice for our growing community, and look forward
to the open doors that Golden West will provide for myself and many, many
hundreds of artists that the station will promote.
9344 Thank you very
much.
9345 MR.
HILDEBRAND: Thank you.
9346 The station format
will be one of news, music and information, and not only with a new radio
station, but also a new media component to complement the radio station.
9347 To outline this
process in more detail, here is Lyndon Friesen.
9348 MR. FRIESEN: Good morning.
9349 Sitting on the
doorstep of Canada's third largest city, Chilliwack already has access to any
music they want. The internet, satellite
radio, Vancouver radio, American radio, it is all there. But there is a critical element missing: A dedicated and exclusively local approach to
gathering and delivering fresh and current local content about Chilliwack for
Chilliwack. When we provide that
comprehensive, interactive content, combined with a carefully crafted music
package, we believe the level of service to the community will be above and
beyond anything they have experienced.
9350 However, we don't
want to fill the gap in local content just by providing the news they are not
getting right now. The local content we
will consistently deliver will go far deeper than traditional newscasts. It will be personal, interactive coverage of
the events happening on their streets and in their neighbourhoods, delivered at
the fast pace that new media users have grown to expect.
9351 Chilliwack
deserves and in fact is asking for local content on‑air, on‑line
and on‑demand, and we are prepared to deliver exactly that.
9352 The cornerstone of
our local content will be the most comprehensive, fully staffed news and surveillance
team in the valley. Our experience in
other communities tells us that the city of Chilliwack needs at least half a
dozen Chilliwack reporters to fully cover ongoing news stories and events,
while also giving in‑depth coverage to a huge sports community, a large
and quickly growing arts community, and an under‑serviced ag
industry. The pulse of Chilliwack is its
people, and it is only by hitting the streets and interacting with them that we
will be able to serve them to the extent they need.
9353 To support
Chilliwack's newest newsroom, a full contingent of local staff and announcers,
all with their own ties and interests in the community, will serve as
additional content gathers as they interact with Chilliwack in person, on the
phone, and most importantly, on the air.
Fully‑equipped with microphones and cameras, the result will be
fresh, relevant content that keeps pace with the valley. As we said before, on‑air, on‑line
and on‑demand.
9354 Let's narrow the
focus and give you more concrete examples of the content we will provide for
Chilliwack, starting with the news department.
‑‑‑ Video
presentation / présentation vidéo
9355 MR. FRIESEN: Of course, we will be talking to the mayor,
but we will also be consistently reaching out to the men and women on the
street, and just as often bring them into our facilities to have their voices
heard on‑air and their faces seen on‑line.
9356 And we will do the
same thing for sports. As you heard from
Darryl Porter earlier, we have years of commitment and experience in promoting
and supporting local sports, and this starts well before the level of play we
see with the Bruins.
9357 Chilliwack will
receive full coverage and interactive promotion of sports, from a huge
commitment to the Bruins, to athletes and teams at a far more basic level. Local sports will be our focus, from play‑by‑play
game coverage to getting the athletes and coaches on the air, throughout the
day, every day, and we will also serve fans with scores and results from all
their favourite teams and events.
9358 Here is a sample
story that happens to be about the Bruins, but throughout the day listeners
will be drawn to similar stories about every sport, at most levels, in
Chilliwack.
‑‑‑ Video
presentation / présentation vidéo
9359 MR. FRIESEN: The large sports community is an obvious
source of content in a city that is growing as quickly as Chilliwack, but just
as important are the groups that are always overlooked, including the valley's
number one industry, the ag sector. Here
is an example of delivering what these people are telling us they want to hear.
‑‑‑ Video
presentation / présentation vidéo
9360 MR. FRIESEN: Facts are important, but people are more
important, and we will provide a voice for an unprecedented number of people
who care about and are committed to their community.
9361 For example, as we
explored Chilliwack, we discovered an incredibly involved arts community. At present, they are rallying around a new
Performing Arts Centre. This kind of project
requires huge community involvement, support and exposure and we look forward
to partnering with them to provide exactly that ‑‑ something
like this.
‑‑‑ Video
presentation / présentation vidéo
9362 MR. FRIESEN: These samples demonstrate our ability to
generate more than local information.
They are an example of our commitment to deliver exclusively local and
consistently relevant content. But that
only covers the informational side.
9363 To deliver
everything Chilliwack is asking for, we have carefully designed a powerful blend
of bright, upbeat and positive music to entertain an exciting and growing city.
9364 The best rock,
pop, and AC songs from the last 25 years will be woven together with the
biggest multi‑format hits of today.
About 35 per cent of our spins will come from currents and recurrents.
9365 An extensive
library of over 1500 specially selected songs will ensure a broad, family‑friendly
appeal that will always sound fresh.
Here is an example to give you a sense of the overall flavour of the
music Chilliwack will be tuning in to.
‑‑‑ Video
presentation / présentation vidéo
9366 MR. FRIESEN: That sample of well‑known performers
and incredibly popular songs was 60 per cent Canadian artists, which tells you
that our commitment to 40 per cent Canadian content will easily energize the
music available locally in Chilliwack.
As well, we will create a separate music category specifically for
emerging B.C. artists, scheduled a minimum of three times a day, seven days a
week, all in prime time, 6:00 a.m. to 6:00 p.m.
9367 To expand on one
of Elmer's earlier comments, a half‑hour program features made in the
Valley music will highlight emerging singers and songwriters from the region.
9368 The thousands of
artists we have partnered with in similar programs find this kind of promotion
and airplay to be extremely helpful in jumpstarting careers. It also happens to be really good local music
that local audiences love.
9369 That is what we
will do on radio, and we will multiply all those same benefits by giving
Chilliwack a new media platform, an on‑line, on‑demand source of
content, the same content that is on the radio, with an exclusively local
focus, updated several times a day, seven days a week, influenced and
controlled by the people it serves through state‑of‑the‑art web
2.0 technology.
9370 You have seen
glimpses of the site throughout the presentation. Here is a quick but more detailed overview.
9371 Onsite weather
will display real and current local conditions.
9372 When significant
news goes on the air, it also goes on line, refreshed every day
9373 Enjoy any time,
anywhere content.
9374 Reporters will
frequently and accurately relay relevant information to new media users about
all the relevant issues in their community, and we will invite listeners to
contribute to those issues with web 2.0‑based discussion and feedback
platforms.
9375 Because today's
new media users expect it, on‑demand video is an integrated feature of
this website, and will even allow the uploading of user‑generated
content.
9376 And, of course,
Chilliwack will have access to classifieds, job listings, community
entertainment and more 24 hours a day, seven days a week.
9377 It is a level of
service well beyond anything Chilliwack has experienced or imagined. It is what Chilliwack is missing and what
Golden West is committed to providing, because our experience tells us it can
and should be done, and because the people of Chilliwack have told us it is
what they want and need. Here are just a
few of those people.
‑‑‑ Video
presentation / présentation vidéo
9378 MR.
HILDEBRAND: Thanks, Lyndon.
9379 As you can see, by
approving our application, the city of Chilliwack will not only have their own
local radio station, they will also have, as an instant bonus, a new media
partner in chilliwacknow.com, something that will enhance and complement our
service to the city.
9380 MS
HILDEBRAND: As the Commission knows,
Golden West has the experience, the commitment and the track record to
guarantee that this new station for Chilliwack will be all it is expected to
be, and more.
9381 We are a family‑owned
radio company, one of a few in Canada, committed 100 per cent to service for
smaller communities and cities. We are a
radio company pure and simple. We have
50 years of experience which was marked during our celebrations in 2007.
9382 As already
mentioned earlier this morning, we are a leader in promoting women in the
workplace, which was recognized last week in Ottawa at the CWC Annual Awards
Gala. Golden West was the recipient of
the employer of the year award for outstanding leadership in the promotion and
advancement of women. At Golden West,
women represent 40 per cent of our management team and 72 per cent of our sales
force.
9383 We have been, and
continue to be, a leader in serving smaller markets with a unique brand of
radio, and the leaders in Chilliwack obviously realized this when they asked us
to come to Chilliwack.
9384 MR.
HILDEBRAND: Three of the other
applicants for Chilliwack are also applying for a licence in Vancouver, and may
well be looking for a back door entry into the city, as has been the case in
the past. We are totally committed to
Chilliwack and have zero interest in Vancouver.
9385 We note that some
of the applicants have offered to provide more direct Canadian content funds
than we have.
9386 We think it is
much more important to provide in‑depth community service than cash
donations to FACTOR and other national organizations.
9387 As an example, our
weekly half hour program featuring local artists will have a value of more than
$200,000 in real exposure over the first licence term.
9388 We would ask that
the Commission not look at these applications as an auction, where the licence
is awarded to the highest bidder.
9389 In conclusion, we
note that the other applicants ‑‑ Newcap, CJVR and Vista ‑‑
are all preparing to produce double the revenue we are projecting in the first
year. We know we can provide what
Chilliwack wants and needs, and we are ready to do so at realistic projections.
9390 We think that not
only would our proposed service to Chilliwack be the best for the community, it
would also have the least financial impact on the broadcasters in the market
today.
9391 Madam Chair, that
concludes our presentation and we are ready for questions. We are one minute over, sorry.
9392 THE
CHAIRPERSON: Thank you, Mr. Hildebrand
and your panel.
9393 Commissioner
Duncan will lead the questions.
9394 COMMISSIONER
DUNCAN: Good morning, and Mr. Porter, my
husband and I are season ticket holders for the Halifax Mooseheads in the Quebec
Major Junior Hockey League. So I
certainly can appreciate what radio means in promoting that hockey team.
9395 I want to start
first of all with programming. I am
sure, as you know, the Commercial Radio Policy 2006 states:
"In their local programming
licensees must incorporate spoken word material of direct and particular
relevance to the community served. This
must include local news, weather, sports coverage and the promotion of local
events and activities."
9396 Your message is
certainly clear. You are planning to
have a lot of that. I would like to get
some more specifics.
9397 When I look at
your letter of April 17th, you included a chart with it of your programming
which was called "Local News and Sports." On that chart there was nothing indicated for
Sunday. So, I was wondering what your
intentions are for Sunday programming?
9398 MR. FRIESEN: We staff our radio stations seven days a
week. Every Sunday morning we will start
at the same time we start the rest of the week.
Our first newscast will be 6:00.
We will have a few less newscasts.
They will look exactly like Saturdays.
9399 COMMISSIONER
DUNCAN: So it was just an oversight it
wasn't on the chart?
9400 MR. FRIESEN: We should have added Sunday to that. It is an oversight, absolutely.
9401 COMMISSIONER
DUNCAN: Thank you.
9402 I am wondering
what the total number of hours per broadcast week will be devoted to spoken
word programming?
9403 MR. FRIESEN: If it would be possible for me to do the math
after this and provide it for the record after.
9404 COMMISSIONER
DUNCAN: That is fine. Because the next few questions sort of deal
with the timing as well, so we can get the whole picture.
9405 I am also
interested to know the breakdown of hours per broadcast week to be devoted to news
and to sports. So I am looking for total
news: Local, regional, provincial,
national.
9406 MR. FRIESEN: That is simple because 100 per cent of what
we do will be local. At all of our FM
stations across the company, we don't subscribe to national services. We don't do any kind of national news.
9407 If it is a major
event provincially, we will send somebody to pick it up, but it is all
information that we gather.
9408 Is that the
question?
9409 COMMISSIONER
DUNCAN: Wouldn't you report on national events?
9410 MR. FRIESEN: Very seldom.
We will refer to some national activities, but most of that is available
everywhere else. So our focus will be 100
per cent on local.
9411 Of course, if 9/11
happens, we have facilities and arrangements with national news service
providers to be able to cover that kind of thing off, but our focus is all
about what is happening in the community.
We tell our listeners all the time that we just care about that. If they want more information about what is
happening in the rest of the world, there are services that are already there
that provide that.
9412 COMMISSIONER
DUNCAN: So this morning's lead item, for
example, Steven Harper and he is serving libel notice I guess on Stephan Dion
and a few other prominent liberals ‑‑
9413 MR.
HILDEBRAND: That would get some mention,
but wouldn't get a lot of in‑depth coverage because our experience has
been that people everywhere have access to daily newspapers and to television
news channels 24 hours a day. So, that
information is readily available to everyone.
We have found that if we provide the local service ‑‑
what is happening in Chilliwack, what is happening in the schools and city
council, all of that ‑‑ that makes far more sense and is far
more relevant to the area.
9414 We have just found
that that is something that the communities can relate to and they like, and
the national and international news, they can get it from other sources.
9415 COMMISSIONER
DUNCAN: Would you say then probably less
than 2 or less than 5 per cent?
9416 MR.
HILDEBRAND: Certainly less than 5 per
cent for sure.
9417 COMMISSIONER
DUNCAN: All right. Then talking about the local news and
surveillance material, which is news, weather, sports coverage and the
promotion of local events and activities, what will be the total number of
hours per week devoted to pure local news?
I guess what you are telling me is 98 per cent?
9418 MR.
HILDEBRAND: Pretty much everything, yes.
9419 COMMISSIONER
DUNCAN: Can we break that down? Can you break out the surveillance material
from the pure local news? So, the
surveillance is the weather, traffic, sports, entertainment.
9420 MR.
HILDEBRAND: Again, that would be hard to
actually schedule in advance because some days you have a lot of weather
reports and other days you don't in different parts of the country. I guess if you have a lot of sunny days, you
don't have as much weather information as you do when it is snowy or rainy or
that kind of thing.
9421 So, I think it is
very hard to in advance give exactly the amount of time you would use there.
9422 The same as with
sports. During certain playoff times you
would have a lot more sports going than you would have the rest of the
time. That is why it is very hard to
quantify in advance the exact number of minutes and hours you would have.
9423 But suffice it to
say if something happens in the Valley, we are there and it would be on the
air.
9424 COMMISSIONER
DUNCAN: Your sports as well, then, is
only local sports?
9425 MR.
HILDEBRAND: By and large we would use
the scores of the Vancouver Canucks obviously because it is important here, but
we would designate our local talent to local information.
9426 COMMISSIONER
DUNCAN: I think you have probably made
this point, but I will just ask you again in case you want to cover it.
9427 We are just
wondering why you think that such a considerable amount of news and information
is so important to your business plan given that it is a music‑driven
format?
9428 MR.
HILDEBRAND: Again, we have found over
the years, as Lyndon said at the outset, music is generally available
everywhere and local news isn't. So,
even though your music is a very important part of the radio station, in our
experience it isn't the most important piece.
9429 The most important
piece is the local information, the local news and surveillance and all of
those kind of things, local interviews, because that sets us apart from every
other radio station.
9430 We have found in
markets where we operate, nobody else does this. Because we are doing it, we are more
relevant, we have more loyal audience and we can, in that sense, then, have a
successful business in markets that otherwise might not be large enough.
9431 With the size of
Chilliwack, we think that this kind of thing would work in spades because the
music at the end of the day is not going to set it apart because, again, as was
mentioned by a number of panellists, especially in this part of the country,
music is available everywhere with satellite, music on the internet. From our perspective and for our business
plan, it just not as important as local information.
9432 COMMISSIONER
DUNCAN: Just referring to a point you
made there, how many communities are you currently serving that would be the
size of Chilliwack, 80,000 in that area?
9433 MR.
HILDEBRAND: Saskatoon would be the
largest community that we are serving and then other cities would be
smaller. But Saskatoon is probably three
times the size of Chilliwack. So we have
experience in that size city.
9434 COMMISSIONER
DUNCAN: Twice the size, did you say,
Saskatoon?
9435 MR.
HILDEBRAND: Three times I guess. It is 250,000. I have three radio stations there. So I have experience in both larger and
smaller markets.
9436 COMMISSIONER
DUNCAN: The live‑to‑air
programming, how many hours of live‑to‑air are you planning in the
broadcast week?
9437 MR. FRIESEN: We would think we would need a staff, the
radio station for sure from 6:00 a.m. to 12 midnight, including weekends. Weekends in the evenings we could probably
staff it till about 9:00 p.m., but we do start really early. In all of our communities, our news people
are going in already at 4:00 or 5:00 in the morning for the 6:00 o'clock
start. So, we have fully staffed radio
stations.
9438 COMMISSIONER
DUNCAN: You said 6:00 to midnight Monday
to Friday, and what were the hours on Saturday and Sunday?
9439 MR. FRIESEN: 6:00 to about 9:00 p.m.
9440 COMMISSIONER
DUNCAN: How many full and part‑time
newsroom employees do you expect that you will have?
9441 MR. FRIESEN: For sure we would need to have six, as
mentioned in the earlier thing. Then
what we do is add community players, get community reporters involved as well.
9442 COMMISSIONER
DUNCAN: Are those paid positions?
9443 MR. FRIESEN: Mostly they are, but in some cases we have people
that just want to become part of what we do.
We often use students to help us.
It gives them an entry into our business, and we start to use them part
time and we pay them for that.
9444 But we have
stringers out there as well that provide ideas and coverage. One of the things I guess with new media is
there is a new interest in people wanting to provide information that gets
exposure, so they have all the equipment.
So it is that kind of information, too, that is of real benefit to us.
9445 MR. HILDEBRAND: The other thing that adds dramatically to
whatever happens in our news department is that the people that work mornings
on air in all instances at our radio stations are involved with the community
and many times will be doing evening MC jobs or attending functions, and they
will then feed more information back.
So, they become actually reporters as well.
9446 So, we like to see
all our employees really act as news funnels back to the station. So, again, we found that that works very
well.
9447 COMMISSIONER
DUNCAN: Again, I noticed in your April
17th response that you referred to voice tracking on parts of Sunday
evening. We were just wondering
specifically how many hours of voice tracking you are planning. In the broadcast week first, I notice you do
say that you plan to voice track through the evening, but in the broadcast
week, voice tracking?
9448 MR. FRIESEN: The way that we operate, we have staff in the
building the entire schedule that I mentioned to you.
9449 Sometimes they
will voice track a piece or two early so they can go and do something else in
the community and come back. Whoever is
on the air, whether it is voice tracked or live, is responsible for the product
on the air. So, we don't leave the
building, but we do occasionally voice track so that they can go and do
something else and then come back.
9450 So, it is not just
a black and white question. But we do
staff it the hours that I mentioned to you and they are there to respond and we
answer the phones during those times.
9451 COMMISSIONER
DUNCAN: So, it is a tool to let you
operate more efficiently really is what you are saying?
9452 MR. FRIESEN: Yes, for sure.
9453 COMMISSIONER
DUNCAN: I was curious to know, this sort
of comes out of last week's hearings. Is
your music all scheduled locally or do you centralize the play of your
music? Does somebody else make that
decision and just communicate it to the folks operating the station here in
Chilliwack?
9454 MR.
HILDEBRAND: If you are referring to do
we use consultants for our music?
9455 COMMISSIONER
DUNCAN: No. I just meant if you centrally organize and
decide what songs you are going to be played when.
9456 MR. FRIESEN: We have people that are experts in
scheduling. They help contribute to the
local person doing it.
9457 So, the answer is
both. The end result comes from the
people on site massaging and adding the local content. The general format would be laid out.
9458 COMMISSIONER
DUNCAN: I think what we were hearing
last week, maybe that is where we are missing the local input, or not as much
play, anyway, of local artists.
9459 MR. FRIESEN: No, very important in the kind of thing that
we do across the prairies and then for Chilliwack is we have to be able to
provide the local nuances and the local edition of local artists. That is what makes this.
9460 COMMISSIONER
DUNCAN: Your emerging artists I notice
you said 2 to 5 per cent, but it sounds more than that when I listen to you
this morning, because you are talking about B.C. artists.
9461 MR. HILDEBRAND: It probably is more than that
percentage. Again, it is so difficult to
say exactly what it will be when you are putting these things together.
9462 One of the things
that we have found is that we actually ‑‑ I don't know if we
can call them emerging artists. They are
local artists. They may never emerge
past the local area, but again they have relevance to the community.
9463 So, we always have
a little difficulty with a national formula or a national name for these things
because it is rare that certainly from the smaller markets that they will
become stars in Vancouver or Toronto or Montreal. But they are stars in their own right in
their local community.
9464 One of the things
that we would try to always do in our applications, and I think I mentioned, we
will over perform in whatever commitments we have made in our application. So, there are always minimums there because
we think we can do more but we also don't want to exaggerate the process. So, we are always using those as conservative
estimates.
9465 COMMISSIONER
DUNCAN: So your minimum 2 to 5 per cent
would include the reference this morning then to B.C. artists in general and to
local but it could be more is what I am understanding?
9466 MR.
HILDEBRAND: Oh, for sure.
9467 MR. FRIESEN: B.C. and local artists, I think the current
average is about 2 per cent. Just the
three times per day, 6:00 a.m. to 6:00 p.m. I think comes out to about 4 per
cent of the total spins, of just the spins.
That doesn't include the feature programs we would have on the weekends.
9468 COMMISSIONER
DUNCAN: Thank you.
9469 I was just
wondering if you could elaborate on the synergies that you expect to realize
between Chilliwack and your other stations, and if they have been incorporated
or how they have been reflected in your financial projections?
9470 MR.
HILDEBRAND: There will be significant
synergies. Much of the backroom work is
done. We have a central traffic
location; we have a central creative department; and we have a centralized
accounting and billing department. So,
all of that has been taken into account in our financial projections.
9471 We have developed
a variety of systems over the years that enable us to do those functions that
are not visible in a community from a central location. Then we spend all of our efforts and our
resources on on‑air talent, news talent and sales people that are visible
in the community.
9472 So, there is huge
synergies.
9473 COMMISSIONER
DUNCAN: I can understand there will be
synergies. In your projections do they
reflect an allocation of some portion of those costs?
9474 MR.
HILDEBRAND: For a news station, they
would really be minimal. Once the
station is established and has a track record, then we would ultimately start
allocating some of those costs to it. But
initially, those would be overhead costs that wouldn't impact the local
operation.
9475 COMMISSIONER
DUNCAN: So, in the seven‑year
projections that we have, would they be reflected in the years, say, 4, 5 and
6?
9476 MR.
HILDEBRAND: Marginally, yes, but not
significantly.
9477 COMMISSIONER
DUNCAN: Just out of interest, is that
all centralized in Altona or do you have different points that you ‑‑
9478 MR.
HILDEBRAND: Our traffic is centralized
in Altona; our creative is centralized in Steinbach; our accounting is also
centralized in Altona.
9479 COMMISSIONER
DUNCAN: Is that for all three provinces?
9480 MR.
HILDEBRAND: Yes. That centralizing process enables us to put
more resources into on‑air talent and to news talent. We have developed our own systems that
actually work very well and they are very efficient. We see that as one of the synergies that
makes these things possible.
9481 COMMISSIONER
DUNCAN: Just a little bit about the
CCD. I am sure that you know that the
policy requires that the initiatives involve direct expenditures and that they
be allocated to the support, promotion, training and development of Canadian
musical and spoken word talent, including journalists.
9482 In your April 17th
reply you confirmed that 80 per cent of your over and above CCD contributions
would go to local groups. But we don't
have any details on the local groups that you intended.
9483 MR.
HILDEBRAND: I think they were included
in your packet today. There was a
schedule of material. It would be chart
number 2.
9484 COMMISSIONER
DUNCAN: Thank you.
9485 MR.
HILDEBRAND: We have allocated funds to a
variety of organizations. We have also
for years 5 and 6 out ‑‑ or 6 and 7, we have not designated
individuals. Some of the money is not
designated.
9486 We feel it is
probably irresponsible to designate that far ahead because there is going to be
emerging artists that aren't even known yet that will be coming on the scene
over the next three or four or five years.
So, we have allocated some of the money for years 6 and 7 to be
determined.
9487 COMMISSIONER
DUNCAN: I can understand your point on
that. I guess we just need your
assurance that you will ensure that these expenditures do qualify as direct
contributions.
9488 MR.
HILDEBRAND: For sure. Again, this is something that over the years
I have handled personally the entire process.
I can assure the Commission that not only will it qualify, but it will
be spent and we have historically spent more than we committed in
applications. We generally spend far in
excess of that, but again we feel these are conservative estimates and we want
to make sure we continue that process.
9489 COMMISSIONER
DUNCAN: Have you already had discussions
with some of the groups that are mentioned here?
9490 MR.
HILDEBRAND: Yes.
9491 COMMISSIONER
DUNCAN: Thank you.
9492 Also on the CCD, I
notice that in your letter you refer to the $200,000, including total, the
basic and the over and above. I just
wanted to confirm that, that it does include both.
9493 MR.
HILDEBRAND: The chart that we have here,
the $200,000 is over and above the base fees.
9494 COMMISSIONER
DUNCAN: Is over and above the basic?
9495 MR.
HILDEBRAND: Right.
9496 COMMISSIONER
DUNCAN: I notice in your projections you
just have one line that shows $200,000.
9497 MR.
HILDEBRAND: Right.
9498 COMMISSIONER
DUNCAN: Where was the basic shown in
your projections?
9499 MR.
HILDEBRAND: That was actually done
before the new policies came out. When
the application was originally filed, that was prior to your December release. Originally the basics were relatively minor
and so wouldn't be material.
9500 COMMISSIONER
DUNCAN: So, the $200,000 is over and
above, just to be clear?
9501 MR.
HILDEBRAND: Right.
9502 COMMISSIONER
DUNCAN: That eliminates the rest of
those questions on that. That answers
that.
9503 I would like to
understand how your proposed format will bring diversity to the market. Rogers, I understand, has a soft AC and a
light rock format. So I am just
wondering what the similarities and differences would be on the music
side? I gather from the spoken
word ‑‑ I think you have made that quite clear ‑‑
that your spoken word will be quite different, but on the music side.
9504 MR. FRIESEN: I think your description of the other local
broadcaster as being very light is probably ‑‑ I think the
music that you heard on our clip gives a better ‑‑ I think the
music that we have prepared is far more upbeat, far more brighter, fast
paced. It is a different brand. It is a faster‑paced AC blend. There is some HOT AC in there, there is some
adult hits, and there is some classic hits that are actually part of the blend
of music that we put together for a place like this.
9505 So, there really
isn't a similarity. There will be some
similar artists, but it won't have a similar pace.
9506 We thought it was
the most logical way to go in that market, at least sitting next to
Vancouver. We wanted to provide a blend
of popular music that we thought would be, just as we described earlier,
something that was well crafted just for a market to have the widest
appeal. So we won't be too soft and we
won't be too hard. We will be, we like
to use the word "safe." We are
going to be safe but we are going to be really upbeat, bright and in the
popular music category.
9507 MR. HILDEBRAND: In Canada, the adult contemporary formats
amount for about 22 per cent of all formats.
So there obviously are various corners that you can be in in that adult
contemporary arena.
9508 We don't think
that we will sound at all like the station in Chilliwack now.
9509 COMMISSIONER
DUNCAN: When you make that statement,
are you talking about both Rogers' statements, including the one that appears
to be somewhat directed to Vancouver?
9510 MR.
HILDEBRAND: I think that is country now,
is it not?
9511 COMMISSIONER
DUNCAN: The information I have is soft
AC and light rock.
9512 MR.
HILDEBRAND: Again, we will certainly
sound quite different than the Rogers stations for sure. And you add to that the preponderance of
local material that we have, and again, I can't stress this enough, the thing
that will really make the radio station different is the local information
surveillance and all of the local news.
I mean, this will be such a different radio station that there will be
no similarities and the people in the Valley will really benefit from that
diversity.
9513 COMMISSIONER
DUNCAN: I noticed in your letter January
5th, 2007 ‑‑ so this has been underway for a while for you
people ‑‑ you had a letter from the CBC about shared use of
their broadcast facilities, and I was wondering if you were still intending to
do that?
9514 MR.
HILDEBRAND: Yes.
9515 COMMISSIONER
DUNCAN: What type of costs or are those
costs included in your projection?
9516 MR.
HILDEBRAND: Those costs are
included. That is just a rental process.
9517 COMMISSIONER
DUNCAN: So it is a relatively minor
amount?
9518 MR.
HILDEBRAND: Yes.
9519 COMMISSIONER
DUNCAN: Would that be included in admin
and general or technical?
9520 MR.
HILDEBRAND: Yes, in the technical.
9521 COMMISSIONER DUNCAN: I want to now talk a bit about the economic
impact. I am referring to the sources of
revenue that you gave us, 5 per cent you expect to take from existing stations
and 25 per cent increase in existing advertising spins, and new radio
advertisers 65 per cent, 5 per cent from other media.
9522 What percentage of
the revenue that you are going to get do you expect will be garnered from out‑of‑market
stations?
9523 MR.
HILDEBRAND: I would like Ken Goldstein
to address this.
9524 MR.
GOLDSTEIN: We have a station here where
there is essentially one station serving Chilliwack and the rest almost all is
going to Vancouver tuning.
9525 The amount of
advertising that might be going into Vancouver to come back to Chilliwack would
be very small because if you are a local advertiser, as a rule the rates would
not work. If I want to reach the 80,000
or 90,000 people in Chilliwack, I am not going to spend at audience reaches of
two million. So, I think that a very
small amount would be really coming from Vancouver stations.
9526 What we have here
is an opportunity to recapture more of the potential that would be there from
local retailers by having another station that is truly local, local,
local. So, the largest amount here, as
you can see, is new radio advertisers, which would be people who haven't found
a home on the current station and don't have another station that makes
economic sense.
9527 COMMISSIONER
DUNCAN: I think I didn't phrase my first
question properly, but I will come back to it because you are into my next
track anyway. So, that is okay.
9528 How did you arrive
at the 65 per cent? Did you do door‑to‑door
or based on your other ‑‑
9529 MR.
HILDEBRAND: These estimates are really
taken from 50 years of experience in this business, in communities large and
small. From previous applications that
we made and our experience, we have a track record of what works and the impact
on existing broadcasters. So, these are
really estimates that we have experienced in our previous applications and
launches.
9530 COMMISSIONER
DUNCAN: Does that also apply to
expecting that current advertisers will increase their advertising buys by 25
per cent?
9531 MR.
HILDEBRAND: Exactly, yes.
9532 COMMISSIONER
DUNCAN: Not by 25 per cent but that
you ‑‑
9533 MR. HILDEBRAND: We find that when we provide the kind of
local service that we are proposing, that attracts advertisers in a whole
different way because they want to get involved with that. So, that is why we are very confident that,
number one, we won't be taking money from the existing broadcaster, and
certainly we won't be making any impact on Vancouver broadcasters. They won't even know we exist here, and that
is fine with us. We are just happy to be
under the radar entirely for them and just we are Chilliwack.
9534 As Ken Goldstein
has done a number of studies, he has very interesting stats on how this works
and only confirms what our experience has been.
9535 COMMISSIONER
DUNCAN: The 5 per cent from existing
incumbent stations seems low.
9536 MR. HILDEBRAND: It is low and nobody can know exactly whether
it will be 4 or 7 or whatever, but, again, we don't think that we are taking
money from existing broadcasters. We may
get business from the same clients, but that is revenue over and above because
the existing clients that are on the radio stations in Chilliwack, they are
looking to reach the Chilliwack listeners that that station has.
9537 We propose to have
different listeners. We would be
repatriating listeners from Vancouver stations, from U.S. stations, from
satellite. So, this was a new
audience. So, we don't expect that we
will be moving audience from that radio station, nor will we move much revenue
from that radio station. We will develop
new revenue.
9538 COMMISSIONER
DUNCAN: That actually dovetails into
what I had intended to be my earlier question, which was which Vancouver
stations, then, which out‑of‑market stations do you expect that you
are going to get your audience from?
9539 MR.
HILDEBRAND: We will get some from
everywhere.
9540 COMMISSIONER
DUNCAN: Not your revenue but your
audience.
9541 MR.
HILDEBRAND: We will get some from
everywhere because, again, as we said earlier, right now people are listening
to a broad spectrum of available signals, even though there isn't really a lot
of local service.
9542 As these people
find out there is local service here, they will gravitate to that radio
station. That has been our experience.
9543 MR.
GOLDSTEIN: If I might just amplify on
that a bit. First of all, yes, indeed it
will be a sliver from here and a sliver from there, but the key point here, and
I think your question focuses on that key point, is why so little from the
current local station?
9544 It is because we
are not dealing with a fully developed potential here. If the full potential in the market was now
being realized or virtually the full potential and you were talking about a
rearrangement of shares within a full potential, you have here a situation
where, based on the retail data and I provided in our report a range, you have
a range of possible radio revenues that are greater than what the current
station is taking and, consequently, recapturing some of that unrealized
potential is where the greatest opportunity is, rather than necessarily cutting
into the other guy.
9545 COMMISSIONER
DUNCAN: I did read your report. I saw that.
9546 I am curious
because you did have quite a bit on new media in your remarks this
morning. Are you into new media in a big
way in some of your other stations or are you just entering that?
9547 MR. FRIESEN: Certainly what we found in all the other
communities is that if we do the radio part right, we have all this content and
all this information that nobody has on the internet, and if we can get it
there quickly, new media is a very, very important part of people's lives. We can't operate in the next generation
without having an on‑line component that is absolutely fast paced. We have to provide that information to the
internet as much and as quickly as we do, but this isn't a radio station website. We do have radio websites and that is where
we run contesting and the fun parts maybe go there.
9548 But for the
community, all that information we have, we think it is vital that we provide
that to the community. Yes, we have nine
portals similar to this across the prairies.
The town I lived in I was mentioned not long ago it was minus 45 and
they are closing schools. I live in a
town of 10,000. We had 17,000 computers
go on our site that morning to find out if there was school.
9549 We know that it
impacts. We drive activity both
ways. So, it is a very important part of
our future. We think we have to do that
to stay relevant on the radio side.
9550 COMMISSIONER
DUNCAN: Are you just streaming the exact
radio station?
9551 MR. HILDEBRAND: No, we don't stream. This is totally different. The local news and information that we gather
appears there. The weather is there all
the time. Lyndon is a little
modest. In Steinbach where we started
this process, steinbachonline.com is the second busiest site in Manitoba,
second only to Manitoba Telephone System.
9552 So, it is a huge
part of our business and is growing. So,
that is what I said before in my remarks.
I said Chilliwack would not only be getting a new radio station, they
would be getting a new media component that would explode the process even more
dramatically.
9553 So, we see that
radio and the new media going forward will be an integral part of being viable,
and we see the new media piece actually growing in communities where we are
already doing it at a much greater percentage than radio revenue.
9554 This is almost
like another business.
9555 COMMISSIONER
DUNCAN: So, you are generating revenue
on those sites now?
9556 MR.
HILDEBRAND: We are.
9557 COMMISSIONER
DUNCAN: Which is not in your
projections?
9558 MR.
HILDEBRAND: No, this is not radio
revenue. So, this is not part of the
projections there at all.
9559 COMMISSIONER
DUNCAN: Do you have an interactive so
that if I was on my computer I could give you back information or feed comments
to you? Do you do that as well?
9560 MR. FRIESEN: We do that.
That is why I made reference to the web 2.0 technology. We want to be totally interactive. We want to have discussions with the
community. We want to throw out stuff on
the radio and ask questions so that they can debate it on line. We have also a user generated portion where
users with cameras or videos or comments can automatically put it into the
categories in the community portal so that they can interact.
9561 So, it is all
going on there as well at the same time that we are stimulating some of that on
the radio.
9562 COMMISSIONER
DUNCAN: Is this in place now and
operating, for example, in a community the size of Steinbach, fully operating?
9563 MR. FRIESEN: We have this.
We are just upgrading to 2.0 in the next month. But we are doing all the same things in nine
communities now.
9564 MR.
HILDEBRAND: There is nine across
Manitoba and Saskatchewan.
9565 COMMISSIONER
DUNCAN: So, I would assume probably your
larger ones; is that what you are doing?
9566 MR.
HILDEBRAND: We have experience in this.
9567 MR. FRIESEN: As well Saskatoon.
9568 MR.
HILDEBRAND: Yes, Saskatoon is doing it
as well. So it is working in both
Estevan and Weyburn of the size of 10,000 and 250,000 in Saskatoon. So the process works in both of those sizes
and, as I said before, it is just growing.
We think this is a very, very important part of our future.
9569 COMMISSIONER
DUNCAN: I am just curious because, as
you know, one of the applicants is for Chilliwack/Abbotsford. I am just wondering if you didn't consider
Abbotsford or will your signal reach into Abbotsford?
9570 MR.
HILDEBRAND: We did consider Abbotsford
but we thought we would apply for Chilliwack and hopefully we would get an
approval for Chilliwack and once that was done, then we would apply for
Abbotsford. We see these as two separate
markets, two totally different communities.
So, we didn't want to mix them up.
We didn't want to apply for both at the same time to confuse the Commission. We wanted to focus on Chilliwack.
9571 COMMISSIONER
DUNCAN: I appreciate you not confusing
us, me in particular.
9572 How many new
licences do you think that the market could support?
9573 MR.
HILDEBRAND: It might support one or two,
but it appears there is only one frequency.
So I think the Commission's task is going to be more difficult. From a market size itself, we would have no
objection at all if there would be two new stations, but we don't see where
there is a frequency that will make it work.
I think that may be the problem.
9574 COMMISSIONER
DUNCAN: Thank you, Mr. Hildebrand, team.
9575 THE
CHAIRPERSON: Commissioner Williams,
please.
9576 COMMISSIONER
WILLIAMS: Good morning, Mr. Hildebrand
and Golden West panellists.
9577 I am going to
start with Mr. Porter. You stated
earlier that you have been encouraging Golden West for about two and a half
years. How did you meet? How did you find Golden West and have you
encouraged other applicants as well or was this primarily a Golden West focus?
9578 MR. PORTER: It wasn't really us finding Golden West. We were surprised, as I said in my initial
comments, about the decisions that were made about not supporting us when we
got to town. And we got into we have to
do something about this mode really fast.
We hired a consultant who I think has been in communication on and off
with the Commission over this. We were
working with what was going to be civil radio in Abbotsford, and we just put it
in the hands of the mayor; the former owner of the local station in Chilliwack
years ago, went to him, just anybody.
9579 I think it came
where Golden West was the first that showed any interest. We then started the conversations from
there. As a business owner, I decided I
better learn who these people are and started doing my research and liked what
I saw, and that is when I said I would like to endorse them for sure.
9580 COMMISSIONER
WILLIAMS: Thank you.
9581 It is just Mr.
Hildebrand said about 13 months ago he applied, and I guess what I am hearing
is that there was 13 months of preparatory work before that application was
even filed. Would that be correct?
9582 MR.
HILDEBRAND: I would like Darryl actually
to talk a little bit about his experience.
The team just came back from a prairie road trip which took them to many
of the communities in Saskatchewan where we are media partners with teams in
the league, including Swift Current and Moose Jaw and Saskatoon. I would like to have him elaborate a little
bit of his experience in Saskatoon which outlines exactly the kind of thing
that we propose to do.
9583 MR. PORTER: It was impactful because when I first
researched Golden West I simply went on line and made some calls and actually
phoned some teams that deal with them. I
didn't know them. I liked what I heard
around local relevance.
9584 In Chilliwack,
when you are a bedroom community ‑‑ and they hate that
terminology, I know ‑‑ when we are so close to Vancouver, you
run the risk all the time of being very forced to deal with the Vancouver‑based
media, which is exactly who we cannot be.
In fact, right now 80 per cent of our media spin is in Vancouver. So, some of your previous questions, we would
stop doing that because we don't want to do that. We have to be about Chilliwack.
9585 That is what we
were told Golden West does. So, I go out
on the road with my team, and you have a lot of hours to pass when you are
waiting for games every day and I see in Saskatoon, Swift Current, Moose Jaw,
but in Saskatoon especially, it was so integrated to the point where you
couldn't tell during the game who works for who. Was it the team that was putting on the game
or was it the radio station? It was all
blended.
9586 I was going that
is exactly what Chilliwack needs and the Chilliwack Bruins need because that
means you get all day chatter; there are just chatting about you, and that is
where vibrancy and excitement comes from.
What I saw was local relevant radio is exactly what Chilliwack needs to
be because we are only 30 minutes away from Abbotsford and we don't want to be
that. So, at the end of the day that is
what these people do. So I came back
excited about what I saw.
9587 COMMISSIONER
WILLIAMS: Thank you, Mr. Porter and Mr.
Hildebrand.
9588 Mr. Friesen, you
gave us a demonstration of your new media initiatives or Golden West new media
initiatives. I understand you have nine
portals doing similar.
9589 Is this
monetized? Is there a way that you are
getting revenue? Do you sell classified
ads? Do you have to buy a radio ad
before you can buy a classified ad? Do
you need both? Is it an emerging revenue
stream? What percentage, say, in rough
terms if you have monetized it, are you drawing into Golden West from that
opportunity?
9590 MR. FRIESEN: First of all, we don't ask our audience or
our users to pay anything to use our sites.
All the user generated and all the other benefits to the community, it
is all free. The information is free. There is no sign up. There is nothing that costs money.
9591 We have always
thought we were relatively good at selling advertising so we wanted to be
advertising‑based. So, we are
utilizing both the visual ad space as well as the pay per clicks or the other
side of the internet as well.
9592 So, it is totally
advertiser based, and at this point it is growing faster than anything else
that we have done. It is growing at
probably 50 to 100 per cent in most of our markets.
9593 COMMISSIONER
WILLIAMS: That is great. That is my next question. So, it is growing at a rapid pace.
9594 MR. FRIESEN: And it is making maybe 10 per cent, Elmer; is
that fair?
9595 MR.
HILDEBRAND: There is a significant
revenue stream that we are developing with these portals, new media. I shared this with the Commission earlier
that our new media business for our company will likely hit $1 million this
year across our company. It is starting
to be significant.
9596 We see this
growing rapidly. So, that is why we want
to marry the two together. We see this
as a business that is so complementary that at the end of the day they merge
like that.
9597 COMMISSIONER
WILLIAMS: The information or the content
that is on your new media sites, you have gathered it through your traditional
methods, but is it presented exactly the same or is it reworked in some way?
9598 MR. HILDEBRAND: All of the content on there is our own. We don't have anybody giving us content.
9599 One of the things
that we have done over the years, because we have made our living on local
information, we saw that we had this bag of local information. If we can reuse it again in another form,
then that only makes some sense.
9600 So, we have been
putting all of the information that we gather on to this community portal. So, if you happen to go away for a day, you
come back tomorrow, or if you are away and you want to see tonight what
happened in Steinbach during the day, you click on and it is all there.
9601 COMMISSIONER
WILLIAMS: Is it verbatim to what is on
the radio?
9602 MR.
HILDEBRAND: No, it wouldn't be
verbatim. It wouldn't be like 24‑hour
information. But all of the local news
and local weather, sports, that is all there.
9603 MR. FRIESEN: Writing styles change not a lot, but
conversational writing versus visual reading, but it is essentially the same
information. Our news team basically
writes another version or two for the internet and it is so simple. It automatically feeds to the website.
9604 So, it is an extra
jump. That said, the audio portion that
we are showing here in terms of podcasts, we are really doing some of
that. That is a little more labour
intensive but it is all radio product that we already have that is repurposed
for this.
9605 COMMISSIONER
WILLIAMS: And the growth rate, if I can
hear again, what percentage was it growing?
9606 MR.
HILDEBRAND: The growth rate is dramatic. We don't want to overdo it.
9607 COMMISSIONER
WILLIAMS: Yes, dramatic it is.
9608 Thank you very
much. Those are my questions, Madam
Chair.
9609 THE
CHAIRPERSON: Commissioner Menzies,
please.
9610 COMMISSIONER
MENZIES: Just quickly, there are newspapers
in Chilliwack; right?
9611 MR.
HILDEBRAND: Yes, weekly newspapers.
9612 COMMISSIONER
MENZIES: Mr. Porter, just to clear this
up for me now, your organization owns the Langley Chiefs as well?
9613 MR. PORTER: No.
The former Chilliwack Chiefs moved to Langley. We went into Chilliwack as the Chilliwack
Bruins. We don't own them.
9614 COMMISSIONER
MENZIES: Are a couple of your owners
also working on the Langley arena project or is that just separate?
9615 MR. PORTER: They have a minority share in the Bruins
company, but that is a whole different company that is building that arena in
Langley. But, yes, they are involved in
that.
9616 COMMISSIONER
MENZIES: That is a smaller arena in
Langley; right? So there is no chance
that you would be moving there?
9617 MR. PORTER: Oh, God, no.
I wouldn't be sitting here doing this if I was planning a move.
9618 MR.
HILDEBRAND: He wants to stay in
Chilliwack.
9619 COMMISSIONER
MENZIES: Because that is 5100 or
something in Chilliwack so it is much bigger?
9620 MR. PORTER: Yes.
9621 COMMISSIONER
MENZIES: In terms of the music
formatting, I just want to get a chance to more fully understand that. You made reference to the fact that there is
somebody centrally in the company who helps with the music formatting. Just to be clear, I mean, "Hi, I'm from
head office and I'm here to help," I don't want to be sarcastic about it,
because it is fine with me either way it goes, but is there local input on
music formatting or is it central or, if not, help me understand the nature of
the relationship.
9622 MR. FRIESEN: Our program director for the company provides
guidance and direction. We do some
standardized things, but, no, absolutely it is finished on site. So, the guidelines are provided. Much of the work may be done, but then it
goes on site where the local part is finished.
9623 We are very aware
of that. And to come from head office,
we have done that a few times. We know
as well as anyone that is not how we are going to get a buy in from the
community; that is not how we are going to get a buy in from our staff. We try to guide them and influence what we
can and try to set up the basics that we know makes sense with our
experience. Then we give it to the local
people and they have to program. We
don't know the artists that are local.
We know Trevor. We will rely on
the local artists to provide the local influence to that sound.
9624 So, the answer is
both. We provide guidance, but they
finish it on site.
9625 COMMISSIONER
MENZIES: Thank you.
9626 MR.
HILDEBRAND: One of the things that I
guess we have developed in many facets of our radio business over the 50 years
are certain templates that we know work in every market, whether it is news or
music or other things. There are certain
similarities.
9627 So, we feel it is
only prudent to use the experience that we have already gained in other markets
to say, these kind of things actually work; so, here is a framework of how we
are going to do that, then you finish it up locally. That is sort of the modus operandi that we
have used and it works quite well.
9628 COMMISSIONER
MENZIES: Thank you.
9629 You may have
mentioned this and I may have missed it.
Forgive me if I did. I found a
reference on line to the fact that you might be using the call letters
CHWK. Is that the case?
9630 MR.
HILDEBRAND: Yes. We have already had the Department of
Industry approve those call letters. So,
they are reserved for us.
9631 COMMISSIONER
MENZIES: That is the historic founding
call letters for Chilliwack radio; right?
9632 MR.
HILDEBRAND: That is right, yes.
9633 COMMISSIONER
MENZIES: I was curious because there was
a guy named Menzies involved and from what I found he forgot to put the station
on air sometimes because he was too busy selling radios.
9634 MR. HILDEBRAND: We were very happy that those call letters
were still available because they do have heritage going back probably 50 years
as well. So, when we trotted those out
in the community, they said, wow, this will be great.
9635 COMMISSIONER
MENZIES: I am interested in a little
expansion on what sounds to me like a very strict definition of
"local." I don't mean that
either positive or negative.
9636 Given the nature
of the Fraser Valley and the way commerce and traffic and jobs and things flow
through, I was surprised that you were excluding Abbotsford even, for instance,
from your coverage area. Could you just
expand on that a little bit for me?
9637 MR.
HILDEBRAND: Technically it is very hard
to cover Abbotsford from Chilliwack because of the rocks that get in the
way. Again, that is why I said if we
were successful with this one, then we would readily apply for Abbotsford to
give them their own radio station.
9638 But, again, the
local process, in many areas, we are in the shadows of large cities. A good example would be Calgary. We have radio stations in High River and
Okotoks, which is in the shadow of Calgary.
When we went there, the Commission was asking, how much time are you
going to spend in Calgary, what are you going to do there? We said the same thing there as we say
here. We are not interested in
Calgary. Over there we actually have a
signal because there is no mountains in the way. But we don't go to Calgary to solicit
business. There is enough business in
Okotoks and High River to provide more than adequate base for our growth. When we do that, the local communities are
actually very appreciative of the fact that they don't have to compete with a
Calgary advertiser on the Okotoks radio station. By concentrating on local, you sort of
eliminate that.
9639 So, we are
experienced with that both in Calgary, Regina, Moose Jaw is close to Regina,
and in Winnipeg, where we have a number of stations within 40 miles of Winnipeg
and the signals cover there. But we
don't go there; we concentrate on the local communities.
9640 It has just been
our business practice. It is
surprisingly simple and it works very effectively, and that is what we know
would work here as well.
9641 COMMISSIONER
MENZIES: Thank you very much.
9642 THE CHAIRPERSON: Commissioner Duncan.
9643 COMMISSIONER
DUNCAN: I have a few more questions that
I overlooked asking.
9644 I notice in your
December 3rd response you projected your audience share would grow from 15 per
cent in year 1 to 30 per cent in year 7.
Is it possible for you to give us a breakdown of those projections by
year for the seven years?
9645 MR.
HILDEBRAND: Yes, we actually have a
graph of the audience share that we are projecting, and we would be happy to
file it with you.
9646 COMMISSIONER
DUNCAN: That is great.
9647 Can you also give
us the detail of your minimum annual over and above contribution for each of
the seven years?
9648 MR.
HILDEBRAND: We can file that with you as
well, yes.
9649 COMMISSIONER
DUNCAN: Are you also agreeable to
accepting a COL that your total over and above contribution over the seven
years would be $200,000 for CCD?
9650 MR.
HILDEBRAND: Yes.
9651 COMMISSIONER
DUNCAN: I am just curious about the
staff employed that would be, for lack of a better word, repackaging the content
to go on the new media. Are they
included in the staff employed at your ‑‑
9652 MR.
HILDEBRAND: No, that would be separate.
9653 COMMISSIONER
DUNCAN: That is it. Thanks very much, Mr. Hildebrand.
9654 THE
CHAIRPERSON: Thank you.
9655 I just have a few
follow‑up questions. I wasn't
following very well the full‑time and the staffing that you would have at
the station. I know that you have said
several times that it is six reporters.
9656 So, can you
explain to me again on how many of the reporters will be full‑time, how
many part‑time and then in addition to the six reporters, what other paid
staff there will be?
9657 MR. FRIESEN: We will require at least six full‑time
news people. Then we are going to need a
full complement of announcers and backroom staff and sales people and
everything else that makes a radio station.
9658 With six people,
we will need to at least have 21 to 25 employees at the outset in order to
operate the kind of service that we need to.
It is far more employees than we need to have, but because of our
service on the local side it takes a lot more people. So, we will likely start with a lot more
people than we need, but we say at least a minimum of six on the news side, as
well as a full complement of announcers and support staff.
9659 THE
CHAIRPERSON: In terms of the full
complement of support staff, staff other than the six reporters, how many head
counts do you anticipate right now?
9660 MR. FRIESEN: I would think we would need at least another
four or five just on the on‑air side, plus some part‑timers.
9661 MR.
HILDEBRAND: Again, all of these things
would be similar to our operations that we have in other communities. We want to commit to the Commission that the
kind of service that we are proposing to do, we will put the horsepower behind
it to make it happen.
9662 THE
CHAIRPERSON: Thank you.
9663 Generally I have
heard about voice tracking and that there is some negative perception on voice
tracking. I know that you don't have
much in your application and live‑to‑air programming is a better
reflection of ‑‑ the local programs will be better than voice
tracking.
9664 Do you have a
comment on that, just your perception?
9665 MR.
HILDEBRAND: My perception on voice
tracking, as I think Madam Duncan said before, it is an assist. So you have a person in the studio, he or she
can voice track part of a program that they are doing and then do some other
productive work while the hour or two hours are passing. Whereas it used to be this person would have
to sit in the control room watching the records spin, and now if they didn't do
any voice tracking they would have to sit there and watch the computer do all
the work. So, there is time in between
voice tracks when they can actually do some other productive work, do some
production work, make some calls, surveillance calls, that kind of thing.
9666 So, we see voice
tracking as an assist to be more efficient, to sound better, but we still like
to have people in the building so that we can answer the phone and we see that
as being live. Again, we find that that
makes the most sense.
9667 THE
CHAIRPERSON: So, it is sort of not
necessarily true that the voice track programming will be far inferior; it
doesn't necessarily have to be that case; right?
9668 MR. HILDEBRAND: No.
9669 THE
CHAIRPERSON: For Mr. Goldstein and Mr.
Hildebrand, I think, Mr. Hildebrand, you commented that had it not been for the
lack of frequencies, probably the Chilliwack market can sustain two new
entrants. I will just throw this
question out.
9670 On what basis do
you come to that conclusion, and then I am wondering if, Mr. Goldstein, you can
also comment on the Chilliwack BBM market is very, very large, and can you add
any information to assist the Commission in terms of the commuter traffic and
the population being concentrated along the Fraser River corridor, just to give
us more information about the economics of the area, please.
9671 MR.
HILDEBRAND: Maybe I will ask Mr.
Goldstein to go first and then I will follow up.
9672 THE CHAIRPERSON: Thank you.
9673 MR.
GOLDSTEIN: There is indeed commuter
traffic, but I think it is important to understand the way Statistics Canada
defines a census metropolitan area or, if it is less than 100,000, usually they
call it a census agglomeration.
9674 The underlying
definitional idea that goes into that is to say that you have a core urban area
and then you are going to include in the census metropolitan area near that
core area, areas from which a lot of commuting takes place.
9675 So, the fact that
Statistics Canada has defined the Vancouver census metropolitan area, which is
essentially the same as the Greater Vancouver Regional District, the GVRD ‑‑
Abbotsford is now a separate census metropolitan area, and Chilliwack, not yet
over 100,000, although clearly heading in that direction, is a separate census
agglomeration ‑‑ tells us that although there is some
commuting, there is not that much commuting, certainly not enough for them to
say that it would be the Abbotsford/Chilliwack census metropolitan area.
9676 So, they are
clearly distinct communities.
9677 In terms of
estimating the economic activity, I looked on line at the Chilliwack Economic
Partners Corp. website, and it was actually quite interesting to see the mix in
Chilliwack. Obviously it is growing
because it is a nice place. I mean,
people want to live there. But you have
a company called Stream International, which is in the high tech area there,
for example, that I think has over 1,000 employees now in Chilliwack, perhaps
more.
9678 But I looked at
the list, and just to read the list, without trying to put a specific number to
each, of how they divided up the Chilliwack economy, agriculture, aviation and
aerospace, education, film, food processing, health care, manufacturing,
professional services, real estate, retail/wholesale trade, technology and
tourism.
9679 Well, that is a
very nice mix. That is really a very
nice mix and they all seem to be firing on pretty good cylinders.
9680 To get down to the
specifics of the radio projections, of course with only one station there and
even if we counted the other station that is there but, as you observed last
year in your decision on the renewal of the licence, it is really in Vancouver,
it is under one owner; there is one station, we can't get the specific results,
but what we can do is an exercise that takes a couple of steps, and I did it in
the report.
9681 First of all, you
can get a good estimate for the retail trade in the area. The next thing you can do is you have
published the data for Vancouver radio and you have published the data for
Victoria radio. So we can start to do
some subtraction, and we can say that outside of Vancouver/Victoria radio in
British Columbia is a certain amount, and the relationship between that and the
retail trade outside of Vancouver and Victoria is a certain amount, and that
then gives us a basis for a range for a market like Chilliwack.
9682 What I found when
I analyzed this application was that the experience that Mr. Hildebrand was
talking about has put their audience projections and their revenue projections,
as far as I am concerned, right in the sweet spot, exactly where it should be
if you look at the current station, what audience it has at the moment. It hasn't been overly optimistic or overly pessimistic. I think it is exactly where it should be.
9683 MR.
HILDEBRAND: To add to that, if there was
a frequency, and maybe you could licence two stations, when we look at some
cities, for example, Brandon is 35,000, 40,000 people, they have four radio
stations. So that Chilliwack at 80,000
people could certainly have at least three.
That was the basis of my comment that if there was a frequency,
certainly from our perspective two licences wouldn't be an issue.
9684 Does that answer
the question?
9685 THE
CHAIRPERSON: Yes, I will come back to
this one.
9686 Mr. Goldstein, I
should know this, but what is the most easterly community within the Chilliwack
BBM? Merritt is not in there, is
it? Merritt is the Nicola Valley.
9687 MR.
GOLDSTEIN: The answer is I am not sure,
but even if Merritt were included, most of the 80,000‑plus is
Chilliwack. So, even if you had some
small communities to the east included, the economic impact of those
communities on the projections would be relatively small.
9688 THE CHAIRPERSON: Do you know what proportion of the 80,000‑plus
commutes to Vancouver for work?
9689 MR.
GOLDSTEIN: I do not, but because of the
definitions of the CMAs, I would guess it would be a modest amount.
9690 THE
CHAIRPERSON: Modest would be a third?
9691 MR.
GOLDSTEIN: Oh no.
9692 THE
CHAIRPERSON: Less than that.
9693 MR.
GOLDSTEIN: If it was as high as a third,
Stats Can would have somehow linked it to either Abbotsford or Vancouver. That goes into the definition of a census
metropolitan area or a census agglomeration.
Commuting is one of the key factors.
9694 THE
CHAIRPERSON: Thank you very much.
9695 Mr. Hildebrand,
based on your answer, you would feel that even if we were to licence two in
Chilliwack, your business case would not be adversely impacted?
9696 MR.
HILDEBRAND: Not really, no.
9697 THE
CHAIRPERSON: If we were to licence two,
in addition to you, who do you think we should licence or who would be the most
compatible; who would be the most not compatible?
9698 MR.
HILDEBRAND: They are all my friends so I
don't know.
9699 THE
CHAIRPERSON: You can just talk about the
format.
9700 MR.
HILDEBRAND: Again, as we have said
before, format is important, but for us, format is only this piece. The information, the news is the other piece. So it is like a total package.
9701 As we know, there
are a variety of formats available now, and who, if we are successful, by the
time we sign on, one or two of the stations could have changed formats. So, that is always a moving target. I think the Commission has a great challenge
in trying to deal with a format process simply because it is so fluid.
9702 We basically
decided to hang our hat and our future on not just the musical format, but an
entire community service format that includes far more news and information and
music to make one conglomerate picture that then makes some sense.
9703 THE
CHAIRPERSON: Mr. Friesen, just on the
format, when I was listening to the music, I agree with you, I think it is a
little harder than 104.9, Clear FM, but do you think it is accurate to describe
it between 104.9 and maybe JACK‑FM, 96.9?
9704 MR. FRIESEN: It could have those similarities.
9705 THE
CHAIRPERSON: I believe legal has some
questions. Ms. Pinky.
9706 MS PINSKY: Thank you.
I just have a few questions of clarification with regard to your
presentation this morning.
9707 First, with regard
to your statement, and you did discuss the issue with Commissioner Duncan, that
you would be creating a separate category specifically for emerging B.C. artists
and you state that it would be scheduled a minimum of three times a day. I just want to understand what that meant.
9708 Is that referring
to three tracks a day, if you could elaborate on that, please?
9709 MR. FRIESEN: Our intent with that category was three times
a day, 6:00 a.m. to 6:00 p.m. every day to play three local B.C. emerging
artists.
9710 MS PINSKY: Thank you.
9711 With respect to
the CCD commitments, because you have newly identified the specific
initiatives, I wonder if I could ask a few questions of clarification so we
have a better understanding of what the initiatives will consist of.
9712 Firstly, with
regard to the McDonald recording studio, you indicate that the money would be
allocated to the production of music CDs by local artists. Could you just elaborate as to would that
money be earmarked for studio time or is that money for the actual production
of the CD?
9713 MR.
HILDEBRAND: What we have been doing in
some other provinces with recording studios, we would provide $10,000 toward
the production of a CD. That could then
include both studio time and some production time. In many cases they have done the complete
job, including packaging, everything.
That is the way that we have been working with existing studios in
Manitoba and Saskatchewan.
9714 So we provide the
money to the studio to then work with the artist or the group. The outcome is then a CD.
9715 MS PINSKY: Also just to clarify, McDonald Recording
Studio, is that independent of your station?
9716 MR. HILDEBRAND: Yes, totally independent.
9717 MS PINSKY: Who would be responsible for identifying the
local artist that you would target?
9718 MR.
HILDEBRAND: That would be done in
conjunction with the station and the local music community. So that if there was an abundance of material
that was available, we would set up an independent panel in the community and
Trevor is well versed with the musicians in the Valley and we would then
determine who was most deserving of this contribution.
9719 MS PINSKY: So the station would be spearheading
the ‑‑
9720 MR.
HILDEBRAND: We would work with the music
community.
9721 MS PINSKY: But it is not the production studio?
9722 MR.
HILDEBRAND: No.
9723 MS PINSKY: Then with regard to the Chilliwack Symphony,
if you could just explain what they would be ‑‑
9724 MR.
HILDEBRAND: Again, this would be a
donation to the symphony to underwrite their expenses. There would be no strings attached to it.
9725 MS PINSKY: And with the Academy of Music?
9726 MR.
HILDEBRAND: The same with the
academy. The academy, I think, currently
has about 1,000 students that they are working with on a regular basis. The academy is an interesting organization. They start students in some cases in pre‑school,
taking music lessons. So, we would
envision, again, this would be a contribution to the academy with no springs
attached.
9727 MS PINSKY: Just to clarify, in both these instances, the
Academy of Music and the Symphony, the money would be given to the institution
to allocate to expenses? It won't
necessarily be, for example, funding a student?
9728 MR.
HILDEBRAND: It would be at their
discretion.
9729 MS PINSKY: With regard to the high school music
scholarship, would you be identifying the high school?
9730 MR.
HILDEBRAND: No, we would want the people
involved with the music program to actually identify the individuals that would
get the scholarship.
9731 MS PINSKY: Excuse me, but is there only one high school
in Chilliwack?
9732 MR.
HILDEBRAND: We would provide this amount
to the schools on a rotating basis. So
this would be an annual amount that we would provide.
9733 MS PINSKY: Then with regard to years 6 and 7 for the
money to be allocated to the artists who have not yet emerged, I understand you
obviously couldn't identify the artists, but would you be giving money directly
to the artists? What would the
initiative consist of?
9734 MR.
HILDEBRAND: We would be giving it to
qualified artists or qualified organizations that would appear between now and
then. Again, all of this would be done
with the local music community and, as I say, the reason we are doing it this
way, we don't know who they will be at this point.
9735 MS PINSKY: I understand, but you are saying it could
either be given to an association involved with local musicians or the local
musicians themselves.
9736 MR.
HILDEBRAND: We would coordinate with the
local music community to determine where that would go.
9737 MS PINSKY: With regard to the 20 per cent contribution
to FACTOR, that would be attributable to the $200,000? Should we add that money on top of the
200,000?
9738 MR.
HILDEBRAND: You can if you want.
9739 MS PINSKY: Because I notice the chart doesn't refer to
the 20 per cent FACTOR contribution.
9740 MR.
HILDEBRAND: You can add it on top of
that if you want, Yes.
9741 Given the
opportunity here to speak about FACTOR, I wouldn't mind if I could make an
aside comment on this.
9742 We think FACTOR
does a great job in many instances, but we have also found that in many of the
smaller markets, the FACTOR money never sort of gets down that far. So, we will be happy to provide money to
FACTOR if that is what the Commission determines we should do.
9743 We would prefer
that money go to local organizations rather than to national
organizations. We see it going farther
in the smaller markets if we do it that way.
We have been sending money to FACTOR for many years and we haven't seen
any of it ever come back to our markets.
Yet, we know there are artists there that would benefit from it.
9744 So, FACTOR, from
our perspective, and we may have the wrong perspective, but from our
perspective, it is more an organization that supports and helps the major
markets of Canada, which we aren't one of.
9745 That is just my
editorial, Madam Chair.
9746 MS PINSKY: Should any of these initiatives be determined
to be ineligible by the Commission, would that money be ‑‑
9747 MR.
HILDEBRAND: Reallocated to whatever is
eligible, for sure.
9748 MS PINSKY: Thank you.
9749 Would you be able
to provide for us letters from at least from the Academy of Music, the Symphony
and McDonald Recording Studio and perhaps any of the high schools indicating
that all monies received would be dispersed according to CRTC criteria?
9750 MR.
HILDEBRAND: Surely, yes.
9751 MS PINSKY: When would you be in a position to provide
that?
9752 MR.
HILDEBRAND: Again, as soon as
possible. Probably not before today or
tomorrow, but shortly.
9753 MS PINSKY: For the purpose of that letter, if you could
provide that by the end of Friday, that should be adequate.
9754 MR.
HILDEBRAND: Fine.
9755 MS PINSKY: You have also undertaken to provide the total
amount of spoken words to take into account the Sundays.
9756 MR.
HILDEBRAND: On the weekend, yes.
9757 MS PINSKY: Could you provide that by tomorrow end of
day?
9758 MR.
HILDEBRAND: Sure.
9759 MS PINSKY: As well, you have undertaken to provide the
break down of the audience share. Could
you provide that by the end of day ‑‑
9760 MR.
HILDEBRAND: We have some charts that we
could actually leave with you, I think as we walk out now.
9761 MS PINSKY: Great.
I think that is it.
9762 I just wonder if I
could ask one last question. You have
been discussing your new media initiative and have been saying that it is an
integral component of the station of the undertaking that, for example, the
news team would be used to produce and repurpose material. The fact that you report your revenue
separately, is that a function of the distinct regulatory frameworks that
apply?
9763 MR.
HILDEBRAND: Yes.
9764 MS PINSKY: Thank you very much.
9765 THE
CHAIRPERSON: Thank you, Mr. Hildebrand
and your team.
9766 This is your
opportunity to have your last pitch on why you believe you are the best.
9767 MR.
HILDEBRAND: If we haven't convinced you
by now, I am not sure what we will say, but maybe just recap a bit.
9768 The most relevant
reason we should be licensed is outlined in the supporting letter from Mayor
Clint Hames. I think that says it all.
9769 The city of
Chilliwack asked us to come and provide a local radio service for one simple
reasons. Mayor Hames told me at our
original meeting that they had done their homework in checking out broadcasters
and wanted the Golden West brand of service.
9770 The same is true
on our planned relationship with the Chilliwack Bruins. They operate in a league where they can see
first hand the kind of media partner Golden West can provide in cities like
Moose Jaw, Swift Current and Saskatoon.
9771 I also think the
Commission is well aware of our track record.
We generally deliver more than we promise at hearings.
9772 The Commission is
also aware that in areas where we operate in the shadow of major markets, we
continue to focus only on our local markets.
In Manitoba we operate in the shadow of Winnipeg; in Saskatchewan we
operate in the shadow of Regina; and in Alberta we are in the shadow of
Calgary. In each case we ignore the fact
that we could do business in these major markets for a number of reasons.
9773 First of all, we
told the Commission we were not looking at those markets. We would rather focus only on the local
community. Second, it actually makes
business sense to concentrate on the local markets because local businesses
like the fact they do not have to compete with city advertisers on our
airwaves.
9774 The two letters in
our original application, both from Mayor Hames and from Darryl Porter I think
underline the reason.
9775 Our financial
projections are most realistic, as are our audience projections, and we will
have the least impact on the incumbent broadcasters in the Valley.
9776 Lastly, we have
the history, the track record, the resources and the commitment to do a great
job for Chilliwack.
9777 Thank you.
9778 THE
CHAIRPERSON: Thank you, Mr. Hildebrand
and your team. Thank you for your time.
9779 We will take a 15‑minute
break right now and be back for 11:25, please.
‑‑‑ Upon recessing
at 1109 / Suspension à 1109
‑‑‑ Upon resuming
at 1125 / Reprise à 1225
9780 THE
SECRETARY: We will now proceed with item
19, which is an application by Newcap Inc. for a licence to operate an English‑language
FM commercial radio programming undertaking in Chilliwack.
9781 Please introduce
yourself and your colleagues, and you will then have 20 minutes to make your
presentation. Thank you.
PRESENTATION / PRÉSENTATION
9782 MR. STEELE: Madam Chair, members of the Commission, and
Commission staff, thank you for considering this application from Newcap for a
new FM radio station to serve Chilliwack, B.C.
9783 My name is Rob
Steele, President and CEO of Newcap Radio.
Joining me today are Glenda Spenrath, Director of Newcap Operations,
David Murray, Chief Operating Officer for Newcap Radio, Steve Jones, VP of
Programming, and Josie Geuer, Program Director of Ottawa's Hot 89.9.
9784 Chilliwack is a
vibrant community of close to 80,000 people and one of the fastest‑growing
mid‑sized cities in B.C.
Chilliwack is a beautiful city nestled in a wide river valley surrounded
by lakes and mountains. While only 100
kilometres east of Vancouver, Chilliwack enjoys milder temperatures, a lower
cost of living, and a slower pace lifestyle that makes it a great place to
live, and an increasingly attractive alternative for Lower Mainland residents.
9785 Most Vancouver
stations, to one degree or another, are heard in or near Chilliwack, as well as
several cross‑border stations from Washington state. However, Chilliwack is served by only one
local commercial radio, that is Rogers AC station STAR‑FM.
9786 Newcap Radio has a
strong track record for operating radio stations in mid‑sized markets
like Chilliwack. It takes a certain kind
of radio company to be successful with both audiences and advertisers, and
maximize their contribution to the Canadian broadcasting system. Many large broadcasters don't bother. The profits are too thin and management's
priorities are elsewhere.
9787 We see it
differently at Newcap. Partly because
our roots are in smaller and mid‑sized radio markets, and partly because
we do keep a lean head office, and we put our resources where we think it
matters most ‑‑ at our local stations. But mostly, I think, it is because we do have
a passion for it and we are pretty good at it.
9788 Our small and mid‑sized
market stations are all highly rated commercially, and highly rated for their
commitment to their local communities.
Our staff across the country generously give their time to raise money
and awareness for a variety of charitable efforts, developing strong
partnerships where we can make a difference.
Last week, our Charlottetown stations Ocean 100 and K‑Rock raised
$120,000 for the IWK Children's Hospital in Halifax.
9789 Rest assured that
if you choose to licence a Newcap Radio station in Chilliwack, the community
will get nothing but the best.
9790 MR. JONES: In Chilliwack, we researched the viability of
nine different formats: Classic hits,
classic rock, country, 60s/70s oldies, 80s/90s, soft AC, Hot AC, CHR, and new
rock. We looked at a wide demographic
group, 18 to 64, and surveyed 300 Chilliwack residents, describing each format
using artist examples and playing music montages.
9791 Our research
uncovered a strong desire for a local radio station playing what we call
classic hits. Our broad based format
includes elements of 60s and 70s oldies, classic rock and 80s and 90s hits.
9792 Classic hits ranks
number one in positive interest. Forty‑eight
per cent express positive interest in classic hits, of which 19 per cent
indicate they would listen to it all the time.
Twenty per cent expressed positive interest in classic hits and could
not associate any station with the format, what we call the per cent of format
void.
9793 Potential
listeners for a classic hits station are also less satisfied with their radio
choices than Chilliwack listeners as a whole.
Only 11 per cent of those we have identified as potential listeners for
classic hits say they are 100 per cent satisfied with Chilliwack radio today,
and 25 per cent say they are not at all satisfied.
9794 As a result, we
believe our proposal for a broad based classic hits format represents the
biggest unserved listening need in Chilliwack radio.
9795 The classic hits
station that we propose for Chilliwack will be called The Peak. We believe it is a perfect name for a station
serving this area, as it stands for both the essence of the region and the
essence of the format, playing only the best of the best from what many
consider the peak musical years.
9796 The Peak will
focus on timeless music by artists our target audience grew up with, including
The Beatles, The Guess Who, The Beach Boys, and many others from the 60s. From the 70s the station will feature Elton
John, Gordon Lightfoot and Fleetwood Mac.
From the 80s our listeners can expect to hear Bryan Adams, Phil Collins,
Tom Cochrane and, yes, even Chilliwack.
The music will be older and more familiar than the music on other
stations available in the market. Our
listeners will expect to turn on The Peak and hear songs they grew up with and
have come to identify as the music of their generation.
9797 The Peak will
attract a strong following of listeners, especially in the 25 to 54 and 35 to
64 demographics. The median age of our
target listener will be approximately 45, and the audience will skew slightly
male, although it will remain fairly balanced between the genders.
9798 As a result, we
predict a 9 per cent share 18‑64 for our classic hits format, and a 12
per cent share 25‑54.
9799 MS GEUER: While the focus of The Peak will be music, we
are proposing a radio station to serve the residents of Chilliwack on an
equally, if not more important, level:
The community.
9800 The Peak will
provide a strong local news and community presence, and act as a fresh radio
news voice that is simply not present in Chilliwack today. We will present 79 traditional weekly
newscasts, all of them sourced and presented by our staff in Chilliwack. The Peak will offer our listeners 75 per cent
local content in all newscasts, with the remaining 25 per cent being relevant
news and information from British Columbia, Canada, and the rest of the world. Combined with 126 scheduled surveillance reports,
total news programming will exceed eight hours per week.
9801 Newscasts on The
Peak will be geared toward news and information specific to Chilliwack. Being so close to Vancouver, a community such
as Chilliwack finds itself inundated by traffic and local news stories from the
bigger city. Our newscasts will be
researched, written and produced by three local professional radio news
journalists, who live and breathe the community they serve.
9802 But as important
as it is, the local news we will put on the air is only a small part of what we
will bring to Chilliwack.
9803 Consistent with
Newcap's long tradition of providing intensely local service to the communities
it serves, this new station will trigger a growth spurt in service and benefits
to the local community.
9804 Hundreds of young
people in the Chilliwack region participate in high school and college sports
leagues, as well as minor hockey and little leagues, while senior teams are
active in curling, soccer, baseball and more.
Every day thousands of residents cheer on their kids and their favourite
teams. Yet, little, if anything, is ever
reported on radio.
9805 The Peak will work
closely with the Chilliwack School Board, The University College of the Fraser
Valley, and local community sports clubs to create a real‑time reporting
system for scores and results which will be broadcast on The Peak. Our goal will be to connect with the parents
and fans, network with the organizers and establish roots in the community. From the local games and road trips of the
Chilliwack Bruins to the University Cascades and the teams of school district
33, we will provide coverage of the events our audience is taking part in and
interested in.
9806 Each day The Peak
will feature an hourly Pause for a Cause that will serve to further update our
listeners on what is going on in their community by profiling different
community groups, charity events, and other causes that are relevant to the
local community. One day might feature
fundraising for the new Chilliwack Cultural Centre, and another the Chilliwack
and district Crime Stoppers. These will
air seven days each week, around the clock, and will also be profiled on our
website. They will be immediately
relevant to what is going on in the community that day.
9807 Other program
features on the Peak Will include:
9808 Voices From
Chilliwack, which is a unique concept to commercial radio, brought to life on
The Peak. Half an hour on the station
will be handed over to the personalities that make up the community, whether it
be coaches or politicians, farmers or call centre employees of Stream
International.
9809 Peak Performances
is a daily feature treating listeners to live music from their favourite
artists. Fantasy concerts could be high‑profile
concerts such as Woodstock, or low‑key live recordings made in clubs.
9810 All together, The
Peak's news and spoken word programming will be over 21 hours per week.
9811 Finally, if
licensed, The Peak will complement its on‑air programming with a host of
on‑line initiatives that go well beyond the typical radio station
website. Our on‑line content will
take the interests of our target audience to heart, and present unique content
such as:
9812 A detailed and
updated interactive community events calendar allowing non‑profit groups
to register and post their upcoming events on their own.
9813 Chilliwack Pics
will feature listener pictures and video taken around the community.
9814 Our website will
also feature up to the minute local news direct from our newsroom, and a local
sports score board featuring minor hockey, little league, and school sports
events.
9815 MS SPENRATH: Newcap actively and aggressively employs an
employment equity strategy dedicated to increasing representation of women,
visible minorities, persons with disabilities and aboriginal peoples.
9816 This, we believe,
is sound business practice in an industry where success depends heavily on how
effectively we reflect the communities we are licensed to serve. In our view, drawing on the talent found in the
designated groups is a major factor in achieving success.
9817 Our approach in
Chilliwack will have three key elements.
9818 First, our news
and non‑news programming will be designed to reflect the reality of
Chilliwack's cultural, ethnic, racial and aboriginal diversity. Our spoken word will contain elements that
appeal to our aboriginal audience, in particular.
9819 Second, our
announcers and reporters will be representative of the mosaic that makes up
Chilliwack. Our audience will enjoy an
association with the people delivering their daily entertainment and
information.
9820 And third, both on
and off the air, our staff will be representative of the demographics of the
community we serve. Our staff will be
well‑versed in corporate policies designed to support cultural diversity
in the workplace and the reflection of the diverse groups in our programming.
9821 We will be truly
reflective of Chilliwack on and off the air, in our people and our programming,
and in so doing, establish firm roots in the community.
9822 There is a
phenomenal amount of musical talent in the Fraser Valley. For example, five Canadian idol finalists in
the past few years have come from the Valley.
9823 To support and
help further grow this tremendous base of local talent, we have proposed a
package of Canadian content development totalling over $700,000.
9824 First, Newcap will
contribute $280,000 to the University College of the Fraser Valley in
partnership with the Chilliwack Academy of Music, to expand their music
program. Monies will be used for new
courses, graduate scholarships and support for local music festivals.
9825 A further $280,000
will go to FACTOR. We will ask that
FACTOR direct these funds toward artists and groups residing in British
Columbia, with a preference to Chilliwack and the Fraser Valley.
9826 Seventy thousand
dollars will go to the National Aboriginal Recording Industry Association,
funding two scholarships to be awarded to aboriginal music artists residing in
B.C., with preference to artists in the Chilliwack region.
9827 And finally,
$70,000 will go to the Canadian Society for the Recording Arts for an annual
recording grant to support an emerging artist in Chilliwack or the broader
Fraser Valley. These grants will provide
concrete new opportunities for Chilliwack musical artists to advance their
careers, directly benefitting the region.
9828 MR. MURRAY: Given Chilliwack's strong economy and the
clear market void for our proposed classic hits station, we strongly believe
The Peak could be absorbed with minimal negative impact on the incumbent
station.
9829 Indeed, as The
Peak will attract its audience primarily from out‑of‑market
stations, we project that the majority of our revenue will come from other
sources.
9830 We will employ a
team of five to six well‑trained and highly motivated sales people to
monetize that repatriated tuning.
9831 Madam Chair,
Commissioners, our company prides itself on a reputation of effecting
significant and unequivocal contributions to the Canadian broadcast system wherever
we hold licences. We also strongly
believe that applications for new licences must be based on sound research and
realistic business plans.
9832 Repatriating out‑of‑market
tuning and building local retail revenues will not be a cake walk, but with our
experience and track record, we believe we are uniquely positioned to do both
and provide a strong new radio voice to Chilliwack.
9833 Newcap's 89.5, The
Peak will fill a local service void with exceptional commitments to local
programming and reflection.
9834 We will provide a
truly alternative local radio service that is not presently available in the
market; offer a strong new editorial voice in the market, with 79 news
packages, over eight hours of news content weekly, and 21 hours of spoken word overall;
and contribute over $700,000 to Canadian content development initiatives
designed to support future and emerging local Chilliwack and B.C. artists,
including specific initiatives for aboriginal talent.
9835 We look forward to
your questions.
9836 THE
CHAIRPERSON: Thank you, Mr. Murray and
your panel.
9837 Commissioner
Menzies will lead the questions.
9838 COMMISSIONER
MENZIES: Thank you.
9839 First of all, I
would like to just clarify precisely the news presentation in terms of
hours. I see the sheet that you have
provided us with has pure news at four hours and 30 minutes, sports at 1:37:30
and surveillance at 2:06 for 8:13:30 total.
That is consistent with your previous submissions regarding six hours, seven
and a half minutes to newscasts including sports.
9840 In your
supplementary brief, you mentioned that that 6/7th point five included
weather. I am just trying to find out
where the weather belongs essentially.
Is it in the ‑‑
9841 MS SPENRATH: It is actually dispersed throughout all of
our newscasts, as well as being in the scheduled surveillance reports. If you look at the deficiency letter, the
first two lines together, weather is in amongst those two in total. In amongst the newscasts, the total weather
would be approximately two minutes.
9842 COMMISSIONER
MENZIES: It is bundled then between
surveillance and the news portion?
9843 MS SPENRATH: Yes, that is correct.
9844 COMMISSIONER
MENZIES: It is fairly straight forward
in Chilliwack, isn't it, rain in the winter and sun in the summer.
9845 When you talk
about 75 per cent ‑‑ and you have it here ‑‑
of your news being local, how do you define local?
9846 MR. JONES: We define local as what happens in the
community we serve, in the area covered by our signal footprint. In the case of Chilliwack, 75 per cent of our
news would be events that happened in the immediate region, and the remaining
25 per cent would be split amongst the area in the Lower Mainland, British
Columbia, Canada and the rest of the world.
9847 COMMISSIONER MENZIES: So, anything outside of your immediate
area ‑‑ let me put it this way. Chilliwack is your local and regional in that
sense, and anything outside, the rest of the Lower Mainland, B.C. and Canada
goes into the other 25 per cent?
9848 MR. JONES: That is correct. With that other 25 per cent, we recognize
that we live in a global village and to ignore what happens outside of our
backyard is probably not the wisest move.
So, what we try to do with our news that happens elsewhere is find a way
to bring it back our community.
9849 In the case of
Chilliwack, events happening in Vancouver are very easy to relate back to
Chilliwack because they probably have a much more immediate impact, events that
happen in Victoria, in the capital city.
9850 But we do try to
turn stories that happen elsewhere across the country or around the world and
focus them back and how they impact the listener in our community. That may be a story as encompassing as the
war in Iraq affecting the gas prices in Chilliwack, for a specific example.
9851 COMMISSIONER
MENZIES: It is fairly clear from your
presentation that this amount of news coverage and the resources you plan to
put into news is very key to your sense of identity in terms of connecting with
the community, and you presented yourself as a company that is interested in
being very local in that sense.
9852 Can you take me
through your ‑‑ actually, I will ask this question first. I am curious to know, there is lots of
research about the music format. Have
you done research on the news portion as well?
9853 MR. JONES: In our research we did look at other
programming elements that were important to our listeners. For example, was it important to them that
their radio station originated in Chilliwack or was it somewhat irrelevant
because there are so many radio stations serving the market from outside.
9854 We found that it
was very important for numerous listeners, especially those interested in our
format, that their radio station be from Chilliwack.
9855 We also looked at
non‑musical elements like traffic and weather and how important those
things are to people, and we discovered they are quite important.
9856 COMMISSIONER
MENZIES: How important?
9857 MR. JONES: They are a very high priority, indeed in all
our markets. Chilliwack is no
exception. Behind music, local weather
and news generally ranks as the most desired elements in all of our stations
across the country. That very seldom
changes.
9858 Things that you
hear on radio stations like contests and promotions on the big scale of things
generally rank quite low. People want a
format, a musical choice that appeals to them, and they want content in between
the songs in the form of news and information and weather that is relevant to
their local market.
9859 COMMISSIONER
MENZIES: What I am trying to get at is
reasonably specifically what data or what feedback you are working from in
building that newsroom and that news/sports/arts structure. Where did you get that from?
9860 MR. JONES: Within our research study of the 31,864
Chilliwack residents, we asked them questions about programming elements. We asked them about Chilliwack area news,
B.C. news, weather, traffic, how important were compelling announcers and
personalities, how important was national and international news, how important
was Vancouver area news to them, and how important was Vancouver area new to
them, and how important was information on outdoor recreation because the area
of the Fraser Valley is kind of a prime spot for a lot of outdoor recreation.
9861 So, we asked that
question and we got the response that the number one most important thing to
the audience was music, which collectively ranked a 4.4 out of 5, which means
that, regardless of what kind of music you like, the most important thing to
you is a format that appeals to you.
9862 Second to that
among our entire panel was Chilliwack area news at 4.0. B.C. was next at 3.8, followed by weather at
3.7, and traffic at 3.6.
9863 COMMISSIONER
MENZIES: Thank you.
9864 I know that you
can't make news exactly fit a percentage format in any given day because you
don't know what is going to happen, and different things happen. But I would like one of you to be able to
take me through the structure of your newsroom and give me a sense of the beats
that you would be focusing on primarily and how much time would be devoted to
that? Will you have, for instance, one
person or a percentage of an FTE devoted to city council, school board,
regional, district, agriculture, business, whatever; if you can maybe take me
through your beat structure. I would
like to know your staffing numbers and what your plan is on that.
9865 MR. JONES: Glenda Spenrath can elaborate on the specific
staffing numbers, but the structure of our newsroom is generally the same across
the country where one news director within our building would lead a team of
news journalists.
9866 They would be
assigned based on their skill sets and various other criteria the different
beats they would follow. For example,
you may be one of our news reporters who does a certain number of newscasts on
the air and also covers the city council beat.
Another newscaster may do a different set of newscasts on the air and
cover provincial information or, as you mentioned, agriculture and other issues
like that.
9867 Each newscaster is
generally assigned a specific challenge, a specific beat to follow.
9868 MS SPENRATH: Additionally, to speak to your personnel
question, we are looking at three full‑time news people, and often we do
have stringers out in the community as well, and a producer that would assist
with putting together the newscasts.
That would be the staff complement.
9869 MR. JONES: I might also add that what listeners perceive
as news and what we perceive as news sometimes is different. We are talking right now, I realize, about
structured newscasts and what might be considered hard news, the true news.
9870 But what happens
in our community in all different forms is often information of interest to our
listeners. So by looking at some of the
other options we have, like a street team of individuals who go out and cover
community events and report back, while that might not be something that is
quantified in our news numbers or in these particular staffing numbers, it is
another way in which we are able to gather information from the community.
9871 COMMISSIONER
MENZIES: Thank you for that.
9872 What I am speaking
of is more in terms of what I would call strategic news content
objectives. So, how much of it would be,
let me put it this way, reactive so that it is what I would call cops and
courts, that whatever happens that day is what happens, and would you have the
resources or do you have the plans to do what I would call enterprise
reporting, which is original work that is unique. Everybody else has access to cops and courts
and city hall and they decide whether they want it or whether they don't to a
certain extent.
9873 Do you have the
resources within this plan to do, like I said, enterprise reporting, original
material that would be unique to you and unknown to other media until you
broadcast it?
9874 MR. JONES: Yes, we do.
We do recognize that we are a music‑based radio station and that
to do long form in‑depth investigative reporting is probably out of our
realm, but we do proactive, as you said, enterprise work. A lot of that is through networking,
establishing the contacts in the community.
So that you have inside information on what is happening, what sort of
decisions are being made, what sort of projects are likely to come up, and you
can get on those stories before your competitors do. That is that original content that we are
proactive to take.
9875 COMMISSIONER
MENZIES: With three announcers I am
thinking that a lot of that or some of that or the time to do that would come
from your part timers or stringers that you called them.
9876 What would the
part timers and strangers amount to in terms of an FTE or full‑time
equivalent employee?
9877 MS SPENRATH: I would say probably at least half to three‑quarters
of a full‑time equivalent person.
9878 COMMISSIONER
MENZIES: Where do you expect to obtain
the talent to do this in terms of, well, your news staff to begin with, but not
just your news staff. In order to be
effective and serve the Chilliwack market, these people will have to understand
the nuances of the community.
9879 Where will you
find them and how will you recruit them?
What will the job posting look like?
9880 MR. MURRAY: We have had some experience in launching new
stations in Kemptville and Sydney and Carbonear, et cetera. We found that most often the people that are
in the community now are the most skilled and equipped to provide that service.
9881 We often do have
many people, close to 1,000 employees, in the company now, and quite often when
we launch a new station in a Chilliwack or a Vancouver or wherever, many of our
employees are from there and they do have a great deal of experience from that.
9882 I think I will ask
Glenda Spenrath to talk about how we approach the employment equity aspect of that
and how we reach out to the communities to make sure that we are reaching the
representation that is in that community as well.
9883 MS SPENRATH: We do have very well defined policies as far
as recruiting and hiring personnel for our stations that are reflective of the
communities that we serve. We do go and
speak to the educational institutions, the colleges, recruiting agencies and
the like, and we have had success in this regard.
9884 I look at Alberta,
for example, where a large part of our staff complement is in Alberta, and we
have some 15 aboriginal workers in our stations across the province. We find that it has been very
successful. It is good for your
programming as well, because when you are looking at bringing in local people,
they have the flavour of the community based on the relationships, based on
their family, friends, experiences growing up in the communities.
9885 So, we find it is
a successful way to get good programming out to our communities.
9886 MR. STEELE: Mr. Menzies, maybe I can just comment on
that, in terms of a practical approach or how we actually go about staffing
stations, in practice what we find works for us is first we will hire the
general manager. We will look internally
first before we look externally.
9887 Then we put that
general manager on the ground in the community, like we did in Sydney, like we
did in Kemptville. That general manager
is basically responsible for recruiting his staff in the area or wherever,
through networking and that kind of thing, and it goes from there.
9888 COMMISSIONER
MENZIES: Those were all good answers,
but I guess typically would these news people be people with one to three years
of experience, three to ten years of experience, ten years plus? Just give me an idea, I guess. I should have been more specific in the
beginning.
9889 MR. JONES: It varies a great deal by market. There are many cases where even in smaller
markets there are veteran people with a great deal of experience who jump at
the opportunity to go somewhere geographically they want to go.
9890 So, if there was
someone from the Lower Mainland elsewhere in our company or in a different
company, they may have a great deal of experience but come back to a smaller
market because it affords them the opportunity to go home and, in other cases
as you said, in a small and medium market you are hiring people with maybe
slightly lesser experience in that 1 to 3 range.
9891 We would strife to
put together a team that was complementary to each other. If we had a junior person, you would want a
more senior person on the staff to be able to mentor them and develop them.
9892 MS SPENRATH: In that regard, we have some strong
relationships built over a long period of time with organizations such as NAIT
in Edmonton and SAIT in Calgary, training facilities that are specifically for
broadcast talent. So, we have the
resources at hand and we use them.
9893 COMMISSIONER
MENZIES: Thank you.
9894 Concerning
synergies, reading your material, I am working on the assumption, and I would
just like to confirm that this assumption is correct or incorrect, that you
won't be benefitting from a lot of programming synergies within your 126 hours
of programming which is all being locally produced; is that correct?
9895 MR. MURRAY: That is correct, 100 per cent of that will be
locally produced.
9896 COMMISSIONER
MENZIES: Given the size of your company,
where do you expect to most experience corporate synergies, in what areas?
9897 MR. MURRAY: I didn't quite catch that.
9898 COMMISSIONER MENZIES: What sort of synergies do you hope this new
station would enjoy from your other properties?
9899 MR. MURRAY: Certainly being part of a larger company and
being part of 1,000 employees, we will provide many training synergies,
exchange of best practices, opportunities to meet regionally with ‑‑
the program director will meet with the other program directors in the region.
9900 You heard us say
last week that actually more than half of the company now is in western Canada,
and we have regular meetings with our program director; our internal news
meeting where all the news directors will go.
Just yesterday and today, we had a sales training conference in
Edmonton. It is based in Edmonton, and
all of the sales people in Alberta attended that conference, not just the sales
managers.
9901 So, we have those
types of synergies.
9902 Having said that,
most of the synergies that we bring to the table are those of an administrative
nature, like payroll and accounts payable and human resource benefits, things
of that nature. We have come to learn
over the years that local radio is local radio, that Chilliwack signal only
goes 50 kilometres, sort of thing. This
particular one is actually fairly quite small, the 3 millivolt curve, and
everything that happens happening inside that footprint.
9903 So, other than
some exchange of news stories, where a regional or national news story might be
of interest and can be localized and of interest to Chilliwack, it is really a
local business.
9904 COMMISSIONER
MENZIES: In terms of your business plan,
especially with the administrative synergies, were you able to put a number on
that and include it in your calculations of your business plans?
9905 MS SPENRATH: Yes, it is in there. Again, it is very nominal. We run a very lean head office. I think most of us are here today.
9906 COMMISSIONER
MENZIES: Is this it, everybody?
9907 MR. MURRAY: All the good ones.
9908 MS SPENRATH: It is in there, but again it is in
administration; it is in the other category.
It is very nominal. The strength
of our business is right at the station level.
9909 COMMISSIONER
MENZIES: You better hope they weren't
listening.
9910 MR. MURRAY: They know I was kidding.
9911 COMMISSIONER
MENZIES: I thought I would give you the
chance to...
9912 How much time do
you plan to devote to syndicated programming in any given week?
9913 MR. JONES: At this point we don't have any syndicated
programming as part of our programming schedule. That is not to say that something wouldn't
come up down the road, but if it did it would be extremely small. It may encompass an hour or two a week. So the answer to your question right now is
none at all, and if it happens it will be minimal.
9914 COMMISSIONER
MENZIES: If it happened would it be
Canadian content, music, spoken word?
9915 MR. JONES: It would most likely be music programs and
most likely Canadian‑generated music programs to allow us to meet the
regulations effectively. But that is my
best guess at this point.
9916 COMMISSIONER
MENZIES: Your median age target is a 45
year old, correct, skewed slightly male?
9917 MR. JONES: Yes, 55 per cent male. Consider the listener himself is 100 per cent
male but the demographic is skewed slightly.
Just for the record.
9918 COMMISSIONER
MENZIES: Thanks for that. It helped.
9919 What I am trying
to get at is the broader range, if you can just broaden that range. That is the number 45, but your core
demographic, is it 40 to 50?
9920 MR. JONES: We look at programming targets like a bulls
eye, and the centre is that 45 year old male, and the rings as we go out would
be 45‑54 and 35‑64 and 25‑54.
So, 25‑54 is our broad goal.
It is where the vast majority of advertising money lies; 35‑65 is
a little tighter target. Then we get
down to that bulls eye of that 45 year old male listener.
9921 COMMISSIONER
MENZIES: How would you describe your
ideal listener to an advertiser?
9922 MR. JONES: We usually put together a profile of who that
target listener is. My end as the VP
programming I do that for the benefit of the on‑air people so that they
have a firm grasp on who it is they are speaking to. If it is that 45 year old listener, we may go
as far as to create an individual and give that person a name and what they do
for a living, what kind of income bracket they are in, all of this based on who
we are after.
9923 From a sales point
of view, some of that may be applicable.
We would develop a profile and, as I mentioned, come up with that income
bracket and that job and try and create as clear a picture as we can based on
our target listener for our advertiser who is likely to be reached by their
message.
9924 COMMISSIONER
MENZIES: A little bit more detail on
that. How much money does he make? Where does he or she work? Are they a commuter? Are they a resident? It doesn't have to be to the advertiser, but
if you have just hired me to be your on‑air talent, what are you telling
me to shape it to?
9925 MR. JONES: We would be looking at that 45 year old male
who is a resident of Chilliwack who works in the community, is employed, likely
is married with children, considering the age of our listener, the children are
likely in their later teens or possibly even going into college.
9926 We try to use
information like that to create that profile.
To create it here on the spot might be a little difficult, but those are
the kind of elements that would go into that.
9927 MR. MURRAY: We are talking pretty finite here, of course,
this is a broad‑based format. We
are hoping to attract a fairly large segment of that community and very many
females, very many males. I don't know
that we would nail it down that finely for sales, or we wouldn't.
9928 COMMISSIONER
MENZIES: Thank you.
9929 What specifically
is it about your proposal that would convince us would bring diversity into
this market?
9930 MR. JONES: You mean musical format?
9931 COMMISSIONER
MENZIES: Music and spoken word.
9932 MR. JONES: Definitely Josie Geuer can jump in with some
elements of our spoken word programming, and if we want to address some
cultural diversity, Glenda Spenrath would have that information.
9933 But purely
musically, we have put together a format that our research shows is in high
demand and is missing from the market.
Those are the two keys when we look at what format choices are available. How many people are really interested in it
and do they think they can get it right now.
9934 This classic hits
proposal encompasses a variety of different formats, 60s, 70s, oldies, 70s pop
music, classic rock and some 80s and 90s hits.
So, it is fairly broad.
9935 What is important
is that it is not being heard in the market right now. We need to put something on the air that is
unique and something that is relevant and topical and local. So, from a musical point of view, I believe
our format is entirely unique. There is
no station like it in Vancouver and certainly it is very, very different from
what is being heard on STAR, the present station serving the market.
9936 There are elements
of our format being heard on various Vancouver stations, but no one station
doing it. That is important because so
many out‑of‑market signals get into Chilliwack. Listeners do have a lot of choices. If they choose not to listen to a local
station, there is a great deal of choice.
So, putting on a format that is unique to Chilliwack and unique to
Vancouver is vital. The second part of
that, though, is making our spoken word content relevant and topical and local,
and maybe Josie can provide some examples of that.
9937 MS GEUER: Sure.
The way that we would do that, for example, is through one of our
features called Voices From Chilliwack.
This would be a half hour show that we would put on the air once every
week. This is really neat because you
have to remember sometimes we are so close to radio, we forget what a thrill it
is for someone in the community to even hear a song that they requested being
played on the station. That can be a
real thrill. That can be something that
they share with their family and friends and colleagues, hey, did you hear when
they played my tune on The Peak today, that was so awesome.
9938 The fact that we
are actually going to bring a member in to our radio station from the community
to have their own half hour show is really something very special and
unique. For example, if The Peak was on
the air right now, we may ask Bruce Renwick to come in. Bruce is the manager of the Chilliwack
Curling Club. He is going to act as the
coach for the Chilliwack secondary senior boys curling team because they just
made it to the provincial curling championship, which is going to take place
this weekend.
9939 First of all, it
is a thrill because the senior boys team, as well as the senior girls team,
made to it the provincial championships.
So he can talk about that. But he
can also talk about what it is like to be a member of a curling team. A lot of people might be interested in that.
9940 My dad, he is a
little bit older than 45, but he is under 64 and he actually just started
curling. He just took it up. This is something that, besides the
music ‑‑ he would love the music that would be played on The
Peak ‑‑ he would also be interested in listening to Bruce talk
about how he got involved with the sport and perhaps how he could get involved
in the community of Chilliwack as well, if my dad lived in Chilliwack.
9941 MR. JONES: I might also add that some of our public
service programming I think is fairly unique and will add a lot of
diversity. Right now with one local
radio station serving the market, no matter how good they may be at public
service, there is simply not enough hours in the day to cover off every single
thing going on in the community.
Certainly the Vancouver stations have very little interest in covering
specific public service and community events going on in Chilliwack.
9942 So, we have
created Pause for a Cause which is a one‑minute feature running hourly 18
hours a day, seven days a week. That
Pause for a Cause is a comprehensive and always updated listing of important
community events and not‑for‑profit initiatives, things like sports
registrations and school events and just things that are important to the
community on a very local level.
9943 This kind of
public service programming is a cornerstone of our programming everywhere. A good example might be in Charlottetown at K‑Rock,
which we applied for a few years ago and were fortunate enough to be awarded
that station. In the application we made
a significant commitment to public service and it has paid off. Our station in Charlottetown has become a
template for our company to use when we look at how to create that important
bond between the community and the radio station.
9944 COMMISSIONER
MENZIES: What are the top three items
that you would list that would differentiate you from the other applicants that
you would most want us to remember, but also that would be of most importance
to the people of the Chilliwack area?
9945 MR. JONES: Top three.
I think we start with, as I mentioned earlier, that when you put a new
radio station on in a community you have two things to make you unique. One is what music do you play. FM radio stations are mainly music
based. That is sometimes the first thing
that sets you apart from every other radio station.
9946 I believe that our
format from our research is the one that is in most demand in Chilliwack. It is a broad format, about to reach a wide
variety of listeners, yet have a very specific appeal. It is unlike anything on the air in Chilliwack
or in Vancouver. It is entirely unique
to the market from a musical point of view.
9947 I think our spoken
word and news programming is very, very local, very, very relevant. Our approach is very, very topical. We have a tremendous track record of public
service, of comprehensive news coverage.
We recognize that even as music‑driven radio stations, we have not
only an obligation, but we need to make smart business decisions and that means
being incredibly comprehensively local 24 hours a day.
9948 Possibly the third
element is our business plan and hiring practices. Maybe, Dave, you can elaborate a bit on that.
9949 MR. MURRAY: When I think of the answer to that question,
I think of the licensing criteria. We
take a lot of time and we look at that market very carefully before we apply
and we create a business plan that we believe in and we believe we can do and
provide the service. At the cornerstone
of that is the format, and I won't repeat that.
9950 Another very
important criteria is not affecting the existing stations in the market, and
clearly with only one station, STAR, it is not even the number one
station ‑‑ it is not even the number two station in the
existing market. The country station
from Vancouver is the top and then ROCK 101 is the next stop station in
Chilliwack. And STAR, the local station,
is the third station.
9951 So, Chilliwack is
screaming for a new local station, and we think that our format is so different
from STAR, we will get completely different listeners and completely different
revenue and have very little impact on them.
9952 Then another element
is, not to repeat our whole application here, but the local Canadian content
development. Clearly 60 per cent or
really 100 per cent of it is local because we are asking FACTOR to direct their
funds to Chilliwack and to British Columbia, and then we have all of the other
very important aspects of the CCD as well.
9953 COMMISSIONER
MENZIES: Thank you.
9954 Your audience
share projections show you immediately grabbing a 10 per cent share and then
basically holding flat at that throughout the rest of the licence term.
9955 That, on the face
of it, appears initially audacious and then suddenly modest. Can you help me understand how you came to
those conclusions?
9956 MR. JONES: Certainly.
As I have mentioned I believe last week in discussing Vancouver, our
belief is that when you provide a product that is not there, something that is
unique, people will gravitate to it and you will get your audience quickly.
9957 Our research
estimates have indicated that this is the audience we can expect and we shouldn't
have expectations on doubling that or tripping that. And to build a business plan wisely, we need
to keep our expectations somewhat modest.
So, we have developed those projections to launch with our ratings share
and sustain it.
9958 It is worth noting,
though, that that 10 share isn't carved in stone. One ratings period it might be a 12 and the
next it might be 8. We realize there
will be fluctuations, and it is likely an average.
9959 MR. MURRAY: The excellent radio stations that are in
Vancouver now and coming into Chilliwack are going to continue to get
substantial share of audience. They are
spending millions and millions of dollars on these products. They are researching their music intensely
two and three and four times a year.
9960 To see STAR's
share being 12 and our research telling us we are going to get a 10 is very
logical because that is the type of things you would expect when you have so
many out‑of‑market, very good out‑of‑market signals
coming into the market. We are not going
to go 10 and no one is going to get a 30 share ever in the shadow of Vancouver.
9961 COMMISSIONER
MENZIES: How much of your tuning then do
you expect to win by converting Chilliwack listeners from Vancouver stations?
9962 MR. JONES: The majority of our share would come from
converting people who aren't listening to Chilliwack radio stations. STAR doesn't lose a great deal of tuning to
our radio station. They are a very different
format. They have their distinct mission
and we would have ours. Our mission
would be to repatriate out‑of‑market tuning to bring back listeners
who are listening to Vancouver and Washington state radio, satellite ratio or
internet radio or possibly have given up on local radio.
9963 COMMISSIONER
MENZIES: How big a majority, 60, 70, 80
per cent?
9964 MR. JONES: I would say at least 80 per cent.
9965 COMMISSIONER
MENZIES: Thanks.
9966 In your revenue
per audience share predictions, what you have outlined appears from our staff
analysis to be almost twice as much per percentage point as what is currently
being achieved in the market. I need you
to help us understand why we shouldn't consider that a little optimistic.
9967 MR. MURRAY: Are you saying twice as much as the existing
broadcasting in the market or are you saying as the other applicants?
9968 COMMISSIONER
MENZIES: No, it is what is happening in
the current market, not of the other applicants. This is 69,000 per 1 per cent. And yours is more like 143,000 per 1 per
cent.
9969 MR. MURRAY: I understand the question, thank you.
9970 When we prepare
our application and we determine we are going to apply in a particular market,
one of the things that we do initially is try to determine what we think the
market revenue is.
9971 Somewhere in our
supplementary brief we said we thought the market was $7 million. I think that is not accurate. But the reason we think that that number is a
real number is that we look at markets in similar sizes and where we do operate
and where we do know pretty much where the revenue is.
9972 For example, in
Fredericton with a very similar population of 80‑some thousand, retail
sales of $1.5 million, the market revenue is around $7 million. Moncton, with 130,000 people and $1.8 million
retail sales, we know the market revenue is around $12 million.
9973 So, with
Chilliwack with around 80,000 people and $1.2 million retail sales, we said we
assume it might be more prosperous than New Brunswick or Nova Scotia, and we
said, could it be $6 million or $7 million, and we thought, yeah, it should be.
9974 So I think that is
the potential. But what we then
did ‑‑ I am losing my train of thought here a little bit ‑‑
I think that is the potential if there were the proper number of local
services. For example, in Fredericton
there is four local radio stations; in Moncton there is eight or nine local
radio stations.
9975 In Chilliwack,
because of the inability or the lack of availability of frequencies and because
of all the out‑of‑market tuning, the retailers are advertising in
other means. Perhaps it is billboards,
perhaps it is the weekly newspaper, it is Yellow Pages, things of this
nature. With only one format, they are
not able to reach the target customers that they want to reach.
9976 I think where I am
going with this is that when we launch a completely unique product, we will
generate, through a great deal of activity and having five or six brand new
sales reps on the street, knocking on doors, we will grow very quickly and
probably equal, close to equal what Rogers is doing in the market locally now.
9977 COMMISSIONER
MENZIES: Just on that, your business
plan shows about 70 per cent of your revenue would be generated from people who
aren't currently advertising on radio.
So those would be people who, if they are advertising, are using out door
or print or some other vehicle or simply aren't advertising.
9978 MR. MURRAY: Right.
That number is probably higher than 70.
9979 COMMISSIONER
MENZIES: I guess what I am trying to get
to is do you have any commitments or anything from people or any shoe leather
being applied to having talked to some of these people that would give you
confidence that they do have potential as a source of revenue for you?
9980 MR. MURRAY: We haven't talked to potential clients in
Chilliwack, but we would rely on our experience of launching Sydney and
Fredericton a couple of years ago and Kemptville. We have talked to clients there now in
anticipation of the launch, and those are very similar markets, not inundated
with local services now.
9981 We are getting an
extremely positive feedback and we believe our revenue numbers in those markets
will easily be achieved.
9982 COMMISSIONER
MENZIES: There is no specific research
but experience is what you are depending on.
9983 MR. MURRAY: For example, in Fredericton, when we
launched, our application I believe said we would do about $1.1 million in the
first full year. In Fredericton we did
$1.8 million. So, that is just an
indication of how we approach a market and partner with the clients in that
market.
9984 I think our
revenue here is slightly conservative, but you don't want to go in and promise
the world.
9985 COMMISSIONER
MENZIES: Just to go back a few minutes,
we spoke earlier about so much of your tuning coming from people who are
currently listening to Vancouver radio stations. You don't have to be, but it would be helpful
if you could be a bit more specific about which of those stations you think
represent the lowest hanging fruit.
9986 MR. JONES: We do have in our research a ranking of what
Vancouver stations are listened to the most in Chilliwack.
9987 The number one
station in Chilliwack is the country station, Pattison's JR Country out of
Vancouver, followed by ‑‑ let me just cross‑reference
that information so I don't quote something inaccurate to you.
9988 The most listened
to radio station is JRFM, followed by ROCK 101, The Beat, JACK‑FM and
CBC.
9989 Definitely ROCK
101 and JACK‑FM both play elements of our format. We would be a broader format than they
are. So in terms of lower hanging fruit,
I guess bringing listeners back to Chilliwack stations who have turned to
stations like ROCK 101 and JACK‑FM for their music is probably the first
place we would get out‑of‑market tuning.
9990 MR. MURRAY: I thought this page in our research went
deeper, but for example, where we have our share projected in our research, it
shows that 2 per cent of our 9 per cent would come from ‑‑ or
2 per cent would come from STAR, 2 per cent would come from ROCK 101, nothing
would come from JR. I thought this
spreadsheet went a little deeper, but it doesn't. We could certainly get that from Mark Kassof
if you think you would like us to do that, but all we are showing is that 4 per
cent, 2 from STAR and 2 from ROCK 101 of the 9.
9991 COMMISSIONER
MENZIES: Thank you very much, Madam
Chair. That concludes my line of
questioning.
9992 THE
CHAIRPERSON: I am sure you have gone
through this, Mr. Murray and Mr. Jones, with Commissioner Menzies, but I missed
this. At any one time what amount of
tuning, according to your estimate, will always be to Vancouver?
9993 MR. JONES: I think that is hard to say. We don't have a specific number, but there
will always be a significant amount, it is unavoidable, but we don't have a
specific number.
9994 MR. MURRAY: This won't be exact because there is tuning
from other sources like Washington, et cetera, but we are showing that we would
have, after we launch, 18‑64, which is what our research was, a 9 share,
STAR would have a 9 share. So there
would be some tuning from Washington and then pretty much the balance would be
from Vancouver, so 70‑some per cent.
9995 THE
CHAIRPERSON: One aspect of your
presentation and your application I just wanted to chat about.
9996 It is the cultural
diversity of the Chilliwack population.
I think the agriculture industry there employs a significant number of
farm workers who, for example, are South Asian.
9997 In your market
research, did you find out whether there will be any programming for the
different cultural groups, how you are going to incorporate those into your
programming or there is really no need to target this group because they are
well‑served by the ethnic stations.
Could you comment, please?
9998 MS SPENRATH: In our research of the demographics and the
diversity in this market, there really is quite a bit smaller component to the
visible minority than, say, Vancouver. I
think it was like 5 per cent as compared to Vancouver which is, as we know, 50
per cent. I do know that the trend they
say over time will be that the visible minority population will increase over
time as people spread out and move away from Vancouver.
9999 We certainly will
have an ethnic component in our station.
Again, we are always looking to be representative of the community and
our programming to be as well.
10000 To answer your
question, yes, we would have an ethnic person on staff and we would certainly
be looking to make connections in the community with organizations that have an
interest in programming that would be directly related to their interests.
10001 MR. JONES: I may also add to that. Our initial research is designed to be as
representative as possible of the population so we do not exclude anyone from
our research.
10002 Our ongoing
research would be that way as well. So,
if there was a significant portion of the population, they would in all
likelihood in a random sample be represented.
10003 Also, in our
spoken word programming, in Voices From Chilliwack, you mentioned the South
Asian workers or there may be migrant farm workers from other parts of the
world who come to Chilliwack. It may be
a perfect opportunity in a program like that to discuss their arrival in Canada
and their impressions of the country or the different challenges and issues
they may face as newcomers.
10004 THE
CHAIRPERSON: Thank you.
10005 Questions from
legal counsel, please.
10006 MS PINSKY: Yes, thank you.
10007 I just have a few
questions of clarification.
10008 With regard to
your CCD commitments, in your application it indicates that there would be
$420,000 allocated to FACTOR. In your
presentation today, you state that $280,000 would go to FACTOR and I assume the
difference is $70,000 would go to the National Aboriginal Recording Industry
Association and $70,000 would go to the Canadian Society for the Recording
Arts; is that correct?
10009 MS SPENRATH: Yes, that is correct. At the time that we were doing this
application, over time our CCD has grown and we have a lot of other
opportunities that come up since we have put together this application. So, for that reason we have been in contact
with a couple of very good organizations that specifically are head officed in
western Canada and they had some really good interesting opportunities that we
thought would allow us to better direct our CCD funds to artists in B.C. and,
in particular, to Chilliwack.
10010 So, those two
organizations we felt could more pointedly direct our CCD funding at a
grassroots level to artists residing in the area. That is why we have done that.
10011 Having said that,
we still have our FACTOR commitment at double what the requirement is.
10012 MS PINSKY: Thank you.
So, as I understand it, the money would specifically be allocated for
scholarships in the one case and grants in the other case?
10013 MS SPENRATH: Yes, that is correct.
10014 MS PINSKY: Would you be able to provide for us letters
from both of these organizations indicating that the money would be dispersed
according to CRTC criteria?
10015 MS SPENRATH: Yes.
Actually we do already have letters from both of those organizations, so
I can provide them to you.
10016 MS PINSKY: Okay, thank you.
10017 Just a very
technical point of clarification. In the
handout that you provided today, it identifies the core audience as 35 to 54
and just in your discussions you were mentioning 35 to 64. I just wanted to clarify for the record which
one we should be using?
10018 MR. JONES: Certainly.
Discussion of radio targeting can get into all kinds of different
demographics, but the research we did was 18 to 64. The core of that was 35 to 64.
10019 MS PINSKY: To 64?
10020 MR. JONES: On that sheet, 35‑54 is right. It can be classified any number of different
ways, but 35‑54 is correct.
10021 MS PINSKY: Thank you very much. Those are all my questions.
10022 THE
CHAIRPERSON: Thank you, Mr. Murray.
10023 Would you like to
give us your two minute pitch on why you believe you should be licensed.
10024 MR. STEELE: Madam Chair, members of the Commission, and
Commission staff, thank you for considering this application for a new FM radio
station to serve Chilliwack, British Columbia.
10025 We believe 89.5
The Peak, is the right station for Chilliwack, striking the right balance with
your licensing criteria.
10026 First our proposed
broadbased classic hits format is specifically designed to appeal to the widest
and most complementary set of Chilliwack music preferences. This will maximize our listener base and
minimize their tuning back to the narrower formats available from Vancouver, as
we discussed earlier in our presentation.
10027 Secondarily, our
share projections and revenue estimates are realistic and they recognize that
repatriating out‑of‑market tuning and building local retail
revenues will not be easy and our business plan is sound, and that we will
dedicate the resources necessary to deliver on it.
10028 Just for the
record, it certainly isn't any kind of back door attempt to gain access to
Vancouver, as was suggested by the earlier applicant.
10029 Third, our over 21
hours of weekly spoken word, including over eight hours of news, is the highest
before you. This reflects an
unparalleled commitment to local programming, as well as a distinct and
necessary competitive advantage for 89.5 The Peak in competing with out‑of‑market
stations.
10030 Finally, we will
make a significant contribution of over $700,000 to Canadian content
development, initiatives designed to support the future and emerging local
Chilliwack and B.C. artists, including specific initiatives for aboriginal
talent.
10031 Madam Chair and
Commissioners, with our experience and with our track record, we are uniquely
positioned to provide a strong editorial radio voice to Chilliwack and to fill
a clear format void with exceptional commitments to local programming and
reflection. We are pretty excited about
this market, if we were fortunate enough to receive this licence.
10032 Thank you for this
opportunity to present our application.
10033 THE
CHAIRPERSON: Thank you, Mr. Steele and
your panel. Thanks for your application.
10034 We will take a
lunch break now and be back at 1:30, please.
‑‑‑ Upon recessing
at 1233 / Suspension à 1233
‑‑‑ Upon resuming
at 1330 / Reprise à 1330
10035 THE
SECRETARY: We will now proceed with item
20, which is an application by Radio CJVR Limited for a licence to operate an
English‑language FM commercial radio programming undertaking in
Chilliwack.
10036 Please introduce
yourself and your colleagues, and you will then have 20 minutes to make your
presentation. Thank you.
PRESENTATION / PRÉSENTATION
10037 MR. FABRO: Good afternoon, Madam Chair, Commissioners
and staff. Thank you for allowing us
this opportunity to appear before you once again.
10038 Before we begin
our presentation for the new FM licence for Chilliwack, I would like to
introduce the members of our team.
10039 My name is Gene Fabro. I am the President and owner of Fabmar
Investments Limited of Calgary, Alberta.
My family and I have been in business for over half a century and
through our holding company, Fabmar Investments Limited, have for the past 21
years invested heavily in a broad cross‑section of industrial activities,
including land development and home building, manufacturing, wood lot
management, oil and gas exploration, coal resource holdings, office and retail
buildings and for the past 17 years radio broadcasting.
10040 To my left is Dean
Sinclair, a broadcast veteran whose 30‑plus years in the business
includes programming on‑air, sales and senior management experience. Dean has provided us input and direction for
our proposed diversified rock musical format.
10041 To Dean's left is
Lang McGilp. Lang has over ten years of
market research experience, working with some of the largest research firms in
Canada, including Ipsos‑Reid.
Currently Lang is Vice‑President of Research for Insightrix
Research Services, a national marketing research firm with offices in
Saskatoon, Saskatchewan and in Australia.
10042 On my far right is
Linda Rheaume, our administrative manager for Radio CJVR's two Melfort
stations, CJVR and CKJH and our FM station in Whitecourt, Alberta, CIXM‑FM. Linda has been with our company for 16 years.
10043 Next to Linda is
Kevin Gemmell, station manager and sales manager of our two Melfort stations. Kevin was raised in the Lower Mainland and is
a graduate of the B.C. Institute of Technology radio program. Kevin visits the area often and he has
immediate family in Chilliwack. He has
been with our company for over 11 years.
10044 To my right is Ken
Singer, who is Radio CJVR's Vice‑President of Broadcast Operations. Ken has been in the broadcast business for
over 40 years and is currently a member of the CAB's Radio Sector Board.
10045 MR. SINGER: Madam Chair and Commissioners, Radio CJVR
Limited is pleased to introduce ROCK 89 and its unique programming format,
which, if approved, will provide important benefits to Chilliwack and
surrounding Fraser Valley communities, strengthen British Columbia's private
radio sector and further advance the objectives of Canada's Broadcasting Act.
10046 After extensive
market research and consultation with a diverse cross‑section of
Chilliwack's broader community, CJVR has tailored ROCK 89s programming to meet
the specific needs and stated listener preference of those underserved radio
consumers aged 18 to 54 who currently have access to only one local radio
station.
10047 CJVR's diversified
rock format will, among other objectives, enhance the level of programming
diversity and listener choice in the market; add a distinct alternative
editorial voice; champion the development and on‑air exposure of new and
emerging Canadian artists; significantly reduce the level of out‑of‑market
tuning by local residents; and draw lost listeners from other audio sources
back to local radio.
10048 ROCK 89 will also
establish competitive balance in the market, increase ownership diversity and
ensure the presence of a strong independent radio voice within Chilliwack's
private radio sector.
10049 Further, approval
of CJVR's proposed diversified rock undertaking will optimize the utilization
of the 89.5 frequency through extension of its unduplicated music format to the
more than 81,000 persons living within the station's principal marketing area.
10050 MR. GEMMELL: Madam Chair, CJVR's commissioned market
studies, along with our own direct interventions in the marketplace, clearly
illustrate the needs of residents and the business community alike, for an
additional FM station.
10051 Given its close
proximity to Vancouver, Chilliwack is bombarded by out‑of‑market
stations whose dominating presence is due to accidental spillage of their signals
into Chilliwack, rather than by any design or intent on their part to provide
service to the local market.
10052 In view of the
fact that the distant signals are devoid of any locally relevant content and
given that the market has only one originating station, Chilliwack and area
residents suffer from a number of music and programming voids.
10053 Dissatisfaction
among residents relative to their local radio choices is evidenced by the fact
that while CKSR‑FM is the most listened to radio station with a weekly
reach of 48 per cent, 73 per cent of local listeners tuned to at least one out‑of‑market
station during the past week, while only 25 per cent named CKSR‑FM as
their favourite.
10054 Further evidence
is reflected in the fact that 62 per cent said they would listen to radio more
often if the programming they liked was available, 47 per cent said there is
often little on radio that they like to listen to, and 69 per cent wished there
were different types of music available on local Chilliwack radio.
10055 As well, 38 per
cent stated they frequently or sometimes listen to music on an iPod or similar
device, 37 per cent said they access their musical preferences through cable or
satellite TV, and a similar number download music from the internet.
10056 With respect to
Chilliwack's business community, 70 per cent of retailers surveyed said they
were not satisfied with existing local radio advertising choices, and 50 per
cent stated they do not advertise on local radio. Many ruled out advertising on Vancouver
stations simply because of the cost.
10057 In the fact of
such dissatisfaction on the part of listeners and the business, ROCK 89, if
approved, will fill the programming voids, answer the needs of the underserved
18 to 54 listenership and provide and cost‑efficient advertising vehicle
for local businesses to target their preferred demographic.
10058 MR. FABRO: Madam Chair, like our Kelowna and Red Deer
proposals, Chilliwack is integral to CJVR's broadcast development plan in terms
of growing our company's critical mass, increasing operating efficiencies
between existing and proposed new stations and extending a strong independent
radio voice to other western Canadian markets.
10059 As the broadcast
arm of Fabmar Investments Limited, an Alberta based corporation engaged in a
diverse mix of commercial activities, CJVR is fully committed to growing its
radio business through acquisitions and the pursuit of new broadcast
licences. Our level of commitment can be
measured in part by the number of recent Commission calls in which CJVR has
been a participant.
10060 CJVR's 41 years of
broadcasting experience, coupled with Fabmar's business acumen, financial
strength and entrepreneurship, places our company in an ideal position to
extend its brand of radio across western Canada. But.
10061 As a dedicated
radio company, CJVR brings to Chilliwack a nationally acclaimed reputation for
programming excellent, a proud record of achievement in development new
Canadian talent, a corporate culture which embodies a deep‑rooted sense
of communities and owners committed to making a difference in the lives of
their employees, their listeners and their communities.
10062 My family believes
it is important to Canada's broadcasting system that strong independent radio
voices like CJVR be encouraged to play a continuing role at a time when
ownership diversity within the private broadcasting sector is being seriously
diluted by major media corporations.
10063 CJVR was therefore
encouraged by Broadcasting Public Notice 2008‑4, which introduced a
series of new policies to ensure that a "diversity of voices is maintained
in the Canadian broadcasting system."
10064 We also took heart
with the CRTC Chairman's statement that the new policy initiatives "is an
approach that will preserve the plurality of editorial voices and the diversity
of programming available to Canadians, both locally and nationally, while
allowing for a strong and competitive industry."
10065 Consistent with
the policy objectives, ROCK 89, if approved, will bring to Chilliwack's private
radio sector a fresh alternative editorial voice, both heightened programming
and ownership diversity and competitive balance.
10066 MR. SINGER: Madam Chair, the economic analysis conducted
by Insightrix Research Services clearly shows that Chilliwack has enjoyed
continuous growth in its population and local market economy over the past 15
years.
10067 More than 260,000
people live within a 30‑minute commute of Chilliwack and over 865,000
people live within 90 kilometres of the city.
10068 Other key
indicators which reflect Chilliwack's healthy and expanding market economy are
the following:
10069 The population
grew 43 per cent between 1991 and 2006 and is projected to increase by 42 per
cent over the next 15 years; local retail sales are estimated to be over $1
billion for 2007, some 18 per cent above the national average, with a spend of
$37,000 per household; unemployment rates are the lowest Chilliwack has
experienced in the past 18 years; since 2000 the number of business licences distributed
in Chilliwack has increased by 35 per cent; and housing starts have increased
by 126 per cent between 2003 and 2006.
10070 MR. GEMMELL: Madam Chair, CJVR's analysis estimates that
total market advertising expenditures are approximately 4 per cent of retail
sales, indicating that total advertising dollars available to all media in the
Chilliwack market in 2007 would amount to $46 million.
10071 CJVR concludes
that 11 per cent or $5.6 million of that $46 million should be obtainable by
local radio. We believe CKSR‑FM
garners about $2.5 million, leaving $2.6 million in untapped revenue. CJVR's estimated revenue in year 1 is $1.5
million, of which we anticipate only 3 per cent will come from CKSR‑FM.
10072 CJVR believes the
appeal of its diversified rock format will result in more local hours tuned and
the generation of new radio dollars, neither of which will come at the undue
expense of CKSR‑FM. In fact, ROCK
89's unique format will be more complementary than competitive with CKSR‑FM's
AC/pop format. As such, the biggest
winner at the end of the day is the listening public.
10073 MR. SINCLAIR: Madam Chair, approval of ROCK 89 will
introduce to Canadian radio a unique new music programming format known as
diversified rock, which was developed by CJVR for its proposed new Chilliwack
station.
10074 CJVR's diversified
rock format was born out of the eclectic musical tastes of Chilliwack's
underserved 18 to 54 listenership spectrum, that in large part are forced to
tune out‑of‑market or seek other audio sources to satisfy their
musical needs and interests.
10075 In assessing the
music voids in Chilliwack's radio market, CJVR employed a multi‑level
approach to identify the most preferred format for a new local station. Diversified rock was the clear choice over
its nearest competitor, country music, by a margin of 62 per cent to 34 per
cent.
10076 It is important to
note that while classic rock led through all stages of the format selection
process, there was a consistent interest shown by respondents in 70s rock and
modern rock.
10077 This fact, coupled
with the question of whether a more narrowly focused music format could be
sustained in a market the size of Chilliwack, led CJVR to conclude that
broadening the station to include classic rock, 70s rock, modern rock and
current based rock would offer a more diverse rock station that would appeal to
a wider audience and ultimately better serve the musical interests of the
various age groups within the broader 18 to 54 demographic spectrum.
10078 CJVR's diversified
rock programming approach will be developed from an encyclopedia of rock music
that spans over five decades. We will
blend diverse genres from rock legends and introduce and help develop new and
emerging artists.
10079 In step with our
targeted 25 to 44 male leaning core audience and a large playlist of over 1,000
titles, no less than 35 per cent of our music will be new and recent, released
within the past four years, while established and legendary tracks of the last
50 years will complete our diversified rock sound. Here's ROCK 89.
‑‑‑ Audio
presentation / présentation audio
10080 MR. SINCLAIR: A further key component to our diversified
musical agenda evolves around the creation of a series of special music‑based
programs that will be produced and aired on ROCK 89.
10081 These special
programs, in keeping with CJVR's approach to Canadian content development,
combine on‑air exposure of talent along with financial support through a
series of direct expenditures on a diverse mix of initiatives.
10082 The following
programs, as detailed in our supplementary brief, will feature many new and
emerging artists: Rock 89's Release
Party; Canadian Rock Coast to Coast; Great Western Rock; Rock N' Roll Roots;
Canadians On Track; and BC Rocks.
10083 Over the course of
a week, ROCK 89 will have a total of 13 hours and 50 minutes dedicated to 100
per cent Canadian music.
10084 MR. SINGER: Madam Chair, to define CJVR's overall
commitment to Canadian performers and to new and emerging artists specifically,
ROCK 89 will play a minimum of 40 per cent CanCon applied to both the entire
broadcast week and the period between 6:00 a.m. and 6:00 p.m. As such, CJVR has no objection to this being
a condition of licence.
10085 Of the 40 per cent
CanCon, no less than 25 per cent of the selections played will be by new and
emerging Canadian rock artists.
10086 MS RHEAUME: Madam Chair, in applying a community oriented
approach to its broadcasting responsibilities, CJVR views its relationship with
each community served as a partnership forged on the basis of mutual trust,
commitment and respect. The following
are brief comments from but a few of those community partners.
10087 Pat Dolo, manager
of the Northeast Unit, Canadian Cancer Society in Melfort writes, "If the
CRTC was to approve CJVR's application, clearly the citizens of Chilliwack will
be gaining a true community partner, committed to serve and inform, as they
have in northeast Saskatchewan for over four decades."
10088 Whitecourt,
Alberta Mayor Trevor Thain states, "Since its inception, the station has
proven its commitment to the community and surrounding area by establishing
itself as a community‑minded corporate citizen and continually provides
support to local initiatives and projects."
10089 Curtis Knight, President
and Governor for the Humboldt Broncos Saskatchewan Junior A Hockey Club states,
"We have a unique situation where CJVR covers the Humboldt Broncos, the
Melfort Mustangs and the Nipawin Hawks.
This works well for us as the play‑by‑play allows our fans
to stay up to date on how the team is doing."
10090 Chilliwack's Mayor
Clint Hames writes, "I understand that Radio CJVR Limited has a great
track record for real local service in the communities where they have
stations...and I know that such a station would receive strong support in the
community."
10091 Brian Antonson,
Associate Dean of the B.C. Institute of Technology writes, "The Radio CJVR
folks have established an enviable reputation for solid broadcasting in their
work in Saskatchewan and can be expected to bring similar focus, enthusiasm and
experience to bear in establishing a first rate operation in Chilliwack."
10092 Finally, Tisdale,
Saskatchewan Mayor Roland Zimmer writes, "Northeast Saskatchewan is indeed
fortunate to have a radio station with the calibre of Radio CJVR Limited. CKJH‑AM and CJVR‑FM have played
an important role in keeping the 100 Saskatchewan communities they serve
informed entertained and connected."
10093 MR. SINGER: Madam Chair, ROCK 89 will provide listeners
with locally relevant, community‑driven spoken word programming that will
portray Chilliwack, its people and its culture through the daily coverage of
local events and activities happening in the city and surrounding communities
including play‑by‑play of Chilliwack Bruins hockey games.
10094 To ensure its
spoken word programming objectives, CJVR has developed an inclusive plan to
keep a steady finger on the daily pulse of life and times within Chilliwack and
surrounding communities. This will be
achieved in a number of ways, including the production of special features,
ranging from 60 seconds to 60 minutes in duration.
10095 As well, ROCK 89
will provide five hours and 17 minutes of regular local news and surveillance
information packages across the broadcast week.
In all, ROCK 89 will provide 14 hours and 40 minutes of spoken word
programming each week.
10096 CJVR is also
strongly committed to reflecting the diversity of the Fraser Valley region's
cultural heritage through its daily musical and spoken word programming, as
well as through vignettes provided by groups and individuals from various
backgrounds with stories to tell.
10097 Furthermore, CJVR,
in recognition of the importance that Chilliwack places on culture, will
establish an arts and culture beat that will keep residents well informed of
all cultural activities.
10098 MR. GEMMELL: Madam Chair, the history of Chilliwack
stretches back thousands of years beginning with the first nations community
who lived in this beautiful area and gave it the name Chilliwack, meaning
quieter water at the head.
10099 Today it is left
to young aboriginal story tellers to perpetuate their stories, culture and
traditions of the Sto:lo Nation, as passed down through the centuries to the
present. It is important that such a
richness of culture traditions and history be preserved for future generations
of the Sto:lo Nation and for the broader Chilliwack community to gain greater
insight and understanding of the aboriginal community.
10100 With this in mind,
CJVR will appoint a full‑time aboriginal news and community reporter and
develop a series of first nations initiatives, both in the context of spoken
word programming and CCD undertakings that are directly relevant and beneficial
to Chilliwack's aboriginal population.
10101 MS RHEAUME: Madam Chair, approval of CJVR's application
will significantly impact Canadian talent in Chilliwack and the Fraser Valley
as ROCK 89 implements its meaningful array of direct and indirect spending
initiatives and special program undertakings.
10102 CJVR brings to
Chilliwack a proud legacy of excellence, achievement and commitment to talent
development that has advanced the careers of many successful Canadian
artists. It will be ROCK 89's goal to
build on that legacy which first took root on the Saskatchewan prairies 41
years ago.
10103 CJVR's CCD plans
over seven years call for a minimum direct expenditure of $1 million, plus an
indirect on‑air expenditure budget of $1 million.
10104 The ten direct
initiatives ranging from $28,400 to $276,000 per initiative are detailed in the
supplementary brief and include: FACTOR
Talent Fund; Music Business 101; Opening Act; Horizons Unlimited; aboriginal
and non‑aboriginal journalism scholarships; Sto:lo Nation Act III on the
air; blue grass festival; Canada Day Rocks Stage; and Chilliwack Symphony.
10105 MR. FABRO: Madam Chair, central among the many positive
elements that CJVR brings to the table is my family's firm commitment as owners
to provide a high quality, locally relevant programming service to the
residents of Chilliwack that will be second to none.
10106 Chilliwack, for
its size and prosperity, is one of the most underserved radio markets in
Canada. With only one originating
service, Chilliwack is besieged by out‑of‑market stations whose
program offerings do little to reflect the identity of the community and the
real listening needs of its residents.
10107 Approval of ROCK
89 is important to the residents of Chilliwack who have been left thirsting too
long for a local FM service that represents true musical diversity and spoken
word programming that will reflect daily the unique character of their
communities and the richness of their cultural heritage.
10108 It is my family's
firm conviction that ROCK 89's diversified rock music format, locally relevant
spoken word programming and substantial CCD initiatives truly reflects our
commitment to Chilliwack's residents, its businesses and cultural communities
and emerging local talent.
10109 In turn, approval
of ROCK 89 is very important to CJVR as its need to expand our business,
enhance our competitiveness, achieve greater operating efficiencies and
position ourselves as a viable licensing alternative with a strong independent
radio voice.
10110 For all these
reasons we respectfully urge you to approve our application.
10111 My colleagues and
I will be happy to answer any questions that the panel may have.
10112 Merci, thank you.
10113 THE
CHAIRPERSON: Thank you.
10114 Commissioner
Williams will lead the questions.
10115 COMMISSIONER
WILLIAMS: Good afternoon, Mr. Fabro and
CJVR Limited panellists.
10116 MR. FABRO: Good afternoon.
10117 COMMISSIONER
WILLIAMS: In reading through the
material and some of the history of your company, I notice that over the past
18 months you have applied for nine separate licences, with seven of them being
unsuccessful and two applications, including the application currently before
us today, under consideration today, being the final two.
10118 Radio CJVR Limited
describes itself as a determined career broadcaster. Could you give me some indication of the
average cost involved of applying for licences in the various markets?
10119 MR. FABRO: It depends on the level of application and
some of the ones you see are pretty minimal; some of them are pretty upscale.
10120 I would say our
average application cost would range from $70,000 to $120,000, depending on how
much research we have to do in the market.
10121 COMMISSIONER
WILLIAMS: So, you have invested over $1
million in application fees?
10122 MR. FABRO: Well, less than a million, but we are up
there for sure. We haven't got anything
yet, but we are tenacious, we are going to keep trying.
10123 COMMISSIONER
WILLIAMS: A determined independent
broadcaster I think you described yourselves.
10124 MR. FABRO: "Determined" is the right word,
yes.
10125 COMMISSIONER
WILLIAMS: In your supplementary brief
you talk about the importance of licensing small or independent
broadcasters. Could you tell the
Commission why applicants like Radio CJVR Limited are good for the Canadian
private radio sector? What would they
add? We hear much of companies
consolidating and purchasing and buying others, and I guess does size matter,
and if size doesn't matter or if small size is better or large size, I would
like to hear that. But most importantly,
I would like to know what Radio CJVR Limited sees as licensing a company like
theirs is so good for the Canadian private radio sector.
10126 MR. FABRO: It is my belief that the smaller
broadcasters, they can react quicker in the market. Their programming isn't done from some
central headquarters in central Canada.
The way we operate is our managers on site have a great amount of
responsibility to manage what goes on the air.
10127 We have quicker
response. We can move and adjust according
to what happens in the local market. We
don't have a plug and play cookie cutter programming. We manage it according to what the community
wants, much more than a program book that is defined very clearly on what can
happen across multiple markets a lot of times with the larger broadcasters.
10128 In short, I guess
we are not just a voice in the box.
10129 In addition, we
really strive to hire locally so that it is in the life blood of those people
on the air and in the back office in terms of how they speak to the
community. They understand, they grew up
in the river swimming, they played hockey with the local arena, they collected
eggs from the henhouse in the local community.
They are not from some far away place.
10130 So, they have a
belief in the culture of the area that they serve. So, I think the smaller broadcaster and,
specifically CJVR Limited, is more in tune with the market. That way, I think too, our news and
information package is much more focused on local than I think the large broadcasters.
10131 Maybe Mr. Singer,
Ken, can add something to that or anybody else on the panel.
10132 MR. SINGER: I guess when we talk about ownership
diversity, we also just talk about something that is unique to the
marketplace. I think if you review the
many applications that you referred to, Commissioner Williams, you will see
that in each case, CJVR has not come to the table with a reworked version of
our last application. We begin from the
ground and build the application based on the community's needs.
10133 Conversely, when
we view our competitive applications, especially the bigger ones, we see a
tremendous similarity, that the name of a community may have been changed and
for the most part it is pretty well the same game plan.
10134 Just diverse
thinking and building our game plan based on the needs of the community is
quite unique as compared to the way that the bigger players do it because
understandably they are operating in many larger markets and they are employing
those ideas in many cases that work for them very well in very, very huge
markets and also just reapplying kind of the corporate traditional programming
ideas, whether it be a market of 50,000 or a market of several million.
10135 MR. FABRO: Also, I would like to add that, as you may
know, and some of the panellists and the staff may know, is that our
applications were not second rate. They
were just as good or better than some of the larger broadcasters. We didn't come here with a cap in hand
today. We have the largest CCD commitment
because we believe in what we are doing is right. You will hear more of that probably in the
question period here.
10136 So, it is not a
second‑rate application. We are
small, but we can compete. But we need
to grow in order to reach a critical mass to make this business a success, and
we are not there yet.
10137 Just another thing
on the large broadcasters, I think what happens is they tend to concentrate on
their network and how the network operates and how they can become more
efficient. You know, you can't blame
them for that because it is all about return on investment and keeping the
shareholders for some of these public companies happy. So, they tend to try to bring costs down and
bring margin up and that is where they focus on the network and try to make it
work for them more than work for the people, where I think where we come from,
we believe if we service the people, the money will come.
10138 COMMISSIONER
WILLIAMS: Earlier today one of your
competitors, Golden West Broadcasting, put forward the notion that how you
service a market is equally, if not more, important than how much CCD you put
into a marketplace in order to get a licence and, further, that the licensing
process shouldn't be in the nature of an auction procession, where the highest
bidder, I guess, takes all.
10139 What would your
comments be on that notion?
10140 MR. FABRO: I tend to agree with that. If it was all about an auction, then we
probably couldn't stand a chance because some of these larger broadcast companies
have big and deep pockets. But what we
did was we went back and looked at what the CCD commitments were for other
markets of this size, and we believe in what was offered in other cases and we
came up with what would be fair and reasonable for this market.
10141 We truly believe
what we have in our CCD commitments is going to come more locally focused than
some of the other applicants here today.
So, the injection will be good for us anyway in the long run because
what we will get back is more following from the community.
10142 I don't know if
Ken or somebody else wants to add anything to that.
10143 MR. SINGER: I think the comments made by Mr. Hildebrand
were valid, as well. But at the same
time, I also think that broadcasting today, to hold a licence today is a
tremendous privilege. We certainly wince
a little bit when we think how much of every dollar is going back to service
the CCD initiatives, but we built our game plan for this particular application
in Chilliwack based on that commitment.
10144 We are not going
to suggest a CCD figure that we can't live with. We can live with that figure. We think that it complements our all
inclusiveness of our approach to serving the community. Every one of our initiatives is directed
locally. That includes the FACTOR
funding with their letter of commitment that they will endeavour to spend the
money in the market.
10145 I think it is very
important that those initiatives work hand in hand with our overall mandate of
locally relevant service to the community.
10146 MR. FABRO: May I just add one more thing? I believe, and I couldn't swear on it, but
you may want to check this, we were the first ever to schedule our CCD
commitments as we grow our business in any application. So, that would give the operation a little
more leeway to pay it out and to make both investors and the public happy.